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RoboCop (2014)

PG-13 | | Action, Crime, Sci-Fi | 12 February 2014 (USA)
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RoboCop is a movie starring Joel Kinnaman, Gary Oldman, and Michael Keaton. In 2028 Detroit, when Alex Murphy, a loving husband, father and good cop, is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.

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4 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
... Alex Murphy / RoboCop
... Dr. Dennett Norton
... Raymond Sellars
... Clara Murphy
... Rick Mattox
... Jack Lewis (as Michael K. Williams)
... Liz Kline
... Tom Pope
... Chief Karen Dean
... Pat Novak
... Jae Kim
... Mayor Durant
... David Murphy
... Antoine Vallon
... Andre Daniels
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Storyline

The year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology. Overseas, their drones have been used by the military for years - and it's meant billions for OmniCorp's bottom line. Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it. When Alex Murphy (Joel Kinnaman) - a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit - is critically injured in the line of duty, OmniCorp sees their chance for a part-man, part-robot police officer. OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine pursuing justice. Written by Sony Pictures Entertainment

Plot Summary | Plot Synopsis

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We've got the future under control. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of action including frenetic gun violence throughout, brief strong language, sensuality and some drug material | See all certifications »

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Details

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Release Date:

12 February 2014 (USA)  »

Also Known As:

OmniCorp  »

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Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend USA:

$25,061,581, 16 February 2014, Wide Release

Gross USA:

$58,607,007

Cumulative Worldwide Gross:

$242,688,965, 5 September 2014
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The film takes place in 2028. See more »

Goofs

When Murphy realizes that his son David has an anxiety problem, he spins around with the bike. There are tire marks on the road from previous takes. See more »

Quotes

Clara Murphy: Alex. You need to come home.
RoboCop: Clara, please stand aside.
Clara Murphy: You need to speak to your son.
RoboCop: Right now, I see three crimes in progress.
Clara Murphy: Alex, listen to me. I know you're in there. David won't show his face at school. He's having nightmares. He's falling apart. I am falling apart. Please. I can't do this on my own. He's been scared ever since that night.
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Crazy Credits

The audio of the MGM logo is replaced by vocal effects generated by Samuel L. Jackson before the film begins with him exercising his voice before going on air. See more »

Connections

Referenced in Film '72: Episode dated 19 February 2014 (2014) See more »

Soundtracks

Anguish
Written & Performed by Doug Bossi & Justin Knowell
Courtesy of 5 Alarm Music
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Frequently Asked Questions

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User Reviews

Comparing with Paul Verhoeven's 1987 original version is unfair, but the new ROBOCOP here manages to stand on its own as a reasonably engaging effort.
29 January 2014 | by See all my reviews

In 2010, acclaimed director Darren Aronofsky (THE WRESTLER, BLACK SWAN) was originally attached to direct the ROBOCOP reboot. Frankly, I thought he was the right choice to reboot the once-popular franchise back in the late '80s. Unfortunately, he quits the project and Brazilian director Jose Padilha (ELITE SQUAD, ELITE SQUAD: THE ENEMY WITHIN) was brought in as his replacement. WHAT IS IT ALL ABOUT? When police detective Alex Murphy (Joel Kinnaman) is critically injured during a car explosion in front of his home, CEO of OmniCorp Raymond Sellars (Michael Keaton) sees him as a golden opportunity to make him feel alive again by turning him into "Robocop" -- a cyborg police officer which is touted as the future of law enforcement in America. However, OmniCorp doesn't realize that Murphy still has a personal vengeance in his mind to pursue the criminals who nearly caused him dead. THE GOOD STUFF Like the first two ELITE SQUAD movies, director Jose Padilha delivers the same raw intensity that gives ROBOCOP a quasi-documentary feel to the action sequences. Even though Padilha utilizes shaky camera-work, at least he doesn't make the scene so wobbly until the viewers unable to see what's really going on. The special effects are spectacular, while the costume design for the all-new Robocop in a black tactical body actually looks quite nifty. Swedish-American actor Joel Kinnaman (best known in the US for TV's The Killing) delivers an emotionally engaging performance as Alex Murphy and Robocop, while Michael Keaton steals most of the spotlight as the slimy CEO of OmniCorp Raymond Sellars and Gary Oldman gives a perfectly restrained performance as the sympathetic Dr. Dennett Norton. Other minor roles -- including Abbie Cornish as Murphy's wife, Clara; Jackie Earle Haley as the military tactician Mattox; and Samuel L. Jackson as the media host Pat Novak -- are all equally impressive. MOST MEMORABLE MOMENT(S) The brief but intense battle between Robocop and a small army of ED-209 during the climactic finale. THE BAD STUFF The biggest weakness in this ROBOCOP reboot is Joshua Zetumer's captivating but bloated screenplay. First of all, the story drags too much with Murphy's personal family matter with his estranged wife Clara (Abbie Cornish) and son David (John Paul Ruttan). Then there's the underwritten plot involving Murphy's personal vengeance against Antoine Vallon (Patrick Garrow), who is responsible for the car explosion. Even the so-called social commentary involving the "robo-phobic" issue quoted by Samuel L. Jackson's Pat Novak doesn't really say much that worth a debate. FINAL WORDS While the new ROBOCOP is far from a genre classic by any means, at least Jose Padilha's version isn't as bad as most people might have expected. Just put your mindset of the Paul Verhoeven's original 1987 version aside, and treat this as an entirely new movie altogether.


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