The MacManus brothers are living a quiet life in Ireland with their father, but when they learn that their beloved priest has been killed by mob forces, they go back to Boston to bring justice to those responsible and avenge the priest.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
While his family thinks he's going to a corporate job each day, John Cain is really robbing banks. When he steals something from the wrong guy it sets off a series of events that unleashes a tidal wave of violence.
Hords of insane assassins (2 cute) gather in or near a bar waiting to kill an insignificant FBI pencil pusher at 3AM and collect $3M. He's kept in a safe house/bunker nearby surrounded by FBI agents. Action awaits.
When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
For the last 8 years the brothers have been living with their father on a sheep farm deep in isolated Ireland. One day their uncle tells them that they have been framed for the murder of a Bostonian Catholic priest. The boys must return to Boston to not only clear their names but find the men who framed them.Written by
"Kilt Boy" Sterling Morrison
In the scene in the Silver Peso there's beer and nachos on the table the brothers sit at with Romeo and his uncle. This is a nod to the fan forums where newcomers were asked to bring Beer and Nachos when introducing themselves. See more »
During the meeting of the Dons, Yakavetta states that the Saints killed his father, then goes on to say "mi Padrino" which means my godfather. Clearly a contradiction, as a son would never refer to his father as "godfather" even within the "families". See more »
Not quite what I had hoped for after 10 years, but good none the less
For those of us who have been cult fans of the original, the last ten years have been a long ten. It was only a short while after the first film that they announced a sequel, but that sequel never came about. Then, finally, after all this time, here we are with All Saints Day, and it's a film that should entertain most, if not all fans. Unfortunately, it isn't quite the sequel I had hoped for.
Saints II picks up with the Saints having moved to Ireland after their vigilante spree throughout Boston. When a priest is killed in Boston, the Saints return to find the killer and take out everyone involved. The story soon opens up into a deeper plot about past sins coming back to haunt their characters.
All Saints Day continues the duologue slick, trigger happy style of the first film with rapid fire gun play, film homages, and snapfire duologue that is throughly entertaining. The gun play here is even more stylized, and it makes for some very entertaining action packed scenes that should please everyone who loved the first film. Most of the old cast has returned, and then there is the new cast, who bring some entertaining acting chops with them, mostly in the form of comic relief. Suffice to say, everything you liked about the first one is here, so if you were a fan of that film, you'll most likely love the sequel.
Unfortunately, All Saints Day isn't quite up to par with that first film. Where the first film had a natural flow to it, the sequel is somewhat disjointed, and the cast seems to try too hard. While everyone is real cool and funny, a lot of it seems to be too over the top, and after a while it begins to work against the film. Julie Benz and Clifton Collins Jr. try to make up for their first films counterparts, that being Wilem Defoe and David Della Rocco respectively, but are poor substitutes. Where these characters from the first one seemed to be very natural and perfect in their element, the new cast members seem to be trying to make up for a lack of said characters, and it shows. There are also several silly and useless scenes that, while creative, are out of place and could have very well been left out of the film. In particular is a dream sequence with a character from the first film and a scene with Julie Benz character as a cowgirl.
Fortunately, the end of the film is save by a fantastic climax headed by Billy Connely and Peter Fonda. Their scene at the end is some of the best written stuff of either of the films and these veteran actors bring all their chops to this film. Adding to this is a very pleasant bit part from a Boondock Saints favorite that should leave fans smiling as they leave the theater.
Saints II is a film for the fans, that's for sure. It may even encourage some to go see the first if they haven't seen it already, though this isn't all that likely. But, this is a very entertaining and decently written film that continues this great vigilante tale and may even lead to more. As fans, we can only hope to see more of the Saints in the future.
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