Martín and Mariana are slightly damaged people who live in buildings just opposite one another. While they often don't notice each other, separation might be the very thing that brings them together.
A girl decides to leave her boyfriend and run away to an unknown place. Before she leaves, she decides to meet up with him, but they have only one hour to reflect on their time together.
One day in the life of Anders, a young recovering drug addict, who takes a brief leave from his treatment center to interview for a job and catch up with old friends in Oslo.
Director:
Joachim Trier
Stars:
Anders Danielsen Lie,
Hans Olav Brenner,
Ingrid Olava
A melancholic, aspiring writer and bookseller is shaken by the appearances and disappearances of his newfound muse who steals books from his bookstore. Soon he discovers that she steals in ... See full summary »
This is the story of those who live as if every day was a constant Sunday, those who spend their Mondays in the sun. The story of people who worked in a dockyard but are now unemployed.
Director:
Fernando León de Aranoa
Stars:
Javier Bardem,
Luis Tosar,
José Ángel Egido
A well-ordered hardware store owner in Buenos Aires will see his life turn upside down when he helps a stranded Chinese man who doesn't speak a word of Spanish find his uncle in the bustling city. But can this coexistence bear fruit?
Director:
Sebastián Borensztein
Stars:
Ricardo Darín,
Muriel Santa Ana,
Ignacio Huang
A geologist is sent to an isolated region in the Northeast of Brazil to survey water sources, but begins to feel a a sense of abandonment and loneliness.
Martín and Mariana are slightly damaged people who live in buildings just opposite one another. While they often don't notice each other, separation might be the very thing that brings them together.
Martín:
[chat room]
I have a method, absolutely involuntary, a kind of Buddhist gene that makes my happy days not so happy and my sad days not so sad.
Mariana:
A spiritual thermostat.
Martín:
8D.
Mariana:
And if it fails?
Martín:
I down a Rivotril.
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In an effort to learn Spanish, I've been watching a lot of Spanish- language movies, and not worrying too much about the quality. It was nice, finally, to watch one that is quite well done. This little Argentinean, romantic comedy is philosophical, charming, and visually beautiful.
Martin (Javier Drolas), an agoraphobic website designer and Mariana (Pilar Lopez de Ayala), an underemployed architect, live on the same street in Buenos Aires. Both are depressed and lonely. As both go through a series of futile dates, we come to see that they would be perfect for each other, but of course, the odds of the two of them meeting in such a huge city are not good. The city has ways of putting up barriers between people, and the theme of the film is that successfully making a life in such a place requires physically and mentally breaking through those barriers.
Meanwhile, the camera lingers on the skyline and the individual buildings of Buenos Aires, gray and inhuman. The variety of buildings is endless, and many have blank, windowless sidewalls, called medianeras. These blank spaces are used for billboards, an ugly alternative to what could have been light-bringing windows, and many apartment- dwellers rebel by chipping through the concrete to place unauthorized windows.
Despite the urban philosophizing and beautiful cinematography, "Medianeras" does not demand to be taken too seriously. It's a fun, optimistic, romantic comedy which declares that, as one of the songs in the film puts it, "true love will find you in the end." Amen to that.
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In an effort to learn Spanish, I've been watching a lot of Spanish- language movies, and not worrying too much about the quality. It was nice, finally, to watch one that is quite well done. This little Argentinean, romantic comedy is philosophical, charming, and visually beautiful.
Martin (Javier Drolas), an agoraphobic website designer and Mariana (Pilar Lopez de Ayala), an underemployed architect, live on the same street in Buenos Aires. Both are depressed and lonely. As both go through a series of futile dates, we come to see that they would be perfect for each other, but of course, the odds of the two of them meeting in such a huge city are not good. The city has ways of putting up barriers between people, and the theme of the film is that successfully making a life in such a place requires physically and mentally breaking through those barriers.
Meanwhile, the camera lingers on the skyline and the individual buildings of Buenos Aires, gray and inhuman. The variety of buildings is endless, and many have blank, windowless sidewalls, called medianeras. These blank spaces are used for billboards, an ugly alternative to what could have been light-bringing windows, and many apartment- dwellers rebel by chipping through the concrete to place unauthorized windows.
Despite the urban philosophizing and beautiful cinematography, "Medianeras" does not demand to be taken too seriously. It's a fun, optimistic, romantic comedy which declares that, as one of the songs in the film puts it, "true love will find you in the end." Amen to that.