A corrupt young man somehow keeps his youthful beauty eternally, but a special painting gradually reveals his inner ugliness to all.
Director:
Writers:
Award:
- 1 nomination.
- See more »
Photos and Videos
Cast
| Ben Barnes | ... |
Dorian Gray
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| John Hollingworth | ... |
Patrol Policeman
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Cato Sandford | ... |
Rent Boy
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| Pip Torrens | ... |
Victor
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| Fiona Shaw | ... |
Agatha
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| Ben Chaplin | ... |
Basil Hallward
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| Caroline Goodall | ... |
Lady Radley
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| Maryam d'Abo | ... |
Gladys
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| Michael Culkin | ... |
Lord Radley
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| Colin Firth | ... |
Henry Wotton
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| Emilia Fox | ... |
Lady Victoria Wotton
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Nathan Rosen | ... |
Young Dorian
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| Jeff Lipman | ... |
Lord Kelso
(as Jeffrey Lipman Snr)
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| Louise Kempton | ... |
Prostitute
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| Douglas Henshall | ... |
Alan Campbell
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| Rachel Hurd-Wood | ... |
Sibyl Vane
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| Johnny Harris | ... |
James Vane
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| George Potts | ... |
Photographer
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Grant Cook | ... |
Pimp
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| David Sterne | ... |
Theatre Manager
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| Louise Rose | ... |
Angelique
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| Aewia Huillet | ... |
Elisa
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Lisa Marie Cooke | ... |
Beautiful Girl
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| Jo Woodcock | ... |
Celia Radley
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Robert Johnston | ... |
Opera Singer
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| Max Irons | ... |
Lucius
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Julian Birch | ... |
Locksmith
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Lily Garrett | ... |
Young Emily
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| Rebecca Hall | ... |
Emily Wotton
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Kit Derbyshire | ... |
Guy Fawkes Child
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Seon Rogers | ... |
Hobo
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Emily Phillips | ... |
Alice Radley
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Tina Rath | ... |
Spitting Whore
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Guillaume Grange | ... |
Ratcatcher
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| Hugh Ross | ... |
Priest
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Andrew Harrison | ... |
House Agent
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| Rest of cast listed alphabetically: | |||
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Andrew Care | ... |
Wotton Servant (uncredited)
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Leigh Daniels | ... |
Dancer / Entertainer (uncredited)
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Salo Gardner | ... |
Slum Down-and-Out (uncredited)
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Chris Jameson | ... |
Soldier (uncredited)
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Jules T-Smith | ... |
Rent Boy 2 (uncredited)
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Noli McCool | ... |
Jj (uncredited)
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| João Costa Menezes | ... |
Soldier (uncredited)
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Olga Mironenko | ... |
