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Behind the Candelabra (2013)

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A chronicle of the tempestuous six year romance between megastar singer, Liberace, and his young lover, Scott Thorson.

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(screenplay), (book) | 1 more credit »
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2,055 ( 239)
Won 2 Golden Globes. Another 41 wins & 48 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Scott Thorson
... Bob Black
... Lou
... Assistant Director
... Director
Tom Roach ... Stunt Actor
Shamus Cooley ... Camera Assistant
John Smutny ... Sound Mixer
... Rose Carracappa
... Joe Carracappa
... Liberace
... George Liberace
... Frances Liberace
... Dora Liberace
... Billy Leatherwood
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Storyline

Scott Thorson, a young bisexual man raised in foster homes, is introduced to flamboyant entertainment giant Liberace and quickly finds himself in a romantic relationship with the legendary pianist. Swaddled in wealth and excess, Scott and Liberace have a long affair, one that eventually Scott begins to find suffocating. Kept away from the outside world by the flashily effeminate yet deeply closeted Liberace, and submitting to extreme makeovers and even plastic surgery at the behest of his lover, Scott eventually rebels. When Liberace finds himself a new lover, Scott is tossed on the street. He then seeks legal redress for what he feels he has lost. But throughout, the bond between the young man and the star never completely tears. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Plot Synopsis

Taglines:

"Too much of a good thing is wonderful"


Certificate:

TV-MA | See all certifications »

Parents Guide:

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Details

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Release Date:

7 June 2013 (UK)  »

Also Known As:

Liberace  »

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Box Office

Budget:

$23,000,000 (estimated)
See more on IMDbPro »

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Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

The New York Times obituary for composer Marvin Hamlisch, who died on August 6, 2012, revealed that before Hamlisch's death, he had already completed the score for the film, which did not air until almost a year after his death. The film is dedicated to him. See more »

Goofs

Liberace's mother is playing a slot machine at the beginning of a scene set in 1981. She died in 1980. See more »

Quotes

Liberace: [to Seymour on the phone] Seymour? I told you not to call this number.
Seymour Heller: [into the phone] Hi, Lee. I'm sorry, I have to talk to you about these dates. We've got six months of bookings.
Liberace: I already told you the dates I would do. I'm not working after Thanksgiving during the holidays.
[quietly to Scott]
Liberace: Especially now.
Seymour Heller: But you can make double on holiday shows. Take a vacation later.
Liberace: Seymour, I do not want to be the richest piano player in the grave. Forget it.
Scott Thorson: No definitely not. You're already working ...
[...]
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Soundtracks

It's Beginning to Look Like Christmas
Written by Meredith Willson
Performed by Johnny Mathis
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
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Frequently Asked Questions

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User Reviews

 
HBO Is The Hero Here
9 August 2014 | by See all my reviews

Congrats to HBO for having the guts to produce a script which mainstream studios refused to consider. "Behind The Candelabra" gives us a story about Liberace's personal life, from the POV of his one time lover, "blond Adonis" Scott Thorson. The plot spans some ten years, from 1977 to Liberace's death in 1987.

Aside from his public persona, Liberace (Michael Douglas) comes across as egotistical, daring, self-absorbed, and to some extent old-fashioned in his values and beliefs. Scott Thorson (Matt Damon) comes across as passive, a tad lazy, and lacking in foresight and intellect. The plot's first half presents us with a love story. In the second half, reality sets in. One gets the feeling that though there may have been love between the two, Scott is just one more object for Liberace to collect, which was easy for him given his wealth. That kind of material relationship speaks poorly of both men.

This film has a big cast, and some well-known names. Rob Lowe is terrific as a humorously bizarre plastic surgeon. Debbie Reynolds, as Lee's elderly mother, is so good that she is unrecognizable. Nearly all of the actors give fine performances. Michael Douglas especially deserves credit given that Liberace's mannerisms and image are so well known.

Lavish custom costumes, detailed and elaborate production design, tons of subtle and not-so-subtle makeup all combine to add enormously to the story's credibility, as does the cinematography. Interior lighting makes Liberace's on-stage performances come alive. Music is, not unexpectedly, what Liberace liked, to some extent stuffy and old-fashioned.

I was never a Liberace fan. But he was a much-beloved entertainer and talented pianist, who had a long show business career. That the Hollywood studios turned this script down tells us a great deal about Hollywood. The real hero in this film is not a character so much as it is HBO. Maybe there is hope that quality films can still be made, despite cowardly industry insiders.


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