Scott Thorson, a young bisexual man raised in foster homes, is introduced to flamboyant entertainment giant Liberace and quickly finds himself in a romantic relationship with the legendary pianist. Swaddled in wealth and excess, Scott and Liberace have a long affair, one that eventually Scott begins to find suffocating. Kept away from the outside world by the flashily effeminate yet deeply closeted Liberace, and submitting to extreme makeovers and even plastic surgery at the behest of his lover, Scott eventually rebels. When Liberace finds himself a new lover, Scott is tossed on the street. He then seeks legal redress for what he feels he has lost. But throughout, the bond between the young man and the star never completely tears.Written by
Jim Beaver <firstname.lastname@example.org>
In a January 2013 interview with the New York Post, director Steven Soderbergh said that the film was originally intended for theatrical release, but was ultimately produced by and aired on HBO instead because the story was seen as "too gay" by all of the major Hollywood studios: "Nobody would make it, we went to everybody in town. They all said it was too gay. And this is after Brokeback Mountain (2005), by the way, which is not as funny as this movie. I was stunned. It made no sense to any of us." Despite this, the film was selected to compete for the Palme d'Or at the 2013 Cannes Film Festival, where it received its worldwide premiere. It was also theatrically released in Europe and the rest of the world. See more »
The tailor uses the wrong end of the tape to measure Scott's waist during the montage where Liberace takes him shopping for a suit. See more »
For a film about a gay relationship - I had my doubts when I discovered the two male leads were to be played by straight men, but I couldn't be more convinced by their on-screen personas.
The kitch was eye-wateringly OTT, Douglas superbly needy yet controlling and Damon sucked into the whole charade. Rob Lowe's performance had me recoiling with his creepiness/plastic surgery face and it couldn't be farther from his more mainstream performances. For a role that appeared for only a few minutes - it stuck with me long after the film was over.
All in all, a very solid biopic film that unfortunately won't be Oscared as its been shown as TV movie in the USA. A great shame - Douglas and Damon deserve nominations - their *chemistry* is totally believable.
Final point - either Douglas is a superb pianist or the CGI of his hands on the keyboard is first rate!
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