Middle-Class Lady (uncredited)
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| Daniel Newman | ... |
Michael Radley (uncredited)
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| Tallulah Sheffield | ... |
Caroline Bennett (uncredited)
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Leonard Silver | ... |
Tailor (uncredited)
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| Michael Thomson | ... |
Soldier (uncredited)
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| Simon John Wilson | ... |
Upper-Class Man (uncredited)
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| Christian Wolf-La'Moy | ... |
Luggage Porter (uncredited)
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Directed by
| Oliver Parker | ||
Written by
| Toby Finlay | ... | (written by) |
| Oscar Wilde | ... | (novel "The Picture of Dorian Gray") |
Produced by
| Paul Brett | ... | executive producer |
| Mark Brooke | ... | executive producer (uncredited) |
| Alexandra Derbyshire | ... | co-producer (as Alexandra Ferguson) |
| Simon Fawcett | ... | executive producer |
| James Hollond | ... | executive producer |
| Xavier Marchand | ... | executive producer |
| Sophie Meyer | ... | associate producer |
| Charles Miller Smith | ... | executive producer |
| Tim Smith | ... | executive producer |
| James Spring | ... | executive producer |
| Barnaby Thompson | ... | producer |
Music by
| Charlie Mole | ||
Cinematography by
| Roger Pratt | ... | director of photography |
Editing by
| Guy Bensley | ||
Editorial Department
| Matt Adams | ... | digital intermediate consultant |
| Cherri Arpino | ... | rushes project manager |
| Matthew Benns | ... | digital intermediate data manager |
| Matthew Bristowe | ... | digital intermediate producer |
| Dan Dolan | ... | digital scanning and recording |
| Paul Ensby | ... | digital intermediate colorist |
| Stephen Garrett | ... | digital intermediate editor |
| Dave Lawrence | ... | digital intermediate tk operator |
| Scott Liddle | ... | digital scanning and recording |
| Begoña Lopez | ... | digital intermediate producer |
| Lea Morement | ... | first assistant editor |
| Damien Pawle | ... | editing trainee |
| Ben Setterfield | ... | digital scanning and recording |
| Lucien Nunes Vaz | ... | film dailies projectionist |
Casting By
| Lucy Bevan | ||
Production Design by
| John Beard | ||
Art Direction by
| Rod McLean | ||
Set Decoration by
| Niamh Coulter | ||
Costume Design by
| Ruth Myers | ||
Makeup Department
| Kevin Alexander | ... | hair stylist / makeup artist |
| Jane Body | ... | additional hair stylist / additional makeup artist |
| Nathaniel De'Lineadeus | ... | dental effects designer |
| Tamsin Dorling Barbosa | ... | additional hair stylist (as Tamsin Dorling) / additional makeup artist (as Tamsin Dorling) |
| Hilary Haines | ... | additional hair stylist / additional makeup artist |
| Chris Lyons | ... | special effects teeth |
| Paula Price | ... | hair stylist |
| Alex Rouse | ... | wigmaker |
| Loulia Sheppard | ... | additional hair stylist / additional makeup artist |
| Lesley Smith | ... | hair stylist / makeup artist |
| Tracey Wells | ... | additional hair stylist / additional makeup artist |
| Julia Wilson | ... | additional hair stylist / additional makeup artist |
| Jeremy Woodhead | ... | hair designer / makeup designer |
| Sidony Etherton | ... | daily makeup trainee (uncredited) |
| Duncan Jarman | ... | prosthetic sculptor (uncredited) |
| Heather Manson | ... | makeup trainee (uncredited) |
| Paul Mooney | ... | hair stylist (uncredited) |
Production Management
| Linda Deacy | ... | post-production supervisor |
| Eddie Folcarelli | ... | unit manager |
| Fiona Morham | ... | head of production: UK Film Council |
| Tim Wellspring | ... | unit production manager |
Second Unit Director or Assistant Director
| James Chasey | ... | second assistant director: crowd |
| Samantha McGrady | ... | second assistant director (as Samantha Smith) |
| Christopher Newman | ... | first assistant director (as Chris Newman) |
| Carly Taverner | ... | third assistant director |
| Catherine Tyler | ... | third assistant director: crowd |
| Dan Channing Williams | ... | additional assistant director (uncredited) |
