This England

If you've loved the portrayal of The Royals in 'The Crown' they you'll like this time capsule based on the rise and fall of the Conservative government from mid 2019 through 20/21 with the highs of Brexit and successfully leaving it 2020 but the onslaught of the dreaded 'COVID' its all very gripping as we all lived through it in real time and losing family to it so equally hard to see it unravel in a drama but then this based on life experiences of key events.

Kenneth Branagh as the infamous 'Boris Johnson' not only puts in a brilliant performance from his gravely voice and waddle but looks exactly like him with his doting wife and look alike Carrie.. From Rishi to Hancock, all putting in a great performance, brilliant!

This England is an excellent dramatic series, perhaps too close, that portrays a very difficult period of time not only for England but for the whole world, in which some governments were incompetent, they did not know how to face the pandemic.

Being honest I have to admit that I watched the series to see Kenneth Branagh work, it's fascinating how he gets the voice, the gestures, the physicality, he becomes Boris, but what makes his performance perfect is that he doesn't judge the character, he doesn't ridicules not condemns him, Branagh shows Boris for the viewer to judge. The rest of the cast and crew also do a great job. It's worth the time, sometimes a little hard to watch but it's important not to forget what happened and where everyone was.

There is so many takeaways from this, but the stand out is the realisation that Dominic Cummings is just not very bright. In fact, I'd suggest that he is a bit of a twonk.

More generally, this is well done - it is well written, well performed, maintains a decent pace, covers the key moments of the pandemic in way that is very easy to follow. Dramatically, it generally delivers.

However, whilst Branagh, as Boris, captures the voice, the prosthetics are a problem. Winterbottom, et al, would have done well to consider Anthony Hopkins' performance as Nixon. Whilst they look nothing alike, Hopkins captured the physically of Nixon very well and built the performance up from that. I suspect that the prosthetics were an impediment and, sometimes, the physical performance, the hunch of the shoulders, the wave of the hands, the shake of the head, comes too close to parody to quite work.

The dream sequences, just to cement that Boris is a bad Dad, detracted. It was off point, added nothing, it should have been cut.

Finally, Contagion. In the first or second episode, Carrie and Boris are sat watching TV and there we find Kate Winslet explaining the reproductive properties of an imaginary virus, which just served to remind me how much better Soderbergh delivered all of this. Where this was baggy - multiple characters introduced, just to kill them off - Contagion was rigorous, tight, taut, and all the better for it. I understand what Winterbottom was trying to do: to give the hidden victims a voice - but, ultimately, Contagion delivered a greater punch through maintaining focus.

Oh, and some of those politicians - Hancock, and the like - really do belong in prison. That Tory Government really is stained in blood.

Branagh as Johnson is fantastic, after 15 minutes in you forget you are not watching the real Boris. The pace and style of the series reminds me of 2011's Contagion. The music and sound design leaves me with a continuous feeling of tension hanging in the air. The hospital scenes looks authentic, you can clearly see how misled and thus desperate the medical personnel is at times. The whole series takes you back to those days back in February and March 2020 when the whole world came to a standstill. And when noone knew when, or if this pandemic will ever be over again. A must-watch with great acting!

This series is so raw it's hard to watch at times. I had to pinch myself that only 18 months ago we were in lockdown, stuck at home, despairing at panic buying and praying for a vaccine. This dramatization is extremely well acted, all the main players are well represented, and there is a superb portrayal of the behind-the-scenes pandemonium as the pandemic progresses. The episodes covering Care Homes are especially harrowing, as is the sense of despair in the NHS. The flaw I think is that we learn very little of the virus itself, the molecular biology, the cause, how it spread, vaccine development etc. Instead the focus is on suffering, loss and political ineptitude. So it's part of the picture but not all of it.