
Red Riding: The Year of Our Lord 1980 (2009)
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- Not Rated
- 1h 33min
- Crime, Drama
- 12 Mar 2009 (UK)
- TV Movie
- 2 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Warren Clarke | ... |
Bill Molloy
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Paddy Considine | ... |
Peter Hunter
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James Fox | ... |
Philip Evans
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David Calder | ... |
Sir John Marsden
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Nicholas Woodeson | ... |
Michael Warren
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Ron Cook | ... |
Clement Smith
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Maxine Peake | ... |
Helen Marshall
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Tony Pitts | ... |
John Nolan
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Jim Carter | ... |
Harold Angus
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David Morrissey | ... |
Maurice Jobson
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Eddie Marsan | ... |
Jack Whitehead
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Sean Harris | ... |
Bob Craven
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Tony Mooney | ... |
Tommy Douglas
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Shaun Dooley | ... |
Dick Alderman
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Kenneth Oxtoby | ... |
Hotel Receptionist
(as Ken Oxtoby)
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Lesley Sharp | ... |
Joan Hunter
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John Barber | ... |
Police Officer 1
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Peter Mullan | ... |
Martin Laws
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Robert Sheehan | ... |
BJ
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Kelly Freemantle | ... |
Clare Strachan
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Julia Ford | ... |
Elizabeth Hall
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Michelle Holmes | ... |
Sharon Douglas
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Charlotte James | ... |
Karen Douglas
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Chris Walker | ... |
Jim Prentice
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Tim Beasley | ... |
Journalist 1
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Katherine Vasey | ... |
Steph
(as Katharine Vasey)
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Robert Angell | ... |
Journalist 2
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Robert Hudson | ... |
Duty Officer
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Joseph Mawle | ... |
The Ripper
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James Weaver | ... |
Sgt John Chain
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Andrew Garfield | ... |
Eddie Dunford
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Rest of cast listed alphabetically: | |||
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Benjamin Haller | ... |
Journalist (uncredited)
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Molly Howe | ... |
Gypsy (uncredited)
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Darren Whitfield | ... |
Detective (uncredited)
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Directed by
James Marsh |
Written by
Tony Grisoni | ... | () |
David Peace | ... | (based on the novel by) |
Produced by
Wendy Brazington | ... | producer |
Celia Duval | ... | line producer |
Andrew Eaton | ... | producer |
Shuna Frood | ... | producer: LipSync Post |
Peter Hampden | ... | executive producer |
Hugo Heppell | ... | executive producer |
Liza Marshall | ... | executive producer |
Jamie Nuttgens | ... | co-producer |
Kate Ogborn | ... | co-producer |
Anita Overland | ... | producer |
Music by
Dickon Hinchliffe | ... | (music by) |
Cinematography by
Igor Martinovic | ... | director of photography |
Editing by
Jinx Godfrey |
Editorial Department
Matthew Bate | ... | trainee assistant editor |
Chris Bentley | ... | d-lab operator: LipSync Post |
Alberto Buron | ... | d-lab operator: LipSync Post |
Lee Clappison | ... | additional colourist: LipSync Post |
