The title of the film is a play on a song (The Exploding Boy) which was on the b-side of the single "In Between Days" by The Cure. "In Between Days" had been used by the director and his wife as a title to a previous movie and so they decided to adapt "The Exploding Boy" to The Exploding Girl for the purpose of this film (as explained by the director himself on 14th Nov 2009 at the 50th International Film Festival of Thessaloníki, Greece). See more »
Hvernig á að særa vini sína
Performed by Andhéri
Written by Örvar Smárason & Gunnar Örn Tynes
Courtesy of the Andhéri See more »
sweet and heartfelt
I am always grateful to see films like "The Exploding Girl" that rely on an economy of cinematic technique to tell a story that is about very human topics in way that makes the viewer engage. It is eminently visual, as a move should be. Listening to the audio track would leave you with nothing grasp. The lack of explication only intensified the sense of youthful tragedy for things that go unsaid and opportunities missed. There's always a problem for some people about small, personal films like this one: they aren't big, flashy or hair-raising. What this film zeroed in on is the pain and uncertainty of youth, and especially of young love. To that end, it was poignant and dead on.
The only real problem I have to make about this film is that the filmmakers got too carried away with street-level camera shots that were willing to allow anything and anybody that intervened between the actors to stay in the shot, which resulted in a couple of overlong shots of blurred-out passersby or their body parts to obscure the characters. Okay, I get it that Ivy was just one more passenger on the train; but the indeterminate dark mass of fellow passenger blocking the shot for 15 or 20 seconds was just plain clunky.
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