In the underbelly of the Parisian criminal world, the Police are frustrated by a gang committing a series of violent robberies. Leo Vrinks and Denis Klein are two cops seeking promotion, ... See full summary »
Mesrine was the foremost criminal, public enemy N°1, the man most wanted in France, guilty of 39 crimes. "In the police or newspaper history, Mesrine broke all records". The film begins ... See full summary »
After growing up in a poor gypsy camp, Edmond Vidal, aka Momon, has retained a sense of family, unfailing loyalty and pride in his origins. Most of all, he has remained friends with Serge ... See full summary »
Pierre, a young man in his thirties, grew up with his two brothers in a city in the suburbs of Paris. He still lives there today with his wife, Deborah. His everyday life is divided between... See full summary »
Benoît Magimel, who was at one time set to star, stepped down from the Mesrine project without informing producer Thomas Langmann, choosing instead to issue a press release. As a result of this a fight erupted on November 25th 2004 at the Intertalent talent agency between Langmann and Magimel's agent, François Samuelson, where Langmann headbutted Samuelson and broke his nose. Samuelson was on sick leave for nine days and pressed charges against Langmann. See more »
At the Bonaventure metro station scene, when the metro arrives, a sound of the wheels screeching can be heard as the train stops. The Montreal metro has rubber wheels, so it normally stops silently. See more »
Charistmatic gangster are a staple of cinema, and Frenchman Jacques Mesrine was actually liked to the most iconic of all such figures, Bonnie and Clyde. In truth, such people are rarely heroes, but this two-part story captures excellently the psychological processes that might have transformed an ordinary man into the public enemy of his day. Vincent Cassel is very good, and the film is full of suspense; it neither demonises nor glamorises its protagonist, and interestingly, sets his story against the backdrop of the political violence of the 1970s, which had a superficial interest to Mesrine as he built his own legend. Even if you're tired of violent criminal dramas, I recommend this one: the (true) story is amazing, and told with a humanistic viewpoint rare in such films.
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