James Clarke | ... | digital intermediate supervisor: LipSync Post |
Stuart Fyvie | ... | colourist: LipSync Post |
Scott Goulding | ... | assistant colourist: LipSync Post |
Aileen McIntosh | ... | d-lab operator: LipSync Post |
Aidan O'Brien | ... | assistant editor |
Daniel Tomlinson | ... | senior d-lab operator: LipSync Post |
Rick White | ... | VT supervisor: LipSync Post |
Casting By
Nina Gold | ... | (casting) |
Production Design by
Tom Burton | ... | (as Tomas Burton) |
Art Direction by
Sami Khan |
Costume Design by
Charlotte Walter |
Makeup Department
Nadine Al-Samarraie | ... | hair assistant / make up assistant |
Paul Hyett | ... | prosthetics |
Lesley Lamont-Fisher | ... | hair designer / make up designer |
Nicola Mount | ... | hair artist / make up artist |
Jo Sweeting | ... | make up artist (uncredited) |
Production Management
Ruth Breslaw | ... | head of production: Revolution Films |
Jane Burgess | ... | unit manager |
Jonathan Davies | ... | unit manager |
Nardia Hall | ... | unit manager |
Louise Seymour | ... | post production supervisor |
Second Unit Director or Assistant Director
Emily Brauders | ... | trainee assistant director (as Emily James) |
Martin Curry | ... | first assistant director |
Julie Heskin | ... | crowd second assistant director |
Sarah Mooney | ... | third assistant director |
Tom Rye | ... | second assistant director |
Art Department
Clare Andrade | ... | production buyer |
Andy Armstrong | ... | painter |
Mike Bartlett | ... | dressing props |
Lucy Bullen | ... | props trainee |
Simon Drew | ... | property master |
Colette Ferguson | ... | art department assistant |
Tim Gibson | ... | trainee standby props |
Jim Gray | ... | dressing props |
Julia Hall | ... | end titles: LipSync Post |
Anthony Harding | ... | storyboard artist |
Debbie Harman | ... | art department trainee |
Cyril Jackson | ... | carpenter |
Kaye Kent | ... | assistant production buyer |
Andrew Laybats | ... | painter (as Andy Laybatts) |
Duane Marshall | ... | standby props |
Daryn McLaughlan | ... | assistant art director (as Daryn McLaughlin) |
Tony O'Hara | ... | construction manager |
Arthur Orwin | ... | painter |
Colin Relph | ... | carpenter |
Graham Ward | ... | standby art director |
Howard Watkins | ... | end titles: LipSync Post |
Rod Whiting | ... | dressing props |
Sound Department
Robert Brazier | ... | foley recordist: LipSync Post |
Rachel Carberry | ... | sound assistant: LipSync Post |
Paul Davies | ... | supervising sound editor |
Chris Devlin | ... | sound trainee |
Dan Dewsnap | ... | sound maintenance |
Jack Gillies | ... | sound effects editor: LipSync Post |
Sean Hannah | ... | assistant sound editor: LipSync Post |
Sue Harding | ... | foley artist: LipSync Post |
Steve Haynes | ... | re-recording mixer |
John Pearson | ... | sound recordist |
Kallis Shamaris | ... | adr editor: LipSync Post / dialogue editor: LipSync Post |
Peter Shaw | ... | assistant sound editor |
Ian Wilkinson | ... | foley: LipSync Post |
Rowena Wilkinson | ... | foley artist: LipSync Post |
Special Effects by
Ian Rowley | ... | special effects supervisor |
Rob Rowley | ... | special effects technician |
Mark Shelley | ... | armourer |
Visual Effects by
Stefan Drury | ... | head of visual effects: LipSync Post |
Angela Stanley | ... | lead compositor: LipSync Post (as Angela Rose) |
Samantha Tracey | ... | visual effects co-ordinator: LipSync Post |
Stunts
Stuart St Paul | ... | stunt co-ordinator |
Camera and Electrical Department
Ben Appleton | ... | loader |
Neil Cook | ... | genny operator |
Phil Fisk | ... | stills photographer |
Dave Fowler | ... | electrician |
Robert Gardner | ... | camera trainee |
Chris Hewitt | ... | grip trainee |
Mark Jones | ... | grip |
Ben Knight | ... | best boy |
Eddie Knight | ... | gaffer |
Ludovic Littee | ... | additional camera / focus puller |
Paul Swann | ... | camera and equipment support |
Rick Woollard | ... | steadicam operator (as Rick Wollard) |
Casting Department
Robert Sterne | ... | casting associate |
Costume and Wardrobe Department
Doina Raducut | ... | costume standby |
Hannah Walter | ... | costume supervisor |
Location Management
Kayleigh Cruickshank | ... | location scout |