Art Department
| David Abbott | ... | supervising carpenter (as Dave Abbott) |
| Will Ayres | ... | additional prophand |
| Graham Barford | ... | carpenter |
| Keith Batterbee | ... | stand-by rigger |
| Louise Begbie | ... | graphic artist |
| Paul Benney | ... | art consultant / artist: original portrait of 'Dorian Gray' |
| Callum Bohan | ... | stagehand |
| Dan Bryant | ... | dressing propman |
| Rosie Jo Chambers | ... | additional buyer |
| James Collins | ... | assistant art director |
| Stephen Conway | ... | additional prophand (as Steve Conway) |
| Paul Couch | ... | painter |
| Chris Cull | ... | property master |
| Melloney Cunnell | ... | set decorating assistant |
| Sean Downey | ... | chargehand |
| Jonathan Downing | ... | additional prophand |
| Sally Dray | ... | portrait artist |
| James Enright | ... | model maker |
| Glyn Evans | ... | painter |
| Eddie Farrell | ... | carpenter |
| Steve Fitzpatrick | ... | additional rigger |
| Matthew Foster | ... | additional prophand (as Matt Foster) |
| Scott Gill | ... | hod rigger |
| Louis Glickman | ... | additional prophand |
| Nick Goodall | ... | carpenter |
| Mark Goodman | ... | standby stagehand |
| Peter Grove | ... | carpenter (as Peter Groves) |
| David Haberfield | ... | chargehand painter (as Dave Haberfield) |
| John Heayn | ... | carpenter |
| Terry Heggarty | ... | stand-by painter |
| George Hobbs | ... | additional rigger |
| Oliver Howlett | ... | plasterer |
| Peter James | ... | stand-by art director |
| Ben Johnson | ... | dressing propman |
| David Lowery | ... | chargehand carpenter |
| Grace Emily Manning | ... | work experience |
| Simon Marjoram | ... | carpenter |
| Tom Martin | ... | construction manager |
| Dan Maslen | ... | storyboard artist |
| John McGee | ... | stand-by carpenter |
| Tony Moore | ... | additional rigger |
| Peter Mounsey | ... | painter |
| Desmond O'Boy | ... | stagehand (as Des O'Boy) |
| Daniel O'Regan | ... | carpenter (as Danny O'Regan Snr.) |
| Graham Pearce | ... | painter (as Graham Pearse) |
| Graham Petherick | ... | additional rigger |
| Adrian Platt | ... | additional prophand |
| Daren Reynolds | ... | additional prophand (as Darren Reynolds) |
| Mark Richards | ... | stand-by rigger |
| William Richards | ... | stand-by rigger (as Bill Richards) |
| Simon Riley | ... | prop storeman |
| Tom Roberts | ... | standby propman |
| Zoe Smith | ... | production buyer |
| David Stapleton | ... | painter |
| Rob Sutton | ... | carpenter (as Robert Sutton) |
| Mark Thomas | ... | construction rigger |
| Rebecca Thomas | ... | junior draughtsman (as Becky Thomas) |
| Steve Tranfield | ... | supervising plasterer |
| Lloyd Vincent | ... | standby propman |
| Daniel Watts | ... | plasterer |
| Stephen Watts | ... | plasterer |
| Matt Whelan | ... | carpenter (as Matthew Whelan) |
| Paul Whitelock | ... | painter |
| Stuart Willis | ... | stagehand |
| Alan Wilson | ... | chargehand stagehand |
| Billy Wilson | ... | additional prophand |
| Carl Wilson | ... | senior propmaker |
| Paul Wiltshire | ... | supervising painter |
| Lee Wiseman | ... | prop hand |
| Colin Woodbridge | ... | carpenter |
| Sophie Worley | ... | art department assistant |
| Gavin Gordon | ... | carpenter (uncredited) |
| Richard Hawkyard | ... | props (uncredited) |
| Kristyan Mallett | ... | concept artist (uncredited) |
| Rosie Rose | ... | assistant buyer (uncredited) |
| Cosmo Sarson | ... | scenic artist (uncredited) |
| Anthony Szuch | ... | drapes master (uncredited) |
Sound Department
| Jezz Bradbury | ... | sound sync operator: digital intermediate |
| Jeremy Brown | ... | cableman |
| Gareth Bull | ... | re-recording mixer |
| Jon Callanan | ... | sound sync operator: digital intermediate |
| Darren Compton | ... | sound sync operator: digital intermediate |
| Peter Eusebe | ... | sound maintenance engineer |
| Samir Foco | ... | sound effects editor |
| Arthur Graley | ... | foley editor |
| Mark Holding | ... | sound mixer |
| Max Hoskins | ... | supervising sound editor |
| Andrea King | ... | foley artist |
| Adam Mendez | ... | foley recordist |
| Jack Stew | ... | foley artist |
| Richard Straker | ... | re-recording mixer |
