The mandatory circumstances to watch a movie like "Dead Snow" are as follows: at a horror themed festival amongst hundreds of outrageously enthusiast and derailed fellow genre fanatics - preferably at 3am on a weekend night – and surrounded by booze and snacks. If this shouldn't be possible, try and gather as many friends together for a drunken movie night, but whatever you do, don't watch this cheerfully repugnant and positively demented movie all by yourself as it is too much of a crowd-pleaser! The formula of laugh-evoking zombie splatter movies isn't new (even Nazi zombie movies have been done before, for example "Shock Waves" and "Zombie Lake"), but spirited and ambitious young filmmakers never cease to invent original variations on the sub genre. Norwegian director Tommy Wirkola took his cast & crew high up north, for a splatter film in a beautiful and isolated snowy setting. A group of medical students – that are also die-hard horror movie freaks – trek to a remote mountain cabin for a weekend of snow scooter fun, drinking and casual sex. The first night of their arrival already, they receive a visit from a mysterious and grumpy old local who tells them a grotesquely absurd story about sinister events that occurred in the area near the end of WWII. The atmospheric tale says that fed up villagers combined forces and chased their Nazi occupants into the mountains where they all froze to death. The clique laughs away the warnings, but subsequently discovers a box of old coins that promptly resurrects an army of Nazi soldiers in a far developed state of decomposition. The first half of "Dead Snow" is slow-paced, atmospheric and full of little tributes to classic zombie movies; particularly "The Evil Dead" movies. The students are standard horror stereotypes, including the nerd and the blond bimbo, and thus the first half also contains childish pranks and gratuitous sex sequences. As soon as the Nazi zombies emerge, however, "Dead Snow" is a non-stop spitfire of blood, gore and intestines. Apparently the production of this film required 450 liters of fake blood, and that isn't nearly so surprising if you watch the end result. There's chainsaw action, decapitations, rope pulling with intestines, axe murders, machine gun concerts and disembowelment. The effects are top-notch in spite of the obvious budgetary restrictions, and the make up art on the zombies is very impressive. The rotting uniformed corpses look quite menacing, especially their leader. The snowy landscapes are beautiful picture to behold, although it's even more amusing to see the white snow color red with blood! Tommy Wirkola is a clearly talented director and hopefully a promising long career awaits him.
