A group of kids grow up on the short, wrong (east) side of the Sonnenallee in Berlin, right next to one of the few border crossings between East and West reserved for German citizens. The ... See full summary »
Troubled teenager Ben (16) unintentionally confronts his father Heinrich (Tukur), a successful German theatre director staging a play in Marrakesh, with his past and his neglected ... See full summary »
Sequel to Lammbock. Stefan and Kai meet again after years. Stefan became a successful lawyer in Dubai while Kai is stuck in their home town. Kai has relationship issues and is trying hard ... See full summary »
Daniel - a recent university graduate with Down's Syndrome - falls in love on his first day at work in the Department of Social Services. Laura is an outsider who spends her nights in the ... See full summary »
Isabel García Lorca
Four stories of "couchsurfers" in Stuttgart, Frankfurt, Paris and somewhere in Spain. Driven by their desire for escape and authenticity, all make beautiful encounters that would surely never have been possible otherwise.
Kosovo 2004, five years after the war. Nenad, ten year old Christian boy from a Serbian enclave, determined to create a proper community burial for his late grandfather, crosses enemy lines... See full summary »
An evocative meditation on history, Boxhagener Platz moves at an effecting pace through a Brechtian degree of character study towards the resolution of the 'who-dunnit' that drives the plot forward.
As a film, several elements come together to manifest the film's focus which is preoccupied with the nature of History. The high standards of recreation of 1960s inner city East Berlin with an exemplary attention to detail contrasts with the constant call and recall the characters make to the recent Nazi past and it's ghostly spirit uncannily pervades the very air these people breath. The conflict and all defining issue of Ideology which defined the fate of the German people living in those decades is brought into high profile. The mostly wordless observations of the child protagonist acts to show the confusion of messages and cognitive processes required to adapt to that time and place.
The film's self absorption does indeed make this a particularly German 'Heimat' film but the film is clear in it's indication of the complex social condition which demands such attention.
Despite being an adaptation of a novel, the film is very evocative of Brechtian theatre in the pacing of itself primarily through intense character study. This aspect acts as the bind which synthesises the real and ghostly echoes of the Communist and Nazi reality whose spirited co- existence defines how the film presents History as it's main subject.
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