| Jack Whittaker | ... | sound design editor |
| James Wichall | ... | assistant sound editor |
| Hallam Smallpeice | ... | sound editor (uncredited) |
| Micha Wabro | ... | temp sound mixer (uncredited) |
| Mike Wood | ... | sound re-recording mixer: temp mix (uncredited) |
Special Effects by
| Hugh Goodbody | ... | special effects technician |
| David Holt | ... | special effects assistant |
| Mark Holt | ... | special effects supervisor |
| Nick Kool | ... | special effects technician |
| Jan Staines | ... | special effects technician |
| Jamie Weguelin | ... | special effects technician |
| James Davis III | ... | special effects technician (uncredited) |
Visual Effects by
| Paolo Acri | ... | compositor: MPC |
| Henry Badgett | ... | lead compositor: MPC |
| Richard Baillie | ... | lead artist: roto/prep |
| Bineesh | ... | track/matchmove artist |
| Janice Body | ... | digital restoration (as Jan Body) |
| Eglantine Boinet | ... | digital matte painter: MPC |
| Yanick Bourgie | ... | digital matte painter: MPC |
| Hayley Brazelton | ... | compositor: MPC (as Hayley Collins) |
| Daniel Bryant | ... | compositor: MPC |
| Naomi Butler | ... | prep artist: MPC |
| Huseyin Caner | ... | visual effects supervisor |
| Chris Coupland | ... | visual effects editorial: MPC |
| Caroline Delen | ... | model/texture artist: MPC |
| Igor Fiorentini | ... | compositor: MPC |
| Will Fullagar | ... | prep artist: MPC |
| Marco Genovesi | ... | environmental artist: MPC |
| Benedict Gillingham-Sutton | ... | roto prep supervisor: MPC (as Ben Gillingham-Sutton) |
| Charlotte Gray | ... | digital restoration |
| Crystal Hadcroft | ... | visual effects editorial: MPC |
| Charley Henley | ... | production visual effects supervisor: MPC |
| Joshua Herrig | ... | lighting technical director: MPC (as Josh Herrig) |
| Alex Hislop | ... | matchmove artist: MPC |
| Emma Hulme | ... | digital restoration |
| Francesc Izquierdo | ... | effects technical director: MPC |
| Marc Jones | ... | matchmove artist: MPC |
| Peng Ke | ... | compositor: MPC |
| Douglas Larmour | ... | compositor: MPC (as Doug Lamour) |
| Kirsty Lawlor | ... | compositor |
| Matthew Lawrence | ... | titles animator: Rushes (as Matt Lawrence) |
| Laurence Lok | ... | compositor: MPC |
| Jonathan Mann | ... | digital restoration |
| Marlin McGlone | ... | technical support |
| Jon Miller | ... | matchmove supervisor: MPC (as Jonathan Miller) |
| Lea Morement | ... | visual effects editor |
| Victoria Mowlam | ... | visual effects producer: MPC |
| Sandra Murta | ... | layout artist: MPC |
| Rajakanna Nagarajan | ... | digital artist |
| Leo Neelands | ... | digital compositor |
| Tim Pounds-Cornish | ... | visual effects production manager |
| James Purdy | ... | visual effects coordinator |
| Steven Sandles | ... | cloth technical director: MPC |
| Rahul Sharma | ... | digital artist |
| Vinayaga Sundar | ... | digital artist: MPC |
| Dominic Thomson | ... | visual effects: digital intermediate (as Dom Thomson) |
| Jensen Toms | ... | lighting technical director: MPC |
| Christine Troianello | ... | roto/prep supervisor: MPC |
| Sally Wilson | ... | layout artist: MPC |
| Virginie Bourdin | ... | concept artist (uncredited) |
| Paul Campion | ... | concept artist: MPC (uncredited) |
| Oli Clarke | ... | layout artist: MPC (uncredited) |
| Christopher Davies | ... | render wrangler: MPC (uncredited) |
| Stanley A. Dellimore | ... | head of layout: MPC (uncredited) |
| Joseph Dymond | ... | titles compositor: Rushes (uncredited) |
| Ian Fallon | ... | render wrangler: MPC (uncredited) |
| Clement Gerard | ... | head of environment: MPC (uncredited) |
| Guillaume Glachant | ... | rotoanimator: MPC (uncredited) |
| Warwick Hewett | ... | titles coordinator: Rushes (uncredited) |
| Julian Howard | ... | layout artist: MPC (uncredited) |
| Louise Hussey | ... | titles producer: Rushes (uncredited) |
| Hayden Jones | ... | titles compositor: Rushes (uncredited) |
| James D. Kelly | ... | visual effects photographer: MPC (uncredited) |
| Arek Komorowski | ... | digital compositor (uncredited) |
| Duncan Lees | ... | head of 3d services: Plowman Craven and Associates (uncredited) |
