Dorian Gray (2009)

A corrupt young man somehow keeps his youthful beauty eternally, but a special painting gradually reveals his inner ugliness to all.

Director:

Oliver Parker

Writers:

Toby Finlay, Oscar Wilde (novel)

Stars:

Ben Barnes, Colin Firth, Rebecca Hall

1 nomination.

Cast

Cast overview, first billed only:
Ben Barnes	...	Dorian Gray
John Hollingworth	...	Patrol Policeman
Cato Sandford	...	Rent Boy
Pip Torrens	...	Victor
Fiona Shaw	...	Agatha
Ben Chaplin	...	Basil Hallward
Caroline Goodall	...	Lady Radley
Maryam d'Abo	...	Gladys
Michael Culkin	...	Lord Radley
Colin Firth	...	Lord Henry Wotton
Emilia Fox	...	Lady Victoria Wotton
Nathan Rosen	...	Young Dorian
Jeff Lipman	...	Lord Kelso (as Jeffrey Lipman Snr)
Louise Kempton	...	Prostitute
Douglas Henshall	...	Alan Campbell

Storyline

A naïve young man. A lovelorn artist. A corruptible Lord. A deal with the Devil. It all paints a dark picture of a Victorian London and how the rich and infamous party at their peril. Here, the telling of time and its consequence of experience for life's treasures' takes its toll on the body, mind and soul. The haunting and bleak tale of power, greed, vanity and inevitable self-destruction is ever present amongst the deceit, opium dens and sin.

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Plot Keywords:

painting | jealousy | orgy | eternal youth | oscar wilde | 

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Taglines:

Forever Young. Forever Cursed.

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Genres:

Drama | Fantasy | Thriller

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Motion Picture Rating (MPAA)

Rated R for sexual content including nudity, violence and some drug use

Details

Official Sites:

Castello Lopes Mulimédia [Portugal]

Country:

UK

Language:

English

Release Date:

9 September 2009 (UK)

Also Known As:

El retrato de Dorian Gray

Filming Locations:

Basildon Park, Lower Basildon, Berkshire, England, UK

Box Office

Opening Weekend:

£883,148 (United Kingdom), 13 September 2009, Limited Release

Cumulative Worldwide Gross:

$20,563,362, 22 August 2010

Company Credits

Production Co:

Ealing Studios, Alliance Films, Fragile Films

Technical Specs

Runtime:

112 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Colin Firth and Emilia Fox, who play a married couple in this film, also starred as family members in the 1995 BBC Production of Pride and Prejudice (1995); only in that film, they were siblings.

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Goofs

In the opening shot, horse drawn carriages travel along a London street. The film is set in the 1890s but the road is smoothly tarmacked, a surface treatment invented in 1902 and only commercialised some years later.

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Quotes

Lord Henry Wotton: The only way to behave to a woman is to make love to her if she is pretty, and to someone else if she is plain.

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Crazy Credits

In the closing credits, one of the pieces of music played is listed as Haydn's "Sting Quartet" Op 76 No 4.

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Alternate Versions

During post-production, the film was tailored for a '15' certificate in the UK. According to the BBFC, the filmmaker cuts were as follows:

• A scene in which a tea party is inter-cut with shots showing Dorian's sadomasochistic excesses was toned down to remove or reduce the more explicit moments (explicit sight of a fingernail being pulled off, explicit sight of a chest being cut with a razor in a sexual context, explicit sight of blood being sucked from a woman's breasts and sight of a restrained man being beaten).
• Additionally, a murder scene was toned down to remove the sense of dwelling on the infliction of pain and injury (reduction in the number of stabbings, removal of a blood spurt from man's neck, reduction in sight of victim choking on his blood).

The subsequent version was then formally passed '15' by the BBFC without cuts, and released on DVD and Blu-ray.

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Connections

Version of Encounter: The Picture of Dorian Gray (1954)

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Soundtracks

St. Louis Rag
Written by Tom Turpin
Performed by Huw Watkins

User Reviews

Enjoy it for what it is: A picture show and nothing more.

The Picture of Dorian Gray, as penned by the Irish wit Oscar Wilde (1854 - 1900), is a tale of high-brow debauchery and limitless pleasures of body and soul and the corruption, by one Lord Henry Wotton, of the young, handsome and soon to be narcissistic 19th century rock 'n roll hell-raiser Dorian Gray.

Ealing Studios have translated Wilde's controversial novel into a celluloid den of iniquity that somehow comes across as rather shallow. Like the characters seen here too; it seems that as a work of symbolic gesture of how the upper classes conduct their sordid lifestyle of hypocrisy, deceit and lust it lacks any deep and thoughtful intrigue that any good 19th century Gothic horror story should be.

To fully understand the ethics of a Victorian London that Oscar Wilde has so wonderfully reflected with his novel here, we see, too, with this latest interpretation using, as Wilde may have done, the picture purely as a metaphorical means. Yes, we see the selling of souls here and the lamb to the slaughter and the hedonistic teachings of Lord Wotton, but toward the end, the whole sordid affair becomes predictable.

Penned with an undercurrent of realism and too fantasy of the love of sin. It's a dark, dirty, dingy setting of a self-indulgent Victorian London that we are lead to believe is prim and proper on the surface but lurking just below this weak, temperate society lies pure greed, greed for experience, experience that will transcend the mind, body and soul to the wondrous dealings of what life has to offer. For, as always, a price, a price both Oscar Wilde and Dorian Gray would pay the highest sacrifice.

It is with a taint of sorrow that this latest performance too has paid a price too high, sensationalism over content, ironies aside, the film seems too concerned to show the sordid details of this lifestyle and its inhabitants'. It lingers on too far in the bedrooms of London and strays too far from the mental anguish that may have been. We see the trouble mind of our young (looking) man but we see not enough of his fears, regrets, sorrows and repentance, which are cast aside and squandered. Welcome to the 21st century Mr. Wilde.

By the time the chimes of time are echoing in the distance we have Dorian fading into the far reaches of the eternal abyss of the afterlife. With all the time in the world we are still wanting more to feed our palates, it's all to aesthetically pleasing, but at the same time oh so unrewarding, a taster we are given but the full flavour we are, regrettably, spared.

This too may have its target audience and in so having picked its target out it may have trouble standing the test of time, due to its lack of wit, lack of diversity and a lack of daring and commitment of its original source. It is a sad loss that such a literary work of historical meaning and wealth should have been robbed of its qualities.