A chronicle of John Lennon's first years, focused mainly in his adolescence and his relationship with his stern aunt Mimi, who raised him, and his absentee mother Julia, who re-entered his life at a crucial moment in his young life.
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The story of John Lennon's (Aaron Taylor-Johnson's) childhood and teenage years from 1944 to 1960, his relationship with his Aunt Mimi (Dame Kristin Scott Thomas) and his mother Julia (Anne-Marie Duff) - the two dominant women in the first part of his life; his first meeting with Sir Paul McCartney (Thomas Brodie-Sangster) and George Harrison (Sam Bell), their friendship, their love for music, and the birth of The Beatles.Written by
The screenplay for this movie was featured in the 2008 Blacklist - a list of the "most liked" unmade scripts of the year. See more »
After John buys the 45rpm of I Put a Spell On You, he meets up with Marie and tosses the record to his mate and goes off with Marie, ending up at one or the other's flat, where they then play the record he had just given to his mate. See more »
Why do you know so much?I mean you don't seem like the rock and roll kind of guy
What you mean because I don't go around smashing things up and
acting like a dick?
No.It's the music.That's it,just music.Simple
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Written by Therman B. Fisher
Used by kind permission of Carlin Music Corp
Performed by Eddie Bond & The Stompers
Licensed from Licensemusic.com ApS
Courtesy of Sun Entertainment Corporation See more »
I knew very little about Lennon – a Beatle, shot dead at age 40, all round musical god to millions – before seeing Nowhere Boy. I know more about him now, but not as much as I'd hope. Matt Greenleigh's screenplay, based on Julia Baird's (Lennon's sister) memoirs, covers only a small period of the rocker's life, more specifically between the ages of 16 and 20. These were the years when Lennon met his real mother and learnt the truth about how he ended up living with his Aunt Mimi. Oh, and he also met Paul McCartney and George Harrison. However the film strongly focuses on his familial issues and leaves the formation of his band as a sidenote, which is a real shame because as an ignorant fan it would have been great to learn more about the Lennon / McCartney dynamic and how The Quarrymen-cum-Beatles grabbed the world's attention.
In her sophomore effort as director, Sam Taylor Wood brings a nice artistic edge to the proceedings although her picture isn't always as compelling as it should be. There are a handful of powerful scenes that'll get the heart pumping though; a tense, all-cards-on-the-table discussion between Lennon, Julia and Mimi is Nowhere Boy at its best. With the assistance of DP Seamus McGarvey, she manages to capture the mood and gloom of 50's London extremely well, the chilly weather a perfect excuse for kids everywhere to dress like Elvis.
Perhaps most importantly, Wood has extracted a fine performance from the 19 year old Johnson; his brash, confused Lennon is never less than convincing. Always reliable, and almost stealing the show, is Kristin Scott Thomas as the stern but devoted Aunt Mimi. She gives Mimi so much depth and unsaid emotion, it is tour de force to witness. Not quite as engaging is Thomas Sangster as McCartney and Anne-Marie Duff as Lennon's completely bizarre mother Julia.
A small, but interesting insight into the musical genius that was John Winston Lennon.
3.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
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