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The Social Network (2010)

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Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.

Director:

David Fincher

Writers:

Aaron Sorkin (screenplay), Ben Mezrich (book)
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728 ( 64)
Won 3 Oscars. Another 165 wins & 168 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jesse Eisenberg ... Mark Zuckerberg
Rooney Mara ... Erica Albright
Bryan Barter Bryan Barter ... Billy Olson
Dustin Fitzsimons ... Phoenix Club President
Joseph Mazzello ... Dustin Moskovitz
Patrick Mapel Patrick Mapel ... Chris Hughes
Andrew Garfield ... Eduardo Saverin
Toby Meuli ... Phoenix Member Playing Facemash
Alecia Svensen ... Girl at Phoenix Club
Jami Owen Jami Owen ... Student Playing Facemash
James Dastoli James Dastoli ... Student Playing Facemash
Robert Dastoli Robert Dastoli ... Student Playing Facemash
Scotty Crowe ... Student Playing Facemash
Jayk Gallagher ... Student Playing Facemash
Marcella Lentz-Pope ... Erica's Roommate
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Storyline

On a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg sits down at his computer and heatedly begins working on a new idea. In a fury of blogging and programming, what begins in his dorm room soon becomes a global social network and a revolution in communication. A mere six years and 500 million friends later, Mark Zuckerberg is the youngest billionaire in history... but for this entrepreneur, success leads to both personal and legal complications. Written by Columbia Pictures

Plot Summary | Plot Synopsis

Taglines:

Punk, genius, prophet, traitor, billionaire See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content, drug and alcohol use and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Language:

English | French

Release Date:

1 October 2010 (USA) See more »

Also Known As:

The Social Network See more »

Filming Locations:

Andover, Massachusetts, USA See more »

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Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend USA:

$22,445,653, 4 October 2010, Wide Release

Gross USA:

$96,962,694

Cumulative Worldwide Gross:

$224,920,315
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Despite the fact that director David Fincher has been a big proponent of digital filmmaking since Zodiac (2007), this is his first film to have been completely shot digitally (both Zodiac and The Curious Case of Benjamin Button (2008) had certain shots/segments shot on film). See more »

Goofs

When Sean Parker is introduced, he is in bed and makes a crack to a girl about her playing the trombone. The position of the blanket changes throughout the scene. See more »

Quotes

[first lines]
Mark Zuckerberg: Did you know there are more people with genius IQs living in China than there are people of any kind living in the United States?
Erica Albright: That can't possibly be true.
Mark Zuckerberg: It is.
Erica Albright: What would account for that?
Mark Zuckerberg: Well first, an awful lot of people live in China. But, here's my question: how do you distinguish yourself in a population of people who all got 1600 on their SATs?
Erica Albright: I didn't know they take SATs in China.
Mark Zuckerberg: They don't. I wasn't talking about China anymore, I was talking about me.
See more »

Connections

Referenced in Half in the Bag: The Disaster Artist (2017) See more »

Soundtracks

Man Fi Cool
Written by Roots Manuva (as Rodney Smith)
Performed by Roots Manuva
Courtesy of Big Dada Recordings
By Arrangement with Third Side Music
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Frequently Asked Questions

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User Reviews

It really shouldn't work
20 October 2010 | by rogerdarlingtonSee all my reviews

This is a film which simply shouldn't work, but it does - magnificently. A story centred on a teenager who becomes the world's youngest billionaire, a web site that reaches a million users in two years, and a cast of real life characters with names like Zuckerberg and Winklevoss just shouldn't be possible. A convoluted tale of raw conflict on the origins of a new type of web site should not lend itself to an expensive movie as opposed to a television documentary. It succeeds because it is not about the technology but about creativity and conflict and about friendship and betrayal. It succeeds because of a magical combination of accomplished direction, scintillating dialogue and superb acting.

The direction comes from David Fincher who has had variable success, all the way from "Alien 3" to Se7en", but here he is right on form with a flashy, but tightly structured, presentation that never fails to command your attention and interest. The all-important, sparkling script is courtesy of Aaron Sorkin who gave us "The West Wing" - the best television series ever - and yet apparently does not do social networking.

At the heart of the movie is a brilliant, Oscar-worthy performance from Jesse Eisenberg as the 19 year old Harvard student Mark Zuckerberg, the genius behind "The Facebook" (the social network), the unsympathetic anti-hero of the adventure, a borderline sociopath variously described by women characters as "an asshole" and someone "just trying so hard to be" one. Andrew Garfield is excellent as Zuckerberg's Harvard roommate and co-founder of the site Eduardo Savarin; thanks to the wonders of CGI, Arnie Hammer manages to be terrific as both the twins Cameron and Tyler Winklevoss; while singer Justin Timberlake is a revelation as the Napster founder Sean Parker. This is a testosterone-charged fable with room for women only in minor support roles - ironic in that getting girls was the impetus for the Facebook project.

The film opens in 2003 with a breathlessly wordy encounter and closes in 2009 with a poignantly wordless scene. In between, the story zips along at the frenetic pace characterised by the business itself. Adapted from Ben Mezrich's book "The Accidental Millionaires", the framework for the fascinating narrative is not one but two courtroom dramas or, to be more accurate, pre-trial hearings (both resulted in out-of-court settlements which tells you a lot). Clearly you shouldn't judge a book by its cover.


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