(2019)

Critic Reviews

35

Metascore

Based on 28 critic reviews provided by Metacritic.com
63
Yes, this remake is old fashioned, and maybe the “mark” (Alex Sharp of “How to Talk to Girls at Parties”) is a tad green and less interesting. But sometimes, it’s fun watching two wildly different stars mix it up in sumptuous settings, and seemingly have a ball doing it.
60
The Hustle, fun as some of it is, is a tall fizzy drink in which the fizz never completely rises to the top of the glass.
58
When The Hustle succeeds — in fits and starts, and with occasional big laughs — it’s wholly thanks to the dedication of Hathaway and Wilson, who throw themselves into thinly written roles (the film somehow required four screenwriters) that they spice up by bringing their A-game to material that’s beneath them.
50
The new film is ripe for big laughs with Anne Hathaway and Rebel Wilson as, respectively, the snobby British bombshell with sticky fingers and the rough-around-the-edges though equally cunning con artist, but neither actress is given rich enough material to bring the film’s most interesting ideas to the finish line.
50
Though the 55 year-old plot's bones are sturdy and its new performers gifted, moviegoers hoping for a mercilessly funny post-Weinstein revenge fantasy (its poster declares: "They're giving dirty rotten men a run for their money") will walk away feeling conned.
50
There are a few legitimately great throwaway lines, and a few vaguely offensive ones. But the movie feels so fast and cheap that it’s hard not to wonder why they’ve made it at all, other than to jump on a small and so-far underwhelming trend in gender-swapping ‘80s remakes (see also: Ghostbusters, Overboard).
38
Wilson and Hathaway don’t click. The characters feel as if they were workshopped separately, and efforts to combine their comic energy on screen fall flat.
38
Well, it’s a dud. Nothing quite clicks.
20
Anne Hathaway detonates a megaton blast of pure unfunniness in this terrifying film.
16
The Hustle is profoundly stupid and it treats its audience as though they’re even less intelligent than it is.

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