"Godspeed" is an intense, dramatic thriller set in the lingering light of the Alaskan midnight sun. Charlie Shepard is a modern day faith healer, a man who claims that if you let go and ...
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"Godspeed" is an intense, dramatic thriller set in the lingering light of the Alaskan midnight sun. Charlie Shepard is a modern day faith healer, a man who claims that if you let go and believe, then his power to heal is very real indeed. Living a hand-to-mouth, blue collar existence with his wife Rebecca and young son, Charlie ekes out a meager living from his "healing" sessions. With his marriage failing, and an old drinking habit coming back to haunt him, his family is brutally murdered by unknown assailants for seemingly no reason whatsoever. Six months later, Charlie has abandoned his former life and the house his family lived in, moving through the days' slow existence more like a ghost than a man. But then a young, mysterious girl named Sarah appears in town, and seeks out Charlie. She will become the link to his family's killings and to the murderers themselves, ultimately leading to tragic, violent consequences for all. "Godspeed" is a film that explores faith, grief, and the...Written by
There's a darkness bourne of the centuries, bourne of the pain that it takes to live the day. It's long lost on the ages, but it courses through everybody's blood. I guess even mine. Now, after all of this, I've come to wonder why we're so surprised when it wells up and bursts back into the light of our lives - and we've know all along, it's wrapped up in us, dug deep into the fibers of our own flesh. I'd eat it away if I could. We all would. But then, we'd only be half a person, ...
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The premise of this film was more than adequate. The actors were adequate.
The body of writing was not. At all.
He stands there, his back faced to her. She runs a monologue about how jealous she was of his wife. Not only is the whole long-monologue-to-a- person's-back thing REALLY teenage-soap-opera corny, but every single one of her lines in the speech was forced. It sounded like she was reading a script, not saying it from her heart - and it wasn't the fault of the actress. I was actually impressed by her delivery, because the lines were just really, really bad.
And it's like that throughout every important part of this film.
When the brother is preaching to his communion of teenagers? YIKES. Just wow.
Screenwriter needs to go back to the drawing board with how he writes dialogue. He sucks. Bad.
Everything else about this film was alright. Actually, everything else was way above average for a small-budget film.
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