Richard Hannay, a mining engineer on holiday from the African colonies, finds London socialite life terribly dull. Yet it's more than he bargained for when secret agent, Scudder, bursts into... Read allRichard Hannay, a mining engineer on holiday from the African colonies, finds London socialite life terribly dull. Yet it's more than he bargained for when secret agent, Scudder, bursts into his room and entrusts him a coded notebook with map, concerning the impending start of Wo... Read allRichard Hannay, a mining engineer on holiday from the African colonies, finds London socialite life terribly dull. Yet it's more than he bargained for when secret agent, Scudder, bursts into his room and entrusts him a coded notebook with map, concerning the impending start of World War I. In no time both German agents and the British law are chasing him, ruthlessly c... Read all
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Featured reviews
It is all very solid stuff despite this and it is perhaps good enough to satisfy as a festive piece of easy entertainment thrown to viewers too sleepy or bloated to really cope with much more. However, outside of this home-court advantage the weaknesses are much clearer and the plot does feel too slow and unengaging. It closely follows the original film version but without anywhere near the same impact or sense of thrill or adventure. I never particularly cared about what was happening or was going to happen as it went along nor indeed felt a lot in the way of urgency or menace. These are key things to deliver but they are lacking and, as a result, so is the film. I do often defend the idea of the BBC licence fee (and continue to do so) but it is hard to see the justification or remaking something without having anything of value to really bring to it the rights to the original film must be cheaper to get and the difference could be used to make something original or more daring (accepting that it may fail). As it is, this BBC production is an example of them not delivering.
The cast are reasonable and thus fit with the overall film being "OK". Penry-Jones is strapping but bland and his character isn't consistent or believable across the film. Leonard is the same as the narrative changes her but she didn't have me believing it very often. Malahide isn't a good villain. He has the potential for menace but he has nothing about him to convey it and no spark to make him stand out. Marsan is a nice find in a small role early on but is soon out of the picture a required by the film. The direction matches the general production values by being solid and sturdy but never spectacular.
The whole thing is what you hope it isn't going to be average. It isn't awful and it does provide a base level of entertainment if that is all you are looking for but I imagine that, like me, many viewers will find little of note about it and wonder why they or the BBC bothered.
RUPERT PENRY-JONES, who reminds me of a bland cross between John Lund and Leslie Howard, has the role of the man who unwittingly gets caught up in some sort of outlandish plot involving spies who are about to trigger an event that will cause WWI. He is soon accompanied on his run by a woman (LYDIA LEONARD) who refuses to believe he's telling her the truth about running from dangerous assassins who want to get hold of a coded book in his possession and kill him in the process. She becomes a willing participant in his escape plans.
From then on, it's a fast-paced yarn with a twist ending, photographed in gorgeous outdoor settings and nicely acted by the British cast. But it never achieves the menacing quality of the Hitchcock thriller and does not even include the famous magician scene from the earlier piece.
All of the adventures are unbelievably heroic on Jones' part and overly melodramatic to boot. In only one sensitively played indoor scene with the fleeing couple seeking shelter, is there any chemistry between Rupert and his co-star.
Summing up: Well-paced but lacks the tight suspense of the original '30s thriller.
Having seen the Hitchcock film and the play which uses the Hitchcock film, this 39 Steps is interesting but ultimately a downer. Hitchcock made this story his own, and anything else is going to be a disappointment.
The acting is good. Rupert Perry-Jones is an attractive lead, but he's not called upon to do very much. He's not Robert Donat, after all. Lydia Leonard is the suffragette Victoria. She's fun but she's not Madeline Carroll. There's not much, if any, suspense to be had - no being handcuffed together, no music hall scene, just a lot of chases through nice scenery.
It's worth watching to compare to Hitchcock and appreciate him all the more, but that's about it. I'd call this pleasant rather than exciting or suspenseful. There was one big surprise in a beginning apartment scene - if the film had continued like that, it would have had something.
Out of boredom, I decided to watch the 2008 version, thinking that I would turn it off and delete it within the first few scenes. I was pleasantly surprised to find that it did indeed resemble - if not follow faithfully - the original book. It held it's own. The characters were likable and well played. I thoroughly enjoyed Lydia Leonard as Victoria. They took liberties with this character, but in a satisfying way.
I will watch it again with my husband, whom I think will enjoy this as well. If you're expecting a remake of Hitchcock's movie, you'll be disappointed. Then again, I can see no reason to remake ANY of Hitchcock's films, so I was happy with this version of the book by John Buchan.
Did you know
- TriviaThe ventriloquist on the train who helps Hannay to avoid the police, is Roger De Courcey a well known British performer, who used to appear with a teddy bear named 'Nookie Bear'.
- GoofsThe three cars which feature in the film (the grey Morris that Hannay and Victoria steal, the Germans' green Darracq and Hellory's blue Humber) were all registered in the mid 1920s and are models which would not have been available in 1914 when the action in the film takes place.
- Quotes
Richard Hannay: So, what's the story?
Scudder: [hesitantly] I am a freelance agent for the British Secret Service Bureau.
Richard Hannay: My housekeeper told me you were an accountant.
Scudder: I don't make a habit of telling people that I'm a spy. Last night I was supposed to meet someone from the Bureau to exchange information, but it was a double-cross. Obviously I've been betrayed. I've been on the trail of a German espionage ring and I've tracked down their headquarters to a village in Scotland.
Richard Hannay: [sarcastically] You should contact the Weekly News. They're offering ten pounds to anyone spotting a German agent. An espionage ring could make you a very wealthy man.
- ConnectionsFeatured in Masterpiece: The 39 Steps (2010)
Details
- Release date
- Country of origin
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- Also known as
- Mật Vụ Tình Báo
- Filming locations
- Sir Walter Scott steamer, Loch Katrine, Stirling, Scotland, UK(Final shoot out scenes at the boathouse)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 30 minutes
- Color
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