After moving with her mother to a small town, a teenager finds that an accident happened in the house at the end of the street. Things get more complicated when she befriends a boy who was the only survivor of the accident.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
A con man, Irving Rosenfeld, along with his seductive partner Sydney Prosser, is forced to work for a wild F.B.I. Agent, Richie DiMaso, who pushes them into a world of Jersey powerbrokers and the Mafia.
Ballerina Dominika Egorova is recruited to 'Sparrow School,' a Russian intelligence service where she is forced to use her body as a weapon. Her first mission, targeting a C.I.A. agent, threatens to unravel the security of both nations.
Adam Jones (Bradley Cooper) is a chef who destroyed his career with drugs and diva behavior. He cleans up and returns to London, determined to redeem himself by spearheading a top restaurant that can gain three Michelin stars.
A celebrated military contractor returns to the site of his greatest career triumphs and reconnects with a long-ago love while unexpectedly falling for the hard-charging Air Force watch-dog assigned to him.
At minute 40:07 Pemberton and Buchanan encounter the bear. The bear that appears on screen is a grizzly, not a black bear. Grizzlies did not inhabit the Smoky Mountains of 1929. See more »
Hell, that dog's bigger than that. I thought you said there were panthers here.
I ain't seen a panther in these mountains for nine years.
What about the carcass we found up in Noland? Something mauled that.
That weren't no panther. Chest weren't torn open. They eat the heart first.
You find me an honest-to-God panther to hunt, and I'll give you a $20 gold piece.
If there's a panther still around here it's likely touched by the devil. They end up hunting you.
Well, I want one.
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I usually write a review only when my opinion drastically differentiates from what I find already contributed - when there's a dire need to tip the scale. And there is one here, to save this incredible film from the lynch mob.
This atmospheric dark period romance set in an unusual stage has a lot of human drama to offer. And this is what S. Bier is known at excelling. And pouring it on, which obviously irritates some part of the audience. But it is all done with a lot of taste for timing, with a good and fresh modern editing which disposes of most needless parts of the action and instead rather reserves that time for us to think about it all during the breaks of foggy Smoky Mountains scenery. (Obfuscation plays a leading role here, and this landscape couldn't be a better choice.)
Film is layered with appropriately somber music used/mixed with subtlety, and likewise its gorgeous photography has been wonderfully appreciated by the edit which understands its visual potential. This is one of those rare instances where a pattern of hand-held closeups doesn't seem gratuitous, but does manage to bring us closer to the characters. Beside this being the result of the strong characters themselves, it is also a combination of a slower, not-frenetic pace, with a lot of static masters too.
While there might be some unbelievable decisions the characters make in this story, we need to remind ourselves that instead of treating this as a negative, these are the emotional extremes we should be welcoming, in an emotional rawness which needs appreciation. At the end, it is an emotional and symbolic theater in which all the elements and symbols have and live to deliver their wonderfully intertwined meanings.
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