The lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.
Every year the most beautiful girl will be sacrificed to the Python God. When a girl named Sia is the next to be sacrificed, she hides in the house of the village idiot, a man who goes ... See full summary »
The only feature film by the painter and documentary filmmaker, Juergen Boettcher. Inspired by the Italian neo-realists, he developed a sensitive style characterized by accurate social ... See full summary »
While on a train, a teenage boy thinks about his life and the flamboyant aunt whose friendship acted as an emotional shield from his troubled family. This film evokes the haunting quality ... See full summary »
When their ship docks the crew disembark as usual to pick up their lives in postwar London. For one of them his petty smuggling turns more serious when he finds himself caught up with a robbery in the City.
Davies' film is divided into three segments entitled "Children", "Madonna and Child", and "Death and Transfiguartion". The segments tell the life of Robert Tucker. The first segment looks ... See full summary »
Sensitive, somewhat effeminate farm-boy Duncan Mudge can barely cope with grim, since Ma's death even gloomier father Edgar's manly expectations, and seeks comfort in petting a chicken he ... See full summary »
Terence Davies (1945- ), filmmaker and writer, takes us, sometimes obliquely, to his childhood and youth in Liverpool. He's born Catholic and poor; later he rejects religion. He discovers homo-eroticism, and it's tinged with Catholic guilt. Enjoying pop music gives way to a teenage love of Mahler and Wagner. Using archival footage, we take a ferry to a day on the beach. Postwar prosperity brings some positive change, but its concrete architecture is dispiriting. Contemporary colors and sights of children playing may balance out the presence of unemployment and persistent poverty. Davies' narration is a mix of his own reflections and the poems and prose of others.Written by
a melancholic memoir filled with a bitter tone of loss and regret
This evocative mood piece will resonate strongly with those who have seen Terence Davies' autobiographical film Distant Voices, Still Lives, a haunting portrait of a family in post-war Liverpool, which is widely regarded as one of the best British films of the past twenty years. This documentary tracing the history of Liverpool in the post WWII years is a deeply personal film for Davies, who explores the way in which the city has changed over 60 years. Drawing upon his own memories of his childhood and a wealth of archival footage, Davies explores the dichotomy of Liverpool – the character of the old city and the impersonal nature of the new – and the conflict between his Catholic upbringing and his homosexuality. Davies reveals how his love of movies and the wrestling helped save him. His rich, erudite and poetic narration adds a rich texture to the material, which explores how the working class city of Liverpool has lost much of its sense of identity over time. The film is filled with anecdotes drawing upon his childhood memories, all of which are beautifully illustrated by archival footage accompanied by popular songs from the era. This richly evokes a time and a place. Davies draws upon poetry, popular songs from yesteryear as source material for many of his quotes and literary readings. Davies also displays a wonderfully iconoclastic sense of humor, as he colorfully expresses his disdain for Liverpool's favorite sons The Beatles, and his contempt for the Royal family. The film is a melancholic memoir filled with a bitter tone of loss and regret. Of Time And The City is a much more accessible film than Guy Maddin's recent obscure My Winnipeg, which similarly attempted a nostalgic look at the city of his birth.
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