Marvel's "Iron Man 3" pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy's hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?Written by
When Brandt was injected with Extremis, her missing left arm grew back, but the face scars remained. See more »
A famous man once said, 'We create our own demons.' Who said that? What does that even mean? Doesn't matter. I said it 'cause he said it. So now, he was famous and that basically getting said by two well-known guys. I don't, uh... I'm gonna start again.
Let's track this from the beginning.
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This is the first Marvel film that has a prologue (the Iron Man armors are detonated) before the opening logos appear. See more »
It's time to say goodbye. No, Tony Stark will not get anywhere from us, Iron Man is still at the top of Olympus Marvel. But it will never be the same again, because the cycle of the name Robert Downey Jr. comes to the end. Enjoy the same ellipsis of a beautiful trilogy, worthy of his hero.
The third film turned out to be minimal superhero, but as human as possible. To achieve such an effect was possible because of a change of man in the director's chair - the place of joker John Favreau was taken by Shane Black. The screenwriter of The Deadly Guns received an appointment clearly in an old friendship with Downey. It so happened that the iconic for both "The Kiss" (for Robert to a lesser extent, of course) makes itself felt in the story of the "Iron Man" - if the last two films were simply "not serious", then this time we can safely be called the funniest in the trilogy. In addition to abundant jokes, some plot twists from the duo's past collaborative work are also guessed.
Robert Downey Jr. now spends much less time in a suit. After the events in New York ("The Avengers") he is overcome by panic: and suddenly something like this will happen again, suddenly Pepper will again be in danger. In a suit, fear goes, then he and Iron Man, but the battle with yourself has to lead literally with bare hands. The costume, in turn, does not disappear from the screen, it is multiplied either independently, or under the control of the skillful AI Jarvis, thereby preventing Robert's talent, the flow of which is always a little bit, but restrained by the suit. The screen time and Gwyneth Paltrow increased, for this incarnation of beloved Stark, this is actually also the last fight and this time it gives a light to the old one.
With enemies everything is much better than last time. First of all, the mysterious Mandarin. Sir Ben Kingsley and his character is SPOILER riding a spoiler, plus a spoiler and chases. It is not enough, but it surprises him fantastically, for it completely changes the preliminary opinion about the film and from fears that ZhCH3 turned into the fall of the Dark Knight, there is no trace. The second villain went to Guy Pearce. The Englishman goes deeper and deeper into the abyss of extremely negative roles, which, incidentally, is not bad, because the hostage of one role is definitely not about him.
Flashed on the screen by tradition and Stan Lee, without which there would be no comic books about Tony Stark and there would not be anything else. A few months before the premiere of Iron Man 3, the master turned 90 years old.
The funny pseudo-realism Iron Man 3 captivates. With the change of director, the film also changed, which pays more time to Tony Stark, and not to Iron Man. Who knows, Robert Downey Jr. may someday. will return to his main superhero role, but so far the film and he himself hint that it's time to move on. Finally, Marvel gives the audience a cocktail of humor, action and nostalgia, supplemented by a slice of the beloved actor and a piece of the universe after the credits.
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