| Sophie Marfleet | ... | roto/prep artist (uncredited) |
| Stephen Mascarenhas | ... | stereoscopic conversion: Prime Focus (uncredited) |
| Sankarasubramanian | ... | prep artist (uncredited) |
| Giuseppe Tagliavini | ... | digital compositor: MPC (uncredited) |
| Sukumaran Lalithambika Vijin | ... | roto artist (uncredited) |
| Morgan Yon | ... | concept artist: MPC (uncredited) |
| Dan Zelcs | ... | character td: MPC (uncredited) |
Stunts
| George Cottle | ... | stunt performer |
| Camilla Naprous | ... | assistant horse master |
| Seon Rogers | ... | stunt coordinator |
| Lee Sheward | ... | stunt coordinator |
| Roy Weatherley | ... | wire man |
| Andy Butcher | ... | horseman (uncredited) |
Camera and Electrical Department
| Roy Branch | ... | additional electrician |
| Dave Brennan | ... | electrician |
| Paul Cronin | ... | additional electrician: Canada |
| Chris Dickinson | ... | additional electrician |
| Aaron Douglas | ... | crane technician |
| Graham Driscoll | ... | additional electrician |
| Danny Espi | ... | practical electrician |
| Chuck Finch | ... | gaffer |
| Stephen Finch | ... | electrician |
| Neil Flaherty | ... | additional clapper loader |
| Guy Frost | ... | additional focus puller |
| Scot Gill | ... | head of department: electrical rigger |
| Steve Hideg | ... | crane technician |
| Simon Hume | ... | focus puller |
| Sacha Jones | ... | clapper loader |
| David Keadell | ... | additional electrician |
| Martin Kenzie | ... | director of photography: second unit |
| Giles Keyte | ... | still photographer |
| Chris Knoll | ... | additional electrician |
| Susan MacDonald | ... | additional clapper loader / camera trainee |
| Billy Merrell | ... | additional electrician |
| Richard Merrell | ... | rigging |
| Rupert Morency | ... | trainee grip |
| Julian Morson | ... | camera operator |
| Ronan Murphy | ... | key grip |
| Scott Parker | ... | additional electrician |
| Kelly Paul | ... | additional electrician |
| Tim Phillips | ... | clapper loader |
| George Powell | ... | crane technician |
| Geoff Read | ... | additional electrician |
| Sam Renton | ... | focus puller |
| Terence Roberts | ... | generator operator: second unit |
| Ron Shane | ... | practical electrician |
| Tony Skinner | ... | additional electrician |
| Terry Stone | ... | additional electrician |
| Carsten Thoms | ... | balloon technician |
| Andy Thomson | ... | crane technician (as Andy Thompson) |
| Toby Tyler | ... | additional electrician (as David 'Toby' Tyler) / additional electrician (as Toby Tyler Jr.) |
| Jack Warrender | ... | video playback operator |
| George White | ... | additional electrician (as George While) |
| Steve Wood | ... | electrician |
| Daniel-Konrad Cooper | ... | video assist operator: dailies (uncredited) |
| Steve Fitzpatrick | ... | rigger (uncredited) |
| Darren Flindall | ... | rigger (uncredited) |
| Ingo Gärtner | ... | balloon light technician (uncredited) |
| Ginger McCarthy | ... | electrical rigger (uncredited) |
| Julian Morson | ... | steadicam operator (uncredited) |
| Kat Spencer | ... | daily clapper loader (uncredited) |
Casting Department
| Brendan Donnison | ... | adr voice casting |
| Alice Searby | ... | casting associate |
Costume and Wardrobe Department
| Jill Avery | ... | additional costume assistant |
| Ellen Claridge | ... | costume assistant |
| Angela Egan | ... | principal costume standby |
| Nigel Egerton | ... | additional costume assistant |
| Laura Ergis | ... | wardrobe mistress |
| Charlotte Espiner | ... | additional costume runner |
| Brendan Handscombe | ... | principal costume standby |
| Claire Hardaker | ... | costume design assistant |
| Mike Hodge | ... | additional costume assistant |
| Eleanor Landgrebe | ... | costume runner |
| Catherine Lovett | ... | additional costume assistant |
| Ashwin Makan | ... | additional costume assistant (as Ashwin Gordon Makan) |
| Penny McDonald | ... | crowd costume fitter |
| William McPhail | ... | costume supervisor |
| Calandra Meredith | ... | additional costume assistant |
| Heidi Miller | ... | additional costume assistant |
| Louise Mills | ... | additional workroom/craft assistant |
| Jackie Moody | ... | additional costume assistant |
