When Katie innocently accepts an offer to have new photos taken for her portfolio, the experience quickly turns into a nightmare of rape, torture and kidnapping. Now, she will have to find the strength to exact her brutal revenge.
Steven R. Monroe
Angela is still haunted by the memory of being gang raped and almost killed years ago. At her therapist's advice, she joins group therapy, meeting similar women. She befriends one and they want more than just talk - justice/vengeance.
After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
Writer Jennifer Hills (Butler) takes a retreat from the city to a charming cabin in the woods to start on her next book. But Jennifer's presence in the small town attracts the attention of a few morally depraved locals who set out one night to teach this city girl a lesson. They break into her cabin to scare her. However, what starts out as terrifying acts of humiliation and intimidation, quickly and uncontrollably escalates into a night of physical abuse and torturous assault. But before they can kill her, Jennifer sacrifices her broken and beaten body to a raging river that washes her away. As time passes, the men slowly stop searching for her body and try to go back to life as usual. But that isn't about to happen. Against all odds, Jennifer Hills survived her ordeal. Now, with hell bent vengeance, Jennifer's sole purpose is to turn the tables on these animals and to inflict upon them every horrifying and torturous moment they carried out on her - only much, much worse.Written by
While the location in which the film takes place is never identified, Louisiana inspection stickers can be seen on the vehicles. See more »
When Storch goes home and talks to his wife, a transmitter is clearly visible under her shirt when she turns her back to him. See more »
[approaches from the back of the room]
Hi! I'm Jennifer Hills. We spoke last week.
Oh, yeah. Miss Hills; Mockingbird Trail, right?
That is right!
[...] See more »
The UK cinema version was cut by 43 secs for an 18 certificate. These included 'softer' (ie zoom-in) shots during the rape scenes which cropped detailed footage of Jennifer's bare breasts and behind, as well as camcorder footage of Jennifer being forced to dance, closeups of her being forced to suck on a gun and a glass bottle, and a shot of her blouse being opened with a rifle barrel. DVD releases also feature the same cut print. See more »
Performed by Further Down
Written by Michael Lee Collins, Robert Aaron Rigsbee, Dustin Allan Dorton, Joshua Kane Copeland, Pete Matthews and Charles Mooney, Jr.
Published by Charles Mooney, Jr. (BMI) See more »
'Vile bag of garbage', 'Misunderstood masterpiece' or neither?
'I SPIT ON YOUR GRAVE' (2010): Four Stars (Out of Five)
Modern remake of one of the most controversial films of all time 'DAY OF THE WOMAN' (which was it's original limited release title in 1978, it was later retitled 'I SPIT ON YOUR GRAVE' to capitalize on it's notoriety when it was given a major release in 1980). The film and it's 1978 predecessor both deal with rape, savage torture and murder. Both films have been highly criticized because of this with critics like Roger Ebert giving both films a zero star rating and calling the original a "vile bag of garbage". Almost an equal number of supporters (of the original film), including high profile critics, have raised their voices in defense of the film as well, with many labeling it a misunderstood masterpiece. Opposers of the film claim that it's man hating (with reports of some men walking out of the theater in disgust at both films) and some also accuse the film of glorifying violence against women (for it's violent rape scenes). Defenders of the films claim the movies are 'pro women' feminism and cathartic. People have been debating these issues for thirty two years and they'll probably go on debating them for longer than that and that's a good thing. If a movie causes that much discussion you have to give it some respect just for that.
Both films tell the story of a writer named Jennifer Hills (played by Sarah Butler in the new film and Camille Keaton in the original, Keaton is the grand-niece of Buster Keaton and won a Best Actress award for the role at the 1978 Catalonian International Film Festival) who heads to a cabin in the woods to work on her next novel. Once there she attracts a lot of attention from some hooligan hippies which eventually escalates in them braking into the cabin, raping her repeatedly and leaving her for dead. She unknowingly survives the viscous attacks and seeks out brutally sadistic revenge on all of the men involved, including a mentally handicap young man who was coerced into involvement by his buddies.
The remake was directed by Steven R. Monroe and written by Stuart Morse. The writer and director of the original film, Meir Zarchi, served as an executive producer on the film. Zarchi has said that he was inspired to make the original film after coming across a young rape victim in New York and escorting her to the police (which he says was the wrong decision considering how incompetent they were in the matter) and later the hospital for assistance. He defends the violence of the film as being completely necessary and rejects any criticisms that it is exploitative.
As far as the remake compares to the original film it's technically far superior on every level; it's better filmed, acted, written and directed (the original film had to manage with a much smaller budget though). The new film also shortens the rape scenes, in comparison to the much more explicit original, and relies more on psychologically implied imagery (which I think was a smarter decision). It also elaborates and extends the violent revenge scenes with much more creative deaths (much like many popular horror films). Where as the first half is more realistic and believable the second half branches much more into 'grindhouse' style revenge fantasy. While the film is much better than the original in all those ways it'll never be as remembered and cherished as a cult classic by fans.
I personally don't agree with the film's critics or it's supporters. I don't think you're supposed to necessarily agree with the heroine's actions or condone them and I definitely don't think you're intended to agree with the assailants' actions (that's a ridiculous argument). I think the film raises a lot of thoughts (most of them unpleasant) and discussion which like I said is something the films deserve credit for. A movie should never be judged by the actions of the characters within it, so however disgusting and disturbing they are (and in these films they're atrocious) it doesn't mean that they're bad films. I think both films are well made to a certain extent and effective at what they attempt to do. They're definitely not for everyone and very hard to watch but they're also memorable and dialogue inducing.
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