Behind the Candelabra
is a TV movie starring
Michael Douglas, Matt Damon, and Scott Bakula.
A chronicle of the tempestuous six year romance between megastar singer, Liberace, and his young lover, Scott Thorson.
Scott Thorson, a young bisexual man raised in foster homes, is introduced to flamboyant entertainment giant Liberace and quickly finds himself in a romantic relationship with the legendary pianist. Swaddled in wealth and excess, Scott and Liberace have a long affair, one that eventually Scott begins to find suffocating. Kept away from the outside world by the flashily effeminate yet deeply closeted Liberace, and submitting to extreme makeovers and even plastic surgery at the behest of his lover, Scott eventually rebels. When Liberace finds himself a new lover, Scott is tossed on the street. He then seeks legal redress for what he feels he has lost. But throughout, the bond between the young man and the star never completely tears.Written by
Jim Beaver <firstname.lastname@example.org>
The Liberace Foundation in Las Vegas owns many of the original portraits from the pianist's famous home. However, the paintings which appear in the film are all recreations, with the original facial features altered to resemble Michael Douglas. See more »
Scott's foster parent house had Sanitas wall covering with the plaid and wheat pattern in the kitchen area which wasn't available until after 1983. See more »
I want to be everything to you, Scott. I want to be father, brother, lover, best friend.
See more »
Congrats to HBO for having the guts to produce a script which mainstream studios refused to consider. "Behind The Candelabra" gives us a story about Liberace's personal life, from the POV of his one time lover, "blond Adonis" Scott Thorson. The plot spans some ten years, from 1977 to Liberace's death in 1987.
Aside from his public persona, Liberace (Michael Douglas) comes across as egotistical, daring, self-absorbed, and to some extent old-fashioned in his values and beliefs. Scott Thorson (Matt Damon) comes across as passive, a tad lazy, and lacking in foresight and intellect. The plot's first half presents us with a love story. In the second half, reality sets in. One gets the feeling that though there may have been love between the two, Scott is just one more object for Liberace to collect, which was easy for him given his wealth. That kind of material relationship speaks poorly of both men.
This film has a big cast, and some well-known names. Rob Lowe is terrific as a humorously bizarre plastic surgeon. Debbie Reynolds, as Lee's elderly mother, is so good that she is unrecognizable. Nearly all of the actors give fine performances. Michael Douglas especially deserves credit given that Liberace's mannerisms and image are so well known.
Lavish custom costumes, detailed and elaborate production design, tons of subtle and not-so-subtle makeup all combine to add enormously to the story's credibility, as does the cinematography. Interior lighting makes Liberace's on-stage performances come alive. Music is, not unexpectedly, what Liberace liked, to some extent stuffy and old-fashioned.
I was never a Liberace fan. But he was a much-beloved entertainer and talented pianist, who had a long show business career. That the Hollywood studios turned this script down tells us a great deal about Hollywood. The real hero in this film is not a character so much as it is HBO. Maybe there is hope that quality films can still be made, despite cowardly industry insiders.
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