| Shirley Nevin | ... | additional costume assistant |
| Adrian Simmons | ... | additional costume assistant |
| Susan Smith | ... | additional costume assistant (as Susan Adams) |
| Sadie Tilbury | ... | workroom/craft assistant |
| Amanda Trewin | ... | additional costume assistant |
| Justine Warhurst | ... | additional costume assistant |
Location Management
| Rebecca Davis | ... | assistant location manager |
| Pat Karam | ... | location manager |
| Ben Maloney | ... | location security |
| John Maloney | ... | location security |
| Charlotte Wright | ... | assistant location manager |
| Darren Helman | ... | location support (uncredited) |
Music Department
| Darrell Alexander | ... | score coordinator |
| Gilad Atzmon | ... | musician: clarinet |
| Paul Clarvis | ... | musician: percussion |
| Stephanie Gonley | ... | orchestra leader |
| Nick Holland | ... | musician: electric cello |
| Alastair King | ... | conductor / orchestrator |
| Roberto Manes | ... | musician: solo violin |
| David Munday | ... | musician: guitar (as Dave Munday) |
| Clare Salaman | ... | musician: hurdy gurdy |
| Marios Takoushis | ... | musician: solo piano |
| Eliza Thompson | ... | score producer |
| Toby Wood | ... | music engineer |
| John Barrett | ... | assistant scoring engineer (uncredited) |
| Patrick Savage | ... | musician: violin (uncredited) |
| Marios Takoushis | ... | composer assistant (uncredited) |
Script and Continuity Department
| Anwen Bull | ... | script supervisor |
| Hannah Simons | ... | script supervisor: second unit |
Transportation Department
| Kevin Bennett | ... | driver: minibus |
| Lennox Brisport | ... | driver: minibus |
| Symon Butcher | ... | unit driver |
| Matt Crowley | ... | unit driver |
| Allison Drury | ... | driver: minibus (as Alison Drury) |
| Jeff Edwards | ... | facilities coordinator |
| Michael Geary | ... | action vehicle supplier: Motorhouse |
| George Green | ... | driver: camera car |
| Tim Hambley | ... | unit driver |
| Rob Hempenstall | ... | unit driver |
| Derek Hughes | ... | additional unit driver |
| Alan Jones | ... | driver: costume truck |
| Marin Marinov | ... | additional unit driver |
| Phil Matthews | ... | driver: production office truck |
| David Murray | ... | additional unit driver |
| Michael Payne | ... | unit driver |
| Lea Robinson | ... | driver: minibus (as Lee Robinson) |
| Ian Yea | ... | driver: make-up truck |
| George Andrews | ... | additional unit driver (uncredited) |
| Tony Power | ... | driver: construction department (uncredited) |
Additional Crew
| Sarah Alexander | ... | assistant: Barnaby Thompson and James Spring, Ealing Studios |
| Aaron Anderson | ... | creative coordinator: UK Film Council |
| Hannah Andrews | ... | assistant director |
| Nick Atkinson | ... | creative editor: UK Film Council |
| Steven Barnet | ... | catering manager: Bon Appetit |
| Roy Borrett | ... | utility stand-in |
| Emily Bradshaw | ... | administration: Prescience |
| Natalie Brenner | ... | head of sales: Ealing Studios International |
| Kate Brontë-Stewart | ... | additional floor runner (as Kate Bronte-Stewart) |
| Mitchell Brown | ... | head chef: Bon Appetit |
| Jane Burton | ... | financial accountant: Prescience |
| Andy Butcher | ... | horse trainer |
| Neil Calder | ... | completion bond: Film Finances |
| Katie Campbell | ... | assistant: Barnaby Thompson and James Spring, Ealing Studios |
| Sally Caplan | ... | head of premiere fund: UK Film Council |
| Isabel Chick | ... | production accountant: Prescience |
| Hannah Collett | ... | production coordinator |
| Matt Curtis | ... | title design: main and end titles |
| Anthony Day | ... | investor: Prescience Media 4 LLP |
| Matt Dempsey | ... | assistant to choreographer |
| Joe Downs | ... | accounts assistant |
| Jon Duncan | ... | production accountant |
| Dan Edwards | ... | kitchen assistant: Bon Appetit |
| Tom Elgar | ... | rushes projectionist |
| Lucinda Englehart | ... | representative: Aramid |
| John Ensby | ... | lab contact |
| Will Evans | ... | head of business affairs: UK Film Council |
| Michael Geary | ... | supplier: picture vehicles, Motorhouse |
| Simon George | ... | head of finance: Ealing Studios |
