An aging actress hires a cameraman on the street and makes a life confession to him. In this 90-minute monologue, she describes the highs and lows of her career and life before setting off on a new life.
In November 1939, Georg Elser's attempt to assassinate Adolf Hitler fails, and he is arrested. During his confinement, he recalls the events leading up to his plot and his reasons for deciding to take such drastic action.
For two weeks, 20 male participants are hired to play prisoners and guards in a prison. The "prisoners" have to follow seemingly mild rules, and the "guards" are told to retain order without using physical violence.
Based on the true story of the 1981 hunger strike in an Irish prison, in which I.R.A. prisoner Bobby Sands led a protest against the treatment of I.R.A. prisoners as criminals rather than ... See full summary »
Based on the award winning book, this is the true story of renown undercover journalist, Fabrizio Gatti, who traveled the modern day slave route from Western Africa through the Sahara, "... See full summary »
In February, 1975, in Northern Ireland, seventeen year-old UVF member Alistair Little kills the catholic Jimmy Griffin in his house in Lurgan in front of his younger brother Joe Griffin. Alistair is arrested and imprisoned for twelve years while Joe is blamed by his mother for not saving his brother. Thirty-three years later, a TV promotes the meeting of Alistair and Joe in a house in River Finn, expecting the truth and the reconciliation of the murderer and the victim who actually seeks five minutes of heaven.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Liam Neeson and James Nesbitt were born in the same town, Ballymena in Northern Ireland. See more »
When Joe and Vika are smoking on the balcony, the scene cuts to show Alistair arriving. The camera shows the house from the front, and the balcony where Joe and Vika are smoking is visible, but they are not there, nor is Alistair's car shown coming up the driveway. See more »
Young Alistair - 1975:
For me to talk about the man I have become, you need to know about the man I was. I was 14 when I joined the Tartan gangs, and I was 15 when I joined the UVF, the Ulster Volunteer Force. At that time, don't forget, there were riots on the streets every week; petrol bombs everyday, and that was just in our town. When you got home and switched on the TV, you could see what was happening in every other town as well, and it was like we were under siege. Fathers and brothers ...
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Strong, simple, sometimes even slow, but never irrelevant, and some great acting
Five Minutes of Heaven (2009)
I have a confession--when the movie started I thought, okay, another pro-IRA movie with a heart. And it's not--it's a beautifully balanced movie about the personal horrors of the Northern Ireland bloodshed and the longterm aftermath as participants struggle to keep going.
The two main actors are both from Northern Ireland. Liam Neeson plays a Protestant who as a teenage killed a Catholic worker as part of the tit-for-tat violence of the time. James Nesbitt, a Roman Catholic, plays the brother of the man who was killed, and as a witness to the crime he holds a deep grudge about the murder. And in a key act of political insight, the actors were born on the opposite sides--Neeson was raised Catholic and Nesbitt raised Protestant.
The theme of the film is reconciliation in the mold of South African leader Nelson Mandela. The core of the movie is shot in a fancy Irish mansion where television crews are going to watch as the two men, mortal enemies decades before, make an effort to somehow move on, in public, on t.v.
How it goes is for you to see. The murder in the 1970s is fact, easy enough to believe, and the meeting of the men is fiction. Nesbitt is utterly terrific. You might think he's overacting (he is, of course, overacting) but it's appropriate, and gives this non-action film some intensity. Neeson is strong in his restraint and in the one main scene where he gives a well-written speech about how to understand these horrors he is also terrific.
The filming is extremely simple and in fact the whole scenario is relatively linear, even with all the flashbacks. There are some turns to the events by the last half hour, and in a way this is both the dramatic high and the disappointing low of the film (it resorts to somewhat corny and not quite smartly filmed sequences I won't elaborate). But overall the point is so strong and well meant it's hard to worry too much about whether it's a masterpiece.
It's not. It's sometimes slow, it says stuff we probably have absorbed pretty well by now, and it isn't very complex. But what it does do it does with compassion and conviction.
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