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RoboCop (2014)

PG-13 | | Action, Crime, Sci-Fi | 12 February 2014 (USA)
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1:35 | Trailer

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In 2028 Detroit, when Alex Murphy, a loving husband, father and good cop, is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.

Director:

José Padilha
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Popularity
1,076 ( 330)
4 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Joel Kinnaman ... Alex Murphy / RoboCop
Gary Oldman ... Dr. Dennett Norton
Michael Keaton ... Raymond Sellars
Abbie Cornish ... Clara Murphy
Jackie Earle Haley ... Rick Mattox
Michael Kenneth Williams ... Jack Lewis (as Michael K. Williams)
Jennifer Ehle ... Liz Kline
Jay Baruchel ... Tom Pope
Marianne Jean-Baptiste ... Chief Karen Dean
Samuel L. Jackson ... Pat Novak
Aimee Garcia ... Jae Kim
Douglas Urbanski ... Mayor Durant
John Paul Ruttan ... David Murphy
Patrick Garrow ... Antoine Vallon
K.C. Collins ... Andre Daniels
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Storyline

The year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology. Overseas, their drones have been used by the military for years - and it's meant billions for OmniCorp's bottom line. Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it. When Alex Murphy (Joel Kinnaman) - a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit - is critically injured in the line of duty, OmniCorp sees their chance for a part-man, part-robot police officer. OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine pursuing justice. Written by Sony Pictures Entertainment

Plot Summary | Plot Synopsis

Taglines:

We've got the future under control. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of action including frenetic gun violence throughout, brief strong language, sensuality and some drug material | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Persian | Ukrainian

Release Date:

12 February 2014 (USA) See more »

Also Known As:

OmniCorp See more »

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Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend USA:

$25,061,581, 16 February 2014, Wide Release

Gross USA:

$58,607,007

Cumulative Worldwide Gross:

$242,688,965, 5 September 2014
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Datasat | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

During the scene where RoboCop is presented to the public, you can read in the bottom headline news "Brazilian surfer Gui Padilha..". This is an homage to José Padilha's son. See more »

Goofs

When the phone video at the end is being played, you can hear the mechanism turning his neck through the glass. See more »

Quotes

Clara Murphy: Alex. You need to come home.
RoboCop: Clara, please stand aside.
Clara Murphy: You need to speak to your son.
RoboCop: Right now, I see three crimes in progress.
Clara Murphy: Alex, listen to me. I know you're in there. David won't show his face at school. He's having nightmares. He's falling apart. I am falling apart. Please. I can't do this on my own. He's been scared ever since that night.
See more »

Crazy Credits

The audio of the MGM logo is replaced by vocal effects generated by Samuel L. Jackson before the film begins with him exercising his voice before going on air. See more »

Connections

Referenced in Chelsea Lately: Episode #8.23 (2014) See more »

Soundtracks

Fly Me to the Moon (In Other Words)
Written by Bart Howard
Performed by Frank Sinatra
Courtesy of Frank Sinatra Enterprises LLC
See more »

Frequently Asked Questions

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User Reviews

 
the metaphysical paradox of the reviewer...
4 October 2015 | by A_Different_DrummerSee all my reviews

Is the reviewer writing the review the IMDb member is reading -- or is the member reading the review he was looking for, regardless of the text actually used? I ask because clearly that sort of thinking, that sort of dialog, was near and dear to the writer of this oddball film, yet, paradoxically, it is this very strangeness that gives the film historical worth, and the chance (however slim) that it may be remembered fondly by viewers of the the far future.

We will skip the metaphysical question as to why a remake was done of a perfectly serviceable and timeless classic? What the original may have have lacked in CGI, it made up for in heart, and in its almost unique satirical POV on modern corporation communications (which led to a series spin off on Canadian TV, BTW) But Hollywood likes reimagining stuff. Even Vincent Price as THE FLY was reborn as the forever self-aware Jeff Goldbloom, and we sense this was what was intended here too.

Reviewers notes: 1. Strange casting. A-List supporting cast (including the under-used Jackie Earle Haley) yet the lead himself seems uncomfortable in the role.

2. The references to Wizard of Oz are doubly ironic since the movie itself suffers as much of an identity crisis as the main character. Since this is clearly no longer an action film with embedded satire (the "origins" go for a full hour!) then what is it? Sci-fi? Horror? Fantasy? The viewer is left to decide.

Bottom line: not entertainment as we know it. More of a film school essay topic, along the lines of what was intended ... and why was this greenlighted?


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