A naïve young man. A lovelorn artist. A corruptible Lord. A deal with the Devil. It all paints a dark picture of a Victorian London and how the rich and infamous party at their peril. Here, the telling of time and its consequence of experience for life's treasures' takes its toll on the body, mind and soul. The haunting and bleak tale of power, greed, vanity and inevitable self-destruction is ever present amongst the deceit, opium dens and sin.Written by
Unlike the movie poster, Dorian Gray does not have blue eyes but brown. See more »
In the opening shot, horse drawn carriages travel along a London street. The film is set in the 1890s but the road is smoothly tarmacked, a surface treatment invented in 1902 and only commercialised some years later. See more »
In the closing credits, one of the pieces of music played is listed as Haydn's "Sting Quartet" Op 76 No 4. See more »
During post-production, the film was tailored for a '15' certificate in the UK. According to the BBFC, the filmmaker cuts were as follows:
A scene in which a tea party is inter-cut with shots showing Dorian's sadomasochistic excesses was toned down to remove or reduce the more explicit moments (explicit sight of a fingernail being pulled off, explicit sight of a chest being cut with a razor in a sexual context, explicit sight of blood being sucked from a woman's breasts and sight of a restrained man being beaten).
Additionally, a murder scene was toned down to remove the sense of dwelling on the infliction of pain and injury (reduction in the number of stabbings, removal of a blood spurt from man's neck, reduction in sight of victim choking on his blood).
The subsequent version was then formally passed '15' by the BBFC without cuts, and released on DVD and Blu-ray. See more »
I've been puzzled by the negative reviews i've seen for this as i really enjoyed it. It looks superb, with some excellent atmospheric Victorian locations. Ben Barnes is perfect as Dorian, good looking but not bland & still sympathetic throughout the film. The character of Emily which has been invented for the film works very well, and Colin Firth is magnificent in his pivotal role. Dorians gradual deprivation is well shown without heading off into exploitation and he is given real depth. His tragedy is very obvious.I must admit to not having read the original book as yet, but I do intend to now. I really enjoyed it but for its full benefit I recommend seeing it at the cinema.
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