Anna Lee | ... | location manager |
Sam Simon | ... | location trainee |
Charlie Thompson | ... | location manager |
Music Department
Philip Bagenal | ... | music mixed by: Eastcote Studios |
John Barrett | ... | assistant scoring engineer |
Peter Cobbin | ... | music recorded by: Abbey Road Studios |
Dickon Hinchliffe | ... | score orchestration by / score produced by |
Andy Kitchen | ... | assistant recording engineer |
Alisdair MacAulay | ... | drums by |
Ian Neil | ... | music supervisor |
Steve Sidwell | ... | conducted by |
Lucy Wilkins | ... | orchestral contractor |
Script and Continuity Department
Jemima Thomas | ... | script supervisor |
Transportation Department
Raj Bassan | ... | unit driver |
Howard Cawthorne | ... | unit driver |
Martin Clay | ... | camera truck driver |
Ian Percival | ... | unit driver |
Chris Roden | ... | minibus driver |
Additional Crew
Reno Antoniades | ... | production legal services: Lee and Thompson |
Harvey Ascott | ... | production trainee |
Paul Atkinson | ... | chef: Chorley Bunce Catering |
Nicky Ball | ... | crew & freelance development manager: Screen Yorkshire |
Clem Blakemore | ... | assistant to Andrew Eaton: Revolution Films |
Dave Bowen | ... | assistant accountant |
Ailsa Bruce | ... | business affairs: Channel 4 |
Mark Bunce | ... | chef: Chorley Bunce Catering |
Sandra Butterworth | ... | voice & dialect coach |
Laura Clipsham | ... | legal services for RBS: Reed Smith Richards Butler |
Oliver Cockerham | ... | production assistant |
Jon Diamond | ... | representative: Lip Sync Productions |
Joe Forrest | ... | archive researcher |
Alan Fry | ... | chef: Chorley Bunce Catering |
Brian Galloway | ... | laboratory contact: Film Lab North |
Joon Goh | ... | production assistant: Revolution Films |
Boyd Harvey | ... | insurance services: Media Insurance Brokers |
Nick Hodson | ... | accounts trainee |
Josh Hyams | ... | head of television: Revolution Films |
Nadia Jaynes | ... | production co-ordinator |
Stephen Jobherns | ... | auditor: AGN Shipleys |
Claire Marshall | ... | assistant: Channel 4 |
Will Massa | ... | production co-ordinator: Screen Yorkshire |
Bronwyn McConville | ... | production: Channel 4 |
Norman Merry | ... | representative: Lip Sync Productions |
Christos Michaels | ... | legal services for LipSync: Lee and Thompson |
Richard Moore | ... | insurance services: Media Insurance Brokers |
Stephen Murphy | ... | legal services for LipSync: Lee and Thompson |
Rebecca O'Connor | ... | production: Channel 4 |
Laurence Parker | ... | production accountant |
Natasha Pilbrow | ... | production legal services: Lee and Thompson |
Rupert Rand | ... | epk |
Jim Ranyard | ... | health & safety officer |
Jim Richardson | ... | production liaison manager: Screen Yorkshire |
Lysa Sprindzuikate | ... | business affairs: Channel 4 |
John William Turner | ... | floor runner: dailies |
Daniel Wiernicki | ... | floor runner: dailies |
Hayley Williams | ... | researcher |
Richard Wood | ... | assistant accountant |
Robert Wulff-Cochrane | ... | head of development: drama: Channel 4 |
Eva Yates | ... | researcher |
Sally Joynson | ... | chief executive: Screen Yorkshire (uncredited) |
Huma Khan | ... | legal post production (uncredited) |
Sarah McCaffrey | ... | runner (uncredited) |
Rachel McWatt | ... | communications manager: Screen Yorkshire (uncredited) |
Thanks
Luke Alkin | ... | with special thanks to |
Pete Ayrton | ... | with special thanks to |
Christine Boothroyd | ... | with special thanks to: The Chambers |
Martin Cook | ... | with special thanks to |
Irene Divine | ... | with special thanks to |
Marc Evans | ... | with special thanks to |
Chris Green | ... | with special thanks to: Yorkshire Post |
Andrew Laptew | ... | with special thanks to |
Meg Leonard | ... | with special thanks to (as Meg Mistry) |
Anne Mette Lundtofte | ... | with special thanks to |
Ida Maria Marsh | ... | with special thanks to |
Fiona McGuire | ... | with special thanks to |
William Miller | ... | with special thanks to |
Geraint Owen | ... | with special thanks to |
David Peace | ... | with special thanks to |
Nicola Poupard | ... | with special thanks to |
Tessa Ross | ... | with special thanks to |
