Critic Reviews



Based on 7 critic reviews provided by Metacritic.com
Not one for climactic endings or predictable histrionics, the director, David Barker (who wrote the script with Ms. Meierhans and Mr. Godere), sticks to the stylistic template of his debut feature, "Afraid of Everything," which was filmed in 1999. Preferring the tease over the tell, his films coax us into looking beneath the surface. What we find is mostly up to us.
Los Angeles Times
Replete with superior acting and visual splendor, the film is a fine instance of the overly familiar made fresh.
Barker's screenplay demonstrates a conviction that its genre can command great importance, allowing it to transcend the easy shocks associated with the exploitation movie experience and create an entirely fresh rhythm.
Some movie buffs will be amused to note slight but perceptible plot similarities between Daylight and, of all things, "The Tall T," Budd Boetticher's classic 1957 Western. To their credit, the filmmakers more or less acknowledge the influence in the closing credits.
Director David Barker creates tension by crosscutting between shots of the sun-drenched landscape and charged close-ups of the cloistered characters before delivering a bloody climax.
Village Voice
Punctuating views of the bucolic countryside and sky attest to nature or God's indifference to human suffering, but such formalist touches don't overwhelm the responsive ensemble work in this resourceful, taboo-prodding sickie.
Slant Magazine
Daylight reaches an apex of terror that it never quite tops.

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