| Gwen Griffiths | ... | animal wrangler |
| Neil Kirkland Henderson | ... | development assistant |
| Vince Holden | ... | head of production finance: UK Film Council |
| Natasha Hook | ... | unit nurse |
| Francesca Jaynes | ... | choreographer |
| Tabitha Jenkins | ... | production executive: Ealing Studios |
| Steve Joberns | ... | auditor: Shipleys |
| Julia Jones | ... | unit publicist |
| Jules T-Smith | ... | creative executive (as Jules T. Smith) |
| Clare Kirby | ... | executive assistant: Prescience (as Clare Kennedy) |
| Erin Lander | ... | floor runner |
| Mark Lawton | ... | chef: Bon Appetit |
| Clem Leneghan | ... | health and safety advisor |
| Will Machin | ... | head of distribution: Ealing Studios International |
| Cassandra Manita | ... | legal services: Prescience, Harbottle & Lewis |
| Nichola Martin | ... | development executive: Ealing Studios |
| Simon Mills | ... | production assistant |
| Paul Morris | ... | floor runner |
| Alan Moss | ... | legal services: Prescience, Harbottle & Lewis |
| Paul Murphy | ... | assistant accountant |
| Gerard Naprous | ... | horse master |
| John O'Sullivan | ... | insurance broker: Media Insurance Brokers |
| Abigail Payne | ... | legal services: Prescience, Harbottle & Lewis |
| Benjamin Perkins | ... | chaperone |
| Raymond Reader | ... | head chef: Bon Appetit (as Raymond 'Rozza' Reader) |
| Steve Robbins | ... | project finance: Prescience |
| Rebecca Roffey | ... | representative: Aramid |
| Bella Sabbagh | ... | utility stand-in |
| Jemma Sands | ... | production liaison: Prescience |
| Aaron Scott-Young | ... | utility stand-in |
| James Shirras | ... | completion bond: Film Finances |
| Delvo Simões | ... | production trainee |
| Andy Soane | ... | chef: Bon Appetit |
| Toby Spanton | ... | additional floor runner |
| Yu-Fai Suen | ... | representative: Aramid |
| Alice Syed | ... | assistant production coordinator |
| Justin Trefgarne | ... | epk |
| Dimitra Tsingou | ... | representative: Aramid |
| Jo Vaughan | ... | animal wrangler |
| Lucien Nunes Vaz | ... | rushes projectionist |
| Naomi Weiner | ... | sales coordinator: Ealing Studios International |
| Rob Wise | ... | production runner (as Robert Wise) |
| Rachel Woodeson | ... | head of business affairs: Ealing Studios |
| San San F. Young | ... | assistant: Oliver Parker |
| Johnathan Abbott | ... | studio coordinator: Ealing Studios (uncredited) |
| David Blyth | ... | floor runner: dailies (uncredited) |
| Clare Brody | ... | data operator: Technicolor (uncredited) |
| Evan Leighton-Davis | ... | development coordinator (uncredited) |
| Jon Parker | ... | systems development manager (uncredited) |
| Jean-Marc Rulier | ... | cyber scanning (uncredited) |
Production Companies
- Ealing Studios (presents)
- Alliance Films (presents)
- Fragile Films
- UK Film Council (presents)
- Aramid Entertainment Fund (in association with)
- Hindsight Media (in association with)
- Moving Picture Company (MPC)
Distributors
- Alliance (2009) (Canada) (theatrical)
- Best Film (2010) (Poland) (theatrical)
- Concorde Filmverleih (2010) (Germany) (theatrical)
- Distribution Company (2011) (Argentina) (theatrical)
- Eagle Pictures (2009) (Italy) (theatrical)
- Empire (2010) (Lebanon) (theatrical)
- Entertainment One (2009) (Spain) (theatrical)
- Filmladen (2010) (Austria) (theatrical)
- Gussi Films (2010) (Mexico) (theatrical)
- Incognito Films (2010) (Lithuania) (theatrical)
- Luxor Entertainment (2010) (Russia) (theatrical)
- Luxor Entertainment (2010) (Ukraine) (theatrical)
- Mares Filmes (2011) (Brazil) (theatrical)
- Momentum Pictures (2009) (United Kingdom) (theatrical)
- Roadshow Films (2009) (Australia) (theatrical)
- Ster-Kinekor Pictures (2010) (South Africa) (theatrical)
- Argentina Video Home (2011) (Argentina) (DVD)
- Argentina Video Home (2011) (Argentina) (Blu-ray) (DVD)
- Castello Lopes Multimédia (2010) (Portugal)
- Entertainment One (2010) (United States) (DVD)
- Entertainment One (2011) (Netherlands) (DVD)
- Entertainment One (2011) (Netherlands) (Blu-ray) (DVD)
- Film1 (2011) (Netherlands) (tv) (limited)
- Fine Films (2012) (Japan) (DVD)
- IPA Asia Pacific (2009) (Thailand)
