Scott Thorson, a young bisexual man raised in foster homes, is introduced to flamboyant entertainment giant Liberace and quickly finds himself in a romantic relationship with the legendary pianist. Swaddled in wealth and excess, Scott and Liberace have a long affair, one that eventually Scott begins to find suffocating. Kept away from the outside world by the flashily effeminate yet deeply closeted Liberace, and submitting to extreme makeovers and even plastic surgery at the behest of his lover, Scott eventually rebels. When Liberace finds himself a new lover, Scott is tossed on the street. He then seeks legal redress for what he feels he has lost. But throughout, the bond between the young man and the star never completely tears.Written by
Jim Beaver <firstname.lastname@example.org>
The Liberace Foundation in Las Vegas owns many of the original portraits from the pianist's famous home. However, the paintings which appear in the film are all recreations, with the original facial features altered to resemble Michael Douglas. See more »
At the funeral Mass at the film's end, the congregation's response to the priest's opening liturgical greeting "The Lord be with You" is .."and with your spirit". This is a well known change made recently. The funeral takes place in 1987 where the liturgical response would still have been, "And also with you." See more »
[goes outside to deliver Scott some food]
He made you a pesto panini.
Oh. Did you, uh... did you bring my Fresca?
[Carlucci says nothing, looks disapprovingly at him]
Here's what's gonna happen. You listening? You think you're so hot and sexy with your hard ass and that bisexual bullshit. You know how many there have been? Bobby, Hans, Chase, oh and some country boy stripper who was so dumb, he wore his G-string backwards. He got rid of all of them, but I'm still here. And one day, ...
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I decided to watch this film on HBO because I thought it would be a hoot - one of those catastrophic and pretentious productions which are so laughable. Within 20 minutes I realized that the film was rather important. Michael Douglas captures the late Liberace's mannerisms and voice with astonishing ease. He is quite stellar in his performance, and I see him now in a new light. Matt Damon is excellent as Scott, his protégé. The personages involved are deeply complex, even if one is only familiar with the contemporary "National Enquirer" reports one realizes their is something one can not quite understand about "Lee & Scott's" relationship. Douglas and Damon are brilliant in delving into these characters. They are unrecognizable, at times, from the familiar roles we all know of them. I think the film well worth watching. As a bonus, Matt Damon shows his bum on several occasions, for those who are interested; if not, one cannot help but be interested in the wonderful performances from two of Hollywood's great stars! A courageous undertaking well done indeed!!!
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