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After breaking up with his childhood sweetheart, a young man finds solace in drugs. Meanwhile, a teenage girl is caught in the world of prostitution. Will they be destroyed, or will they find redemption?
Guddu and Charlie are identical twins born and raised in the slums of Mumbai. They dream of leaving the squalor behind and moving into a life of prosperity and dignity. Though they look alike, the two are as different as chalk and cheese: one lisps while the other stammers; one is an honest, diligent social worker while the other hedges bets at a racecourse. The brothers want nothing to do with each other, but when Charlie gets mixed up in a deadly get-rich-quick scheme and Guddu realizes that the love of his life has unwittingly put a price on his head, their lives begin to collide. Faced with rogue politicians, drug dealers and crooked cops, they uncover a sinister plot laid out by the 'political-police-underworld' nexus. Their stories finally converge to a point when they realize they only have each other.Written by
The kissing scene between Shahid Kapoor and Priyanka Chopra was originally not in the script, but the director decided to add it because he thought the movie was starting to look outdated and boring, along with the fact that Guddu's character mostly revolves around the fact that Sweety was pregnant. See more »
In the opening shot, Charlie is shown to be standing amidst railway tracks, beside whom a fast long-distance train passes. The area is said to be Cotton Green, Mumbai, through a text below. However, unlike shown in the movie, the area around Cotton Green does not have so many railway lines but, only two. Besides, no long distance trains pass through Cotton Green. See more »
[weeping into phone]
Bow... wow. Bow-wow.
Tashi, he wants to say that he is now your pet dog.
But I like bitches. I have far too many dogs. Shoo away... shoo...
See more »
The song "Pehli Baar mohabbat ki" pictured on Shahid Kapur and Priyanka Chopra is shown alongside the credits. See more »
Thats what Monsieur Godard would call this film - a time pass; yet reasonably after Shekhar Kapur's comment on an esteemed daily Vishal Bhardwaj is being compared widely to Quentin Tarantino, a comparison, I feel is much forced rather than reasoned. With Kaminey Vishal Bhardwaj breaks his own elan & generates what we can call India's first perfect dark comedy. Amusingly, Vishal Bhardwaj once again displays his Shakespearean love. this time morsel of 'A Comedy of Errors', yet many may disagree. A fine work by a finer film-maker. Watch this movie without 'Maqbool' or 'Omakara' in your mind.
On a totally different note, the music of this film is exceptional, well versed by another genius in his own kind - Gulzar.
A must watch.
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