Following Jigsaw's grisly demise, Mark Hoffman is commended as a hero, but Agent Strahm is suspicious, and delves into Hoffman's past. Meanwhile, another group of people are put through a series of gruesome tests.
As a deadly battle rages over Jigsaw's brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.
Bodies are turning up around the city, each having met a uniquely gruesome demise. As the investigation proceeds, evidence points to one suspect: John Kramer, the man known as Jigsaw, who has been dead for over 10 years.
Callum Keith Rennie
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe. Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
Special Agent Strahm is dead, and Detective Hoffman has emerged as the unchallenged successor to Jigsaw's legacy. However, when the FBI draws closer to Hoffman, he is forced to set a game into motion, and Jigsaw's grand scheme is finally understood.Written by
(at around 7 mins) When Hoffman raises the lid of the "Glass Coffin", the blood remains on the lid in a fixed pattern, showing it is dry, even though it was only spurted on to it seconds before. See more »
SPOILER: There's an extra scene after the end credits: Amanda comes to the door of the place holding the little girl (the one that Hoffman "saves" at the end of "Saw IV" (2007)) and tells her "not to trust the one who saves her". See more »
Despite the R-rated theatrical cut only being available on DVD and in 4:3 "full screen" format, online streaming platform Vudu has this cut in its original 1.85 widescreen ratio and in high definition. Aside from this, rental-exclusive DVDs of the film (such as from Redbox) featured a widescreen transfer of the R-rated theatrical cut, albeit in standard definition. See more »
I am going to say it up front. The Saw series is a guilty pleasure of mine. That being said the last couple have not really engaged me all that much. After this one though, consider me back in the fold. Longtime series editor turned first time director Kevin Greutert has recharged the series and injected something these films have lacked since the beginning: humor.
Saw VI starts with a bang. You know right off the bat that this isn't the same dead serious almost somber type of Saw film you're used to. I'm going to give Greutert and company the benefit of the doubt here and assume that this is by design. You know when Jigsaw is putting people in traps for smoking too much that your tongue should be firmly planted in cheek. This film is also much more open and colorful than previous films. After the claustrophobic Saw V that seemed to take place in only three different rooms this is a welcome change of pace. Also the traps here are much more inventive than V and maybe even IV (nothing will best III in my mind for sheer over the top-ness). The amount of twists and surprises is also plentiful and really do help bring the game full circle. This is definitely not the transition film that the last one was and it really left me to wonder where exactly they can go from here. The twists and turns of the plot are not something I want to give away as its part of the fun but suffice to say if you've stuck with the series up until now you won't feel gipped as you walk out of the theater. The film follows Hoffman as he tries to stay one step ahead of the FBI while conducting a game involving John Kramer's insurance broker William who is put through a series of tests involving his co-workers. The film moves at a breakneck pace cutting back and forth between the two main plot threads while also throwing in the now famous Saw flashbacks to fill in the gaps of all the past movies. I was never bored and special mention has to be given to Greutert for really keeping this thing from getting bogged down in the procedural aspects that really plagued the last few films. This is balls to the wall entertainment and it delivers while also winking and nodding along the way. Saw also gets extremely topical here for the first time and the main thrust and theme of this film will hit home to anyone who even has a passing knowledge of current affairs in this country.
The only negatives I can really point out in the film is some of the suspect acting but again this might be done on purpose through the director's eyes to inject some humor without resorting to having Jigsaw or Hoffman crack jokes Freddy Krueger style while they dispense moral justice. We haven't gotten there yet, maybe Saw X. The other problem I had was that some of the back story really pushed the suspension of disbelief but I guess I shouldn't nit-pick because that has been a problem as far back as Saw II and is needed to stretch out this far anyway.
All in all this is easily the best Saw since the 2nd one and I am glad to see the series get back on track after the CSI elements of the last two films. This is Saw how I like it: down and dirty and over the top. Bring on Saw VII!
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