A tone-deaf cop works to track down a group of guerilla percussionists whose anarchic public performances are terrorizing the city.A tone-deaf cop works to track down a group of guerilla percussionists whose anarchic public performances are terrorizing the city.A tone-deaf cop works to track down a group of guerilla percussionists whose anarchic public performances are terrorizing the city.A tone-deaf cop works to track down a group of guerilla percussionists whose anarchic public performances are terrorizing the city.A tone-deaf cop works to track down a group of guerilla percussionists whose anarchic public performances are terrorizing the city.
Videos1
Marcus Boij
- Marcusas Marcus
- (as Marcus Haraldson Boij)
Nina Brundahl Warnolf
- Mother as Youngas Mother as Young
- (as Nina Brunndahl Warnolf)
The narrative revolves around police officer Amadeus Warnebring, tone-deaf scion of a distinguished musical family, and his attempts to track down a group of six guerilla percussionists whose anarchic public performances are terrorizing the city. The drumming set pieces correspond to an avant-garde score with four hilariously titled movements. Where the short involved the six drummers imaginatively using standard apartment furnishings as their instruments, the feature unleashes them on an unspecified city's civic and cultural institutions. Including an amusing backstory for each of the soberly dressed drummers as well as their nemesis, music-hating investigator Warnebring, the film creates a treat for the eyes and ears from the dull, repetitive sounds of everyday life. —Palm Springs Internation Film Festival
Top review
Original, funny and groundbreaking but unsatisfactory as a film
The first scene in the car is unforgettable and brilliant. The character intros are clichés but work well and bring out assured laughs. The premise is far-fetched but ingenious. Art and music terrorism is well explored and the points well taken, although the anarchist approach relies too much on the opposition to classical music in my taste as opposed to perhaps seeing it as an extension or evolution. Classical music is demonized and various forms of pop are frown upon, yet the final song which may be the best one is a popish bossa nova ballad.
The acts of terrorism are in 4 acts of a musical mastermind mayhem. The first one works the best in all aspects and especially musically while the 3 others like the rest of the movie starts to drag. Narratively, some elements are very weak and even if it is a wacky comedy makes for uninteresting moments and unreal connections. I was annoyed at many situations, reactions and characters which may be the case for some viewers.
However this film should still be seen for its inventive premise and many memorable scenes. Some scenes are beautiful and some are truly laugh out loud funny. Have a look at it and decide if you want to fast-forward some of it or claim it to be the next best thing like the Young Critics at Cannes and many others did.
And let there be silence.
The acts of terrorism are in 4 acts of a musical mastermind mayhem. The first one works the best in all aspects and especially musically while the 3 others like the rest of the movie starts to drag. Narratively, some elements are very weak and even if it is a wacky comedy makes for uninteresting moments and unreal connections. I was annoyed at many situations, reactions and characters which may be the case for some viewers.
However this film should still be seen for its inventive premise and many memorable scenes. Some scenes are beautiful and some are truly laugh out loud funny. Have a look at it and decide if you want to fast-forward some of it or claim it to be the next best thing like the Young Critics at Cannes and many others did.
And let there be silence.
helpful•82
- christian94
- Feb 16, 2015
Contribute to this page
Suggest an edit or add missing content
More to explore
Around the web
Powered by Taboola
Recently viewed
You have no recently viewed pages
