When Katie innocently accepts an offer to have new photos taken for her portfolio, the experience quickly turns into a nightmare of rape, torture and kidnapping. Now, she will have to find the strength to exact her brutal revenge.
Steven R. Monroe
Jennifer is still haunted by the memory of being gang raped and almost killed years ago. At her therapist's advice, she joins group therapy and meets similar women. She befriends one and they want more than just talk - justice/vengeance.
After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
Writer Jennifer Hills (Butler) takes a retreat from the city to a charming cabin in the woods to start on her next book. But Jennifer's presence in the small town attracts the attention of a few morally depraved locals who set out one night to teach this city girl a lesson. They break into her cabin to scare her. However, what starts out as terrifying acts of humiliation and intimidation, quickly and uncontrollably escalates into a night of physical abuse and torturous assault. But before they can kill her, Jennifer sacrifices her broken and beaten body to a raging river that washes her away. As time passes, the men slowly stop searching for her body and try to go back to life as usual. But that isn't about to happen. Against all odds, Jennifer Hills survived her ordeal. Now, with hell bent vengeance, Jennifer's sole purpose is to turn the tables on these animals and to inflict upon them every horrifying and torturous moment they carried out on her - only much, much worse.Written by
While the location in which the film takes place is never identified, Louisiana inspection stickers can be seen on the vehicles. See more »
When Jennifer is freaked out by sounds in front of her cabin, she goes outside to take a look. When she comes back in, she locks the cabin door and starts walking towards the stairs/living room. The faint reflection of camera/crew can be seen in window in the background. See more »
[approaches from the back of the room]
Hi! I'm Jennifer Hills. We spoke last week.
Oh, yeah. Miss Hills; Mockingbird Trail, right?
That is right!
[...] See more »
The UK cinema version was cut by 43 secs for an 18 certificate. These included 'softer' (ie zoom-in) shots during the rape scenes which cropped detailed footage of Jennifer's bare breasts and behind, as well as camcorder footage of Jennifer being forced to dance, closeups of her being forced to suck on a gun and a glass bottle, and a shot of her blouse being opened with a rifle barrel. DVD releases also feature the same cut print. See more »
Back in 1978, the film I Spit on Your Grave (also known as Day of the Woman) provoked controversy due to its violence, gore and for daring to show a woman taking revenge on her own hands against the louts who raped her. As the time went by, the film became into a cult classic, not so much due to its intrinsic merits, but for having been censored (or forbidden) in many countries, something which helped to make it more popular. Personally, I respect its influence on horror cinema, but into the sub-genus of "female revenge", I prefer movies like Thriller: A Cruel Picture and Ms. 45, because I found them to be better written, acted and directed.
However, I Spit on Your Grave (1978) is definitely an intense and visceral experience thanks to its semi-amateur manufacture, rural locations and realistic style. Besides, the revenge methods from the main character seemed like a direct answer to the then rising slasher cinema, something which brought an additional level to the narrative. So, with all that "cultural baggage" carried by I Spit on Your Grave, how would a modern remake work? Considering the standards of the contemporary horror cinema, we can be sure that it will be more brutal and cruel; but would it reach the same historical and emotional impact from the original film? Even though the answer ended up being "no", I have to admit that on its own merit, I Spit on Your Grave (2010) is a disturbing, satisfactory and very competent horror film.
As I expected, I Spit on Your Grave (2010) adds more blood and some new narrative elements. Some of them feel a bit irrelevant (for example, the destiny of the camera with which the rape is filmed), but other ones deepen into the private life from the villains, revealing the hypocrisy of monsters who disguise their evilness with a facade of respectable civilization. However, the biggest change is made on the main character's revenge, which adds a very interesting psychological component to the movie. Fortunately, I Spit on Your Grave (2010) remains within a plausible field, and even though it follows the torture-porn formula, the cruelty and grotesque violence feel justified and organic in the story. I truly appreciate the fact that screenwriter Stuart Morse found an appropriate variation which respects the original formula, at the same time he added a new subtext which avoids the film from being another hollow torture film.
So, despite not being a great horror film and having some fails, I Spit on Your Grave (2010) is a very interesting horror film which ended up being better than I expected. The first half of the film is very disturbing and impossible to "enjoy" in the conventional sense of the word; however, the second half is cathartic and very satisfactory, compensating the suffering we had to go through previously. In conclusion, I recommend it unless you are a sensitive person.
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