In 2028 Detroit, when Alex Murphy, a loving husband, father and good cop, is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
The year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology. Overseas, their drones have been used by the military for years - and it's meant billions for OmniCorp's bottom line. Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it. When Alex Murphy (Joel Kinnaman) - a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit - is critically injured in the line of duty, OmniCorp sees their chance for a part-man, part-robot police officer. OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine pursuing justice.Written by
Sony Pictures Entertainment
Joshua Zetumer wrote the script for this movie based on unfinished draft by Edward Neumeier and Michael Miner, which they wrote in 1985 at the insistence of Paul Verhoeven, who wanted to make the original film more serious, it was ninety pages long. After reading the material, Verhoeven realized what was wrong, and decided to return to the original concept of humor and brutal satire on the corporate future. Edward Neumeier talks about it in Starlog #127 for February 1988 in article "RoboWriters!" by Lee Goldberg. See more »
(at around 12 mins) Squealing tires on rain covered street. See more »
What if I told you that even the worst neighborhood in America could be made completely safe. And what if I told you that this could be accomplished without risking the life of one single law enforcement officer. How do I know this? Because it's happening right now in every country in the world but the one. I'm Pat Novak, and welcome to The Novak Element.
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The audio of the MGM logo is replaced by vocal effects generated by Samuel L. Jackson before the film begins with him exercising his voice before going on air. See more »
I love Paul Verhoeven's RoboCop from 1987 (which remains iconic) and I usually don't like reboots. But watching the new one I never got rid of the feeling, that the remake is worth it. It is a whole new interpretation, that sets the focus on the topics of our time: robots, drones, the human aspect behind the technology, media critics, war propaganda. I felt, the movie has a mission to enlighten people and I liked that. It became even more obvious how much the RoboCop story exists within the topos of Frankenstein which is the story about the human devilment and the lack of respect of life. That's why Padilha gives Murphy more of a face, a life and feelings.
Beside that the pictures, the sound, the music is pretty contemporary. You probably have to make some compromises today to get the millions to get the flick done. It won't become iconic, but it's the right time for the right message in the right movie.
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