On a summer break from college, a young epileptic woman struggles to balance her feelings for her fledgling boyfriend while her friend Al crashes with her for the season.
On a summer break from college, a young epileptic woman struggles to balance her feelings for her fledgling boyfriend while her friend Al crashes with her for the season.
The title of the film is a play on a song (The Exploding Boy) which was on the b-side of the single "In Between Days" by The Cure. "In Between Days" had been used by the director and his wife as a title to a previous movie and so they decided to adapt "The Exploding Boy" to The Exploding Girl for the purpose of this film (as explained by the director himself on 14th Nov 2009 at the 50th International Film Festival of Thessaloníki, Greece). See more »
Zoe Kazan's performance in The Exploding Girl was nuanced and heartfelt, but unfortunately diluted by her extensive screen time. The film spent ENTIRELY too much time lingering on Ivy staring contemplatively into the distance (an indulgence that plagues many indie films). For me, this was the only major flaw, and I felt that the movie overcame it. The cinematography was otherwise really beautiful, looking at the world in ways we don't usually think to look at it. The characters were real people, if not fully developed. They provided an honest look into the lives of modern young adults, whose relationships are sustained but also often trivialized by technology, like Ivy's ever-present cell phone.
This film is subtle, sincere and complex, and I'd recommend it if you're willing to sit through slow-moving scenes and lengthy shots of self-consciously thoughtful Ivy. If nothing else, the last minute of the film is a miraculous moment that absolves all its prior sins.
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Zoe Kazan's performance in The Exploding Girl was nuanced and heartfelt, but unfortunately diluted by her extensive screen time. The film spent ENTIRELY too much time lingering on Ivy staring contemplatively into the distance (an indulgence that plagues many indie films). For me, this was the only major flaw, and I felt that the movie overcame it. The cinematography was otherwise really beautiful, looking at the world in ways we don't usually think to look at it. The characters were real people, if not fully developed. They provided an honest look into the lives of modern young adults, whose relationships are sustained but also often trivialized by technology, like Ivy's ever-present cell phone.
This film is subtle, sincere and complex, and I'd recommend it if you're willing to sit through slow-moving scenes and lengthy shots of self-consciously thoughtful Ivy. If nothing else, the last minute of the film is a miraculous moment that absolves all its prior sins.