A modern retelling of Oscar Wilde's classic masterpiece. In the wealthy and vain hedonist Dorian Gray, painter Basil Hallward has found his muse. Only when Dorian's portrait begins to age, ... See full summary »
When Mother Malkin, the queen of evil witches, escapes the pit she was imprisoned in by professional monster hunter Spook decades ago and kills his apprentice, he recruits young Tom, the seventh son of the seventh son, to help him.
A naïve young man. A lovelorn artist. A corruptible Lord. A deal with the Devil. It all paints a dark picture of a Victorian London and how the rich and infamous party at their peril. Here, the telling of time and its consequence of experience for life's treasures' takes its toll on the body, mind and soul. The haunting and bleak tale of power, greed, vanity and inevitable self-destruction is ever present amongst the deceit, opium dens and sin.Written by
When Dorian is fighting Jim in the train station tunnel, the sleepers and spikes are visible. The spikes seen were not in use in 1890 when the novel was written, nor the era when the film is set. See more »
Lord Henry Wotton:
There's no shame in pleasure. Man just wants to be happy. But society wants him to be good. And when he's good, he's rarely happy. But when he's happy, he's always good.
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In the closing credits, one of the pieces of music played is listed as Haydn's "Sting Quartet" Op 76 No 4. See more »
During post-production, the film was tailored for a '15' certificate in the UK. According to the BBFC, the filmmaker cuts were as follows:
A scene in which a tea party is inter-cut with shots showing Dorian's sadomasochistic excesses was toned down to remove or reduce the more explicit moments (explicit sight of a fingernail being pulled off, explicit sight of a chest being cut with a razor in a sexual context, explicit sight of blood being sucked from a woman's breasts and sight of a restrained man being beaten).
Additionally, a murder scene was toned down to remove the sense of dwelling on the infliction of pain and injury (reduction in the number of stabbings, removal of a blood spurt from man's neck, reduction in sight of victim choking on his blood).
The subsequent version was then formally passed '15' by the BBFC without cuts, and released on DVD and Blu-ray. See more »
Haven't read the book in years and was very much looking forward to watching this but from the opening shot I knew I was in for a big disappointment. It looked and felt like an episode of a period TV series, even making the first shot a quick flashback to last weeks episode. It felt like a cheap dated effect.
Drab lifeless lighting throughout the film managed to make some beautiful sets and costumes look flat and uninteresting. Surely the warmth of candlelight would give someone in the lighting department a bit of inspiration, a chance to increase the sensual feelings necessary for a lot of the laughable debauchery scenes? Pedestrian, bland, painted by numbers, adequate acting but it all lacked a decent script, an editor who gave a damn and grr maybe a bit of soul? Occasionally it lifted itself up out of the mire (probably scenes from the beginning of the project) only to come crashing down again as everybody got bored and even more disheartened.
I was astonished to find how quickly I got bored watching this which is such a shame as it could have been something so much better.
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