- IPA Asia Pacific (2009) (Vietnam)
- Iris (2016) (Italy) (tv)
- Momentum Pictures Home Entertainment (2010) (United Kingdom) (DVD)
- Momentum Pictures Home Entertainment (2010) (United Kingdom) (Blu-ray) (DVD)
- Nem
- Odeon (2009) (Greece)
- Prorom Media-Trade (2009) (Romania)
- Scanbox Entertainment (2010) (Sweden) (DVD)
Special Effects
- Moving Picture Company (MPC) (visual effects)
- Plowman Craven & Associates (3D scanning)
Other Companies
- 2 in Tents (marquees supplied by)
- AP (title design)
- ARRI Lighting Rental (lighting equipment supplied by)
- ARRI Media (camera equipment provided by)
- ARRI Media (cranes supplied by)
- Abbey Road Studios (score recorded at)
- Alex Rose Wig Company (wigs supplied by)
- Angels the Costumiers (costumes supplied by)
- Animated Extras (prosthetics supplied by)
- Ann Koska / Sally King (child licenses and casting)
- Anvil Post Production (sound re-recorded at)
- Aramid Capital Partners (funding)
- Atlantic Screen Music (music clearances by)
- Balloon-Light (lighting equipment supplied by)
- Bapty and Co. (armourer supplied by)
- Bickers Film & TV Action (tracking vehicles supplied by)
- Birds & Animals UK (animals supplied by)
- Bon Appetit Catering (catering)
- British Grove Studios (score mixed at)
- Cammotion (cranes supplied by)
- Casting Collective (crowd casting)
- Cool Music (composer management)
- Cool Music (musician contractor)
- Copyright Administration Services (music administered by)
- Dep Blue (trucks supplied by)
- Ealing Film Music (original music by Charlie Mole published by)
- Film Finances (completion bond)
- Fintage CAM (collection account management)
- Harbottle & Lewis (legal services: Prescience)
- Hare In The Gate (rushes courier)
- Kodak Entertainment Imaging (film stock)
- Lays International (trucks supplied by)
- Location Facilities (facilities vehicles supplied by)
- Location Medical Services Ambulance Services (additional paramedics)
- Makin Movies (marquees supplied by)
- Media Insurance Brokers (MIB) (insurances arranged by)
- Metro Rigging (rigging equipment supplied by)
- Motorhouse (picture vehicles supplied by)
- Nationwide Access (cherrypickers supplied by)
- Optical Support (camera equipment supplied by)
- Panavision (mobile screening room supplied by)
- Pinewood Stills (stills processing)
- Pinewood Studios (sound editing)
- Propshop (prop makers)
- Reelsound (sound by)
- Sapex Scripts (post-production script services)
- Shipleys (auditor)
- Technicolor (digital intermediate)
- The Clearing House (negative check and clearances)
- The Devil's Horsemen (I) (horses and carriages supplied by)
- Wavevend (radios and mobile phones supplied by)
Storyline
| Plot Summary |
A naïve young man. A lovelorn artist. A corruptible Lord. A deal with the Devil. It all paints a dark picture of a Victorian London and how the rich and infamous party at their peril. Here, the telling of time and its consequence of experience for life's treasures' takes its toll on the body, mind and soul. The haunting and bleak tale of power, greed, vanity and inevitable self-destruction is ever present amongst the deceit, opium dens and sin. Written by Cinema_Fan |
| Plot Keywords | |
| Taglines | Forever Young. Forever Cursed. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Opening Weekend United Kingdom | GBP883,148, 13 Sep 2009 |
| Cumulative Worldwide Gross | $20,563,362, 22 Aug 2010 |
Did You Know?
| Trivia | The original Dorian Gray has blond curly hair and blue eyes. See more » |
| Goofs | When Dorian is fighting Jim in the train station tunnel, the sleepers and spikes are visible. The spikes seen were not in use in 1890 when the novel was written, nor the era when the film is set. See more » |
| Movie Connections | Referenced in Kandahar (2017). See more » |
| Soundtracks | A Perfect Picture See more » |
| Crazy Credits | At the start of the closing credits, they fade in and out, alternating with images of the Portrait peeking through, as though it is trying to assert itself. See more » |
| Quotes |
Lord Henry Wotton:
There's no shame in pleasure. Man just wants to be happy. But society wants him to be good. And when he's good, he's rarely happy. But when he's happy, he's always good. See more » |