Realizing that the urban legend of their youth has actually come true, two filmmakers delve into the mystery surrounding five missing children and the real-life boogeyman linked to their dis... Read allRealizing that the urban legend of their youth has actually come true, two filmmakers delve into the mystery surrounding five missing children and the real-life boogeyman linked to their disappearances.Realizing that the urban legend of their youth has actually come true, two filmmakers delve into the mystery surrounding five missing children and the real-life boogeyman linked to their disappearances.
- Awards
- 1 win & 1 nomination
- Self - Professor of Folklore, Penn State
- (as Dr. Bill Ellis)
- Self - Reporter
- (archive footage)
- Self - Reporter
- (archive footage)
- Self - Reporter
- (archive footage)
- Self - Holly Ann Hughes's Brother
- (archive footage)
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWas awarded Hammer to Nail's Grand Jury Prize for best documentary at 2009's Tribeca Film Festival.
- Quotes
Joshua Zeman: Growing up on Staten Island, Barb and I had often heard the legend of Cropsey. For the kids in our neighborhood, Cropsey was an escaped mental patient who lived in the tunnels beneath the old Willowbrook mental institution, who would come out late at night, snatch children off the streets. Although we didn't know each other as children, Barb and I had both shared versions of the Cropsey legend, as it filtered through our separate neighborhoods, and seeped into our collective fears. Sometimes Cropsey had a hook for a hand, other times he wielded a bloody axe, but it didn't matter, Cropsey *was* out there lurking in the shadows, waiting to get us.
- ConnectionsFeatures Willowbrook: The Last Great Disgrace (1972)
The film, for it's subject matter, is entertaining in a perverse way to watch. Much in the same way you might shiver at a campfire tale or watch a train-wreck with morbid curiosity. And it does provide some thrills and chills for the audience, particularly with some bizarre scenes in which it is proposed that Rand was in cahoots with, or knew members of human- sacrificing, Satanic cults. (Although, like most things in the film, this goes nowhere real fast.)
But the film feels too much like exploitation. From using the "Cropsey" urban legends and stories in a way that doesn't quite fit in well with the film (at least to me, it felt like a bit of mudslinging), to the fact that nothing is accomplished in the runntime. Nothing gels together, nor is it particularly compelling to watch.
No answers are given to any of the burning questions that the film proposes (which becomes the documentary's taunting theme- "We don't know..."), and to be honest, it makes you question everything way too much. From moment to moment, you'll hate Rand, then feel sympathy, then question if he's the real culprit, then hate him again. It's too much of a roller-coaster ride for the complete lack of payoff, and it leaves you feeling thrilled, but empty.
I give "Cropsey" a 6 out of 10. It's an eerie watch, and does have some good moments, but it doesn't accomplish anything major. It just exists for the sake of existing.
- TedStixonAKAMaximumMadness
- Jun 16, 2012
- Permalink
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Details
Box office
- Gross US & Canada
- $52,476
- Opening weekend US & Canada
- $6,306
- Jun 6, 2010
- Gross worldwide
- $52,476
- Runtime1 hour 24 minutes
- Color