A psychic doctor, John Clancy (Sir Anthony Hopkins), works with an F.B.I. Special Agent (Jeffrey Dean Morgan) in search of serial killer Charles Ambrose (Colin Farrell). After having lived in isolation for two years, since the death of his daughter, Clancy is asked by his friend Joe, an F.B.I. Special Agent to help him solve several murders committed by a serial killer. The problem is that Ambrose is also psychic, and far ahead of Clancy.
At the 10:35 mark when John (Anthony Hopkins) is listening to the aria from La Boheme, the character Rodolpho from the opera sings (in Italian) "Who am I?" just as the words "Who am I?" appear on screen as part of the case file John is starting to review. See more »
While John, Joe, and Katherine are in the conference room ,the camera pans left to right. The camera is on a cart of some type and it is visible as it is being pushed in front of the half wall. See more »
The supernatural element aside, this is a generic and clichéd serial killer chase. The premise boasts interesting ideas but fails to incorporate them in the plot in any way that gives the movie depth. The intrigue of the psychic powers within the film fades as the plot drags towards the finale and the last scene kills it off entirely.
Anthony Hopkins, Colin Farrell and Abbie Cornish have all proved, the former especially, that they have the ability to carry themselves in a blockbuster - though this film would hardly even qualify as such. Hopkins phones in a performance with small highlights few and far between. Farrell seems to give it his all but shining in a flick filmed so generically that it's almost laughable appears to be a tougher task than he could have anticipated. Cornish is decent but with the exception of a scene designed to pull on the audience's heartstrings has few opportunities to show off what she can do.
Camera shots float and zoom-in partially making the film feel almost like a spoof of the genre.
The psychic element does provide some interesting imagery as well as allowing for possible scenarios to be shown to the audience from the perspective of Hopkins and Farrell. However, much of the imagery appears irrelevant and it's inevitable explanation does not justify it's inclusion enough for the audience to have appreciation of it.
In conclusion, the film is bold to boast an original idea in a time where cinema is dominated by sequels, remakes and reboots. Nonetheless, much of the film reeks of cop drama generalisations alongside an underdeveloped supernatural element. On TV it might be worth a watch but I feel it isn't worth the price of a cinema ticket.
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