Aloha

It is not easy to encapsulate Aloha in a genre. It's not the usual Rom-Com, although the argument might lead one to believe that yes. The main thread describes the dramatic arc of a man centered on his work, capable of loving, but with difficulty to engage in lasting relationships. In addition, the film explores some manifestations of Hawaiian culture and parody some clichés about military conflicts and conspiracies, with unequal effectiveness.

The speed with which Aloha travels from one genre to another, sometimes in the middle of the same scene or dialogue, must have confused more than one viewer. It is understood that it has not reached a greater success, between the public and the critic.

But Aloha has beautiful details to watch and taste, combining serious and emotive subjects with a fine humor, in a delicate balance.

Also, it is a film with an outstanding casting. The protagonists do their work. Rachel McAdams is charming. It's a pleasure to see Bill Murray. And it is remarkable the discovery of Danielle Rose Russell, a young actress who delivers a memorable performance, to close a light and touching film, that tackles serious issues without taking them too seriously.