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High-strung father-to-be Peter Highman is forced to hitch a ride with aspiring actor Ethan Tremblay on a road trip in order to make it to his child's birth on time.

Director:

Todd Phillips

Writers:

Alan R. Cohen (screenplay), Alan Freedland (screenplay) | 4 more credits »
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3,269 ( 825)
7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Robert Downey Jr. ... Peter Highman
Zach Galifianakis ... Ethan Tremblay
Michelle Monaghan ... Sarah Highman
Jamie Foxx ... Darryl
Juliette Lewis ... Heidi
Danny McBride ... Lonnie
RZA ... Airport Screener
Matt Walsh ... TSA Agent
Brody Stevens ... Limo Driver
Jakob Ulrich Jakob Ulrich ... Patrick
Naiia Ulrich Naiia Ulrich ... Alex
Todd Phillips ... Barry
Bobby Tisdale ... Carl
Sharon Conley ... Airport X-Ray (as Sharon Morris)
Nathalie Fay ... Flight Attendant
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Storyline

In Atlanta on business, straight-laced and overly analytical architect Peter Highman is flying home to Los Angeles and his wife Sarah for the imminent birth of their first child. However, traveling by plane no longer becomes an option when he and a fellow passenger, aspiring actor Ethan Tremblay, are kicked off the plane, which was caused by Ethan's social inappropriateness, due to being generally unaware, exacerbated by Peter's temper at a situation against his sensibilities. Peter, who ends up without money or his suitcase, is forced to accept Ethan's offer of a shared car ride to Los Angeles, Ethan who is looking for his big acting break. For Peter, this partnership is one made in hell, but he feels he has no other choice. Peter obviously wants to take as direct and as quick a route as possible, while he is at Ethan's mercy as the person with the driver's license, car rental and money. They get into one misadventure after another on this trip, with the same issue at each ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Leave Your Comfort Zone See more »


Motion Picture Rating (MPAA)

Rated R for language, drug use and sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

5 November 2010 (USA) See more »

Also Known As:

Todo un parto See more »

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Box Office

Budget:

$65,000,000 (estimated)

Opening Weekend USA:

$32,689,406, 7 November 2010, Wide Release

Gross USA:

$100,539,043, 27 January 2011

Cumulative Worldwide Gross:

$211,780,824, 27 January 2011
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The black pickup truck driven by Darryl (Jamie Foxx) is a Dodge Warlock, produced only from 1976 to 1979. See more »

Goofs

While driving through Texas, there is a sign with directions to Interstate 75. Interstate 75 is several hundred miles east of Texas. See more »

Quotes

[first lines]
Peter Highman: I just had the strangest dream. It's Friday. We're at the hospital. But it's not a hospital, it's a, a, a forest of sorts. And I know that because right next to you there's a bear. A grizzly, cooling his feet in a stream. And all of a sudden, you begin to deliver, and I can't get to you. But the bear can. And the next thing I know, he is holding our beautiful baby boy. And here's where it gets odd. Uh, he chews the cord. But, strangely, I'm okay with it. That's gotta be a good sign.
See more »

Connections

References Planes, Trains & Automobiles (1987) See more »

Soundtracks

Closing Time
Written by Dan Wilson
Performed by Danny McBride
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Frequently Asked Questions

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User Reviews

 
Stick with its predecessor - Planes, Trains, and Automobiles
11 December 2011 | by dfranzen70See all my reviews

I think that Due Date operates under the main premise that the viewer has never heard of Planes, Trains, and Automobiles, for if they had, they'd be wondering why they were watching the same movie with all the jokes stripped out. Due Date is, in total, neither a terrible nor an offensive film. Its problem is that it's a little too bitter, thus eliminating with surgical precision any empathy we might have for its two protagonists. It's a road trip with an obvious end in sight and somewhat unpredictable wacky hijinks in between. You could do worse, but you could do much better.

Peter Highman (Robert Downey, Jr.) is an architect who's attempting to fly out of Atlanta back home to Los Angeles to be with his wife Michelle Monaghan, who's about to give birth. But thanks to a bag mixup with a fellow traveler named Ethan Trembley (Zach Galifianakis), Peter finds himself stranded in Atlanta, placed on the national No Fly list (minor misunderstanding, of course). Ethan offers him a cross-country ride in his rental, and off we go.

The movie uses the trope of mismatched people enduring a common experience. Peter is uptight, dithering endlessly about what to name his newborn. Ethan is, well, flighty. In fact, Galifianakis seems to be playing the same character he played in the two Hangover films: childlike, maybe psychopathic and/or sociopathic, not all there. He's wildly misinformed about such things as the Grand Canyon and the Hoover Dam, but he is heading west to try to make it as an actor in Hollywood. Oh, and did I mention he's carrying the ashes of his deceased father in a coffee can to dispose of along the way? Well, there's that, too.

You and I both know that there's no way Peter and Ethan will make it from Georgia to California without any problems. But Peter has no choice - his wallet was confiscated at the airport, and his bags are on their way to LA. He has no cash and no ID. It could happen to anyone. So he's essentially at Ethan's mercy. Along the way, we learn much about the characters and what makes them tick, but whereas the earlier Planes, Trains got melancholy without getting maudlin, this one achieves no such feat.

Downey, Jr. and Galifianakis give it their best shot, and to tell the truth they're not bad. They make an okay team; it's just that it's a teaming we've seen before, and much better. Steve Martin and John Candy got into their share of situations that would never happen to a normal person, but they also ran into problems with which we could all relate; here, it's more of the former than the latter. It's as if the movie keeps daring itself to get weirder and weirder.

The final, near-fatal flaw of the movie is that it really doesn't give you anyone to root for - except of course at the end. It's a comedy, after all. But these guys do some rather nasty things to each other, and not in the oh-no-he-didn't sort of way, either; rather, in the scowling, almost hateful way. It's a little disconcerting at times. But the actors do their best, as I said, and you could do worse.


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