A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London's criminal underworld seizes an opportunity to assume another man's identity -- transforming into an avenging angel in the process.
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukrainian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Bishop thought he had put his murderous past behind him, until his most formidable foe kidnaps the love of his life. Now he is forced to complete three impossible assassinations, and do what he does best: make them look like accidents.
Tommy Lee Jones
Detective Sergeant Tom Brant who is dispatched to take down a serial killer hell bent on killing off the police force one by one. "The Blitz" manages to slip through the grasp of Tom every time, and with the precious lives of his colleagues diminishing one by one, Tom is led to the question: if we can't protect our own, then what good are we?Written by
Having read the reviews, and agreeing with most of them, I'm a little surprised the film scores so highly. Surely it rates mid-range obscurity at best? The comments about unnecessary/unresolved sub-plots, completely unrealistic event turns, and lack of character depth are all absolutely spot on, as is the 'Ronseal' analogy. But the weak, predictable and incredibly rapid ending left us quite empty. It was more suited to an American TV series where an advert break happens just before 'Columbo gets his man'. There were also some terrible continuity gaffs, especially relating to time of day and weather (look especially before, during and at the end of the hotel to trains chase). Come on British cinema, you can do better than this!
72 of 112 people found this review helpful.
Was this review helpful to you?
| Report this