Emily Thuilliez | ... | with special thanks to: Yorkshire Post |
Production Companies
- Channel 4 (presents)
- Screen Yorkshire (in association with)
- Lipsync Productions (in association with)
- Revolution Films (in association with)
- Revolution Films (production)
- Screen Yorkshire Production Fund (supported by the)
- Channel Four Film
Distributors
- IFC Films (2009) (United States) (theatrical)
- MC4 Distribution (2009) (France) (theatrical)
- ARTE (2012) (France) (tv)
- Alliance (2009) (Canada)
- Canal+ (2011) (France) (tv)
- Canal+ (2019) (France) (tv)
- Channel 4 Television Corporation (2009) (United Kingdom) (tv)
- Ciné+ (2021) (France) (tv)
- Film1 (2012) (Netherlands) (tv) (limited)
- Kinowelt Home Entertainment (2010) (Germany) (DVD)
- Midget Entertainment (2009) (Denmark)
- Noble Entertainment (2009) (Sweden)
- Odeon (2009) (Greece) (DVD)
- Star Channel (2011) (Japan) (tv)
- TPS Star (2010) (France) (tv)
- Teleview International (2009) (Lebanon) (Middle East)
- Tubi TV (United States) (video) (streaming)
- Twin Pics (2010) (Netherlands) (DVD) (The Red Riding Trilogy)
Special Effects
- LipSync Post (VFX by)
- LipSync Post (visual effects)
Other Companies
- LipSync Post (digital grading by)
- LipSync Post (sound by)
- LipSync Post (visual effects by)
- LipSync Post (end titles created by)
- Superfad (main titles design)
- Premier PR (publicist)
- Abbey Road Studios (music recorded at)
- Eastcote Studios (music mixed at)
- Chorley Bunce Catering (catering)
- Bristol Film & TV Services (facilities)
- Colouring Book (supporting artistes)
- Imperial Personal Management (supporting artistes)
- Synch Or Swim (crowd ADR artists)
- Angels Costumiers (costumes)
- Anglo American (tracking vehicles)
- Vehicles in Vision (action vehicles)
- Film Lab North (laboratory)
- ARRI Media (camera equipment)
- ARRI Media (grip equipment)
- Fuji Film (film stock)
- Panalux Manchester (lighting equipment)
- Farnworth Scaffolding (riggers)
- Audiolink Radio Communications (communications)
- Big City Reservations (accommodation)
- Capricorn Security (security)
- Lee and Thompson (production legal services)
- Royal Bank of Scotland (financing provided by)
- Reed Smith Richards Butler (legal services for RBS)
- Lee and Thompson (legal services for LipSync)
- Media Insurance Brokers (MIB) (insurance services)
- AGN Shipleys (auditor)
- Fatts (post production script)
- The Clearing House (clearances)
- ITN Source (archive footage)
- The Yorkshire Post (with special thanks to)
- The Chambers, Leeds (with special thanks to)
- Leeds Independent Studios (filmed on location in)
- Channel 4 Television Corporation (developed with the support of)
- Royal Bank of Scotland (tax credit funding by)
- Red Riding 1980 (copyright)
- HireWorks (HD Avid equipment rental)
Storyline
Plot Summary |
With a serial killer claiming victim 13 and rumors of corruption in their force, the West Yorkshire cops are told to cooperate with a team from outside - Peter Hunter and two hand-picked associates. Hunter gets little help but plunges ahead, discovering that one of the 13 victims may have a different killer. This part of the investigation leads to late-night calls, another murder, and bureaucratic moves to push Hunter aside: he may be getting close, not to the serial killer but to bad apples in the force. Christmas approaches.
Written by |
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | The television trailers for all three Red Riding episodes bore the tagline "Based on True Events." Nevertheless, none of the characters, nor the murder victims, bear the names of real people and only a few have obvious real-life models. See more » |
Goofs | When Hunter goes to visit Laws, the door and windows are clearly made of UPVC which was not available in 1980. See more » |
Movie Connections | Featured in Dear John/Temple Grandin/From Paris with Love/Red Riding Trilogy/Frozen (2010). See more » |
Quotes |
Peter Hunter:
You don't like the police much, do you? Martin Laws: No love lost, no. Peter Hunter: So when someone kicks down your front door, kills the dog and rapes the wife, who you gonna call? Martin Laws: Well it certainly wouldn't be the West Yorkshire Police - they'd already *be* in there, wouldn't they! See more » |