7.2/10
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20 user 73 critic

Sound of Noise (2010)

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A tone-deaf cop works to track down a group of guerilla percussionists whose anarchic public performances are terrorizing the city.

Writers:

Ola Simonsson (screenplay), Johannes Stjärne Nilsson (screenplay) | 3 more credits »
8 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Bengt Braskered Bengt Braskered ... Amadeus Warnebring (as Bengt Nilsson)
Sanna Persson Sanna Persson ... Sanna (as Sanna Persson Halapi)
Magnus Börjeson Magnus Börjeson ... Magnus
Marcus Boij Marcus Boij ... Marcus (as Marcus Haraldson Boij)
Johannes Björk Johannes Björk ... Johannes
Fredrik Myhr Fredrik Myhr ... Myran
Anders Vestergard Anders Vestergard ... Anders
Axel Bergendal Axel Bergendal ... Amadeus as a Child
Nina Brundahl Warnolf Nina Brundahl Warnolf ... Mother as Young (as Nina Brunndahl Warnolf)
Martin Bergendal Martin Bergendal ... Father as Young
Bilo Frenander Bilo Frenander ... Grand-Father
Tage Persson Tage Persson ... Oscar as a Child
Benjamin Peetre Benjamin Peetre ... Policeman with Radio
Lasse Svensson Lasse Svensson ... Motorcycle Police
Paula McManus Paula McManus ... Colette
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Storyline

The narrative revolves around police officer Amadeus Warnebring, tone-deaf scion of a distinguished musical family, and his attempts to track down a group of six guerilla percussionists whose anarchic public performances are terrorizing the city. The drumming set pieces correspond to an avant-garde score with four hilariously titled movements. Where the short involved the six drummers imaginatively using standard apartment furnishings as their instruments, the feature unleashes them on an unspecified city's civic and cultural institutions. Including an amusing backstory for each of the soberly dressed drummers as well as their nemesis, music-hating investigator Warnebring, the film creates a treat for the eyes and ears from the dull, repetitive sounds of everyday life. Written by Palm Springs Internation Film Festival

Plot Summary | Add Synopsis

Taglines:

The first musical cop movie


Motion Picture Rating (MPAA)

Rated R for language and some brief nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Sweden | France

Language:

Swedish | English

Release Date:

9 March 2012 (USA) See more »

Also Known As:

Brzmienie halasu See more »

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Box Office

Budget:

€4,000,000 (estimated)

Opening Weekend USA:

$5,877, 11 March 2012, Limited Release

Gross USA:

$24,376, 8 April 2012
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

|

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

At the concert the main character's brother is conducting the 2nd movement Haydn's Symphony No 94, the Surprise. It features one loud note - a wake up note - to rouse the possibily sleeping audience, but also as a way of poking fun at the overly pretentious listeners. This fits exactly with one theme of this movie where they are poking fun at the pretentious nature of modern artists who believe everything they make is significant. See more »

Quotes

Police Chief: They won't get away with this! We're going to rid this city of musical scum!
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Crazy Credits

This is a work of fiction. Don't try this at home - electricity kills! See more »

Connections

References Music for One Apartment and Six Drummers (2001) See more »

Soundtracks

Symphony No. 94 in G Major - Surprise
Written by Franz Joseph Haydn
Performed by The Malmö Opera Orchestra
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User Reviews

 
Original, funny and groundbreaking but unsatisfactory as a film
16 February 2015 | by christian94See all my reviews

The first scene in the car is unforgettable and brilliant. The character intros are clichés but work well and bring out assured laughs. The premise is far-fetched but ingenious. Art and music terrorism is well explored and the points well taken, although the anarchist approach relies too much on the opposition to classical music in my taste as opposed to perhaps seeing it as an extension or evolution. Classical music is demonized and various forms of pop are frown upon, yet the final song which may be the best one is a popish bossa nova ballad.

The acts of terrorism are in 4 acts of a musical mastermind mayhem. The first one works the best in all aspects and especially musically while the 3 others like the rest of the movie starts to drag. Narratively, some elements are very weak and even if it is a wacky comedy makes for uninteresting moments and unreal connections. I was annoyed at many situations, reactions and characters which may be the case for some viewers.

However this film should still be seen for its inventive premise and many memorable scenes. Some scenes are beautiful and some are truly laugh out loud funny. Have a look at it and decide if you want to fast-forward some of it or claim it to be the next best thing like the Young Critics at Cannes and many others did.

And let there be silence.


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