The MacManus brothers are living a quiet life in Ireland with their father, but when they learn that their beloved priest has been killed by mob forces, they go back to Boston to bring justice to those responsible and avenge the priest.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
While his family thinks he's going to a corporate job each day, John Cain is really robbing banks. When he steals something from the wrong guy it sets off a series of events that unleashes a tidal wave of violence.
Hords of insane assassins (2 cute) gather in or near a bar waiting to kill an insignificant FBI pencil pusher at 3AM and collect $3M. He's kept in a safe house/bunker nearby surrounded by FBI agents. Action awaits.
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
For the last 8 years the brothers have been living with their father on a sheep farm deep in isolated Ireland. One day their uncle tells them that they have been framed for the murder of a Bostonian Catholic priest. The boys must return to Boston to not only clear their names but find the men who framed them.Written by
"Kilt Boy" Sterling Morrison
In the opening crime scene, S.A. Bloom suggests that the perp was short because the exit wounds were lower on the face than that of the "Saints", however, (in that scenario) someone taller would most likely have a downward trajectory while a shorter person would aim more more level, thus resulting in higher exit wounds. See more »
I am an avid fan of the original movie. While the concept of vigilantism has been around for decades in film, it was never communicated in such a way. The original movie was both entertaining, and made certain statements about society. After all, isn't the first purpose of film to entertain, and the second to create a message? If the first movie focused on the message, the second seemed to focus more on the entertainment. I'm OK with that. I already know what the McManus boys are all about. Still, it was refreshing to see Il Duce's beginning as a killer, even catching a glimpse of the first version of the gun vest.
I was very skeptical of Clifton Collins Jr., thinking that he would simply be a stand-in for Rocco. He wasn't. He had his own personality, although I would have liked to have seen him involved in what the boys were doing on a more personal level. It was like he was waiting for them to come along just so he would have an excuse to kill mobsters.
The humor, slow-motion gunfights, and light-hearted moments were back. During the first half, I sometimes felt the humor needed to be left behind and the serious tone needed to come into play, but the second half delivered that aspect very well, so it balances out in the end.
Julie Benz. Hmmmm. Attractive, intelligent, fun. But the southern accent is so thick I had a hard time focusing on anything else.
I would like to make a special note of how ridiculous it is for someone to dual-wield Desert Eagles, even if they have compensators attached.
Still, none of my complaints stopped me from enjoying the movie. I watched it for what it is. An over the top-low(er) budget film that was written to please fans of the original. I took it for what it is, and I think I'm better off for it.
Many people criticize Troy and the films themselves, some going so far as to say fans should go kill themselves. The internet, where everyone thinks their opinion is fact, and everyone is a hardass. If you don't like the movies, fine, but please, don't insult the intelligence of the fans. Liking something that you don't doesn't make us any less intelligent than you. If you want to pick on someone, pick on the Twilight fans that think those movies are a real representation of love and vampire mythology.
I hear Troy can be a bit of a douche. Maybe that's true, maybe it isn't. What isn't true, is that the movies do not rip off of Tarantino. I like Tarantino's work, but he was not the first person to do the flashback narrative, dual wielding of pistols, slow motion gunfights, etc. etc. That's like saying Halo was the first good shooter. All movies borrow elements from one another. They're called themes and archetypes.
All in all, an enjoyable film that gives the fans a taste of what they've been missing for ten years. The editing is a little spotty at times, and not everything hits the right beat, but simply to see the boys in action again was enough to make me smile and laugh out loud, and once again, isn't that what movies are supposed to do? Its supposed to entertain us.
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