Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
In Atlanta on business, straight-laced and overly analytical architect Peter Highman is flying home to Los Angeles and his wife Sarah for the imminent birth of their first child. However, traveling by plane no longer becomes an option when he and a fellow passenger, aspiring actor Ethan Tremblay, are kicked off the plane, which was caused by Ethan's social inappropriateness, due to being generally unaware, exacerbated by Peter's temper at a situation against his sensibilities. Peter, who ends up without money or his suitcase, is forced to accept Ethan's offer of a shared car ride to Los Angeles, Ethan who is looking for his big acting break. For Peter, this partnership is one made in hell, but he feels he has no other choice. Peter obviously wants to take as direct and as quick a route as possible, while he is at Ethan's mercy as the person with the driver's license, car rental and money. They get into one misadventure after another on this trip, with the same issue at each ...Written by
After Ethan accidentally shoots Peter, they pull over. Ethan runs out of the car, pleading for Peter not to panic and the camera's shadow can be seen on back of the truck. See more »
I just had the strangest dream. It's Friday. We're at the hospital. But it's not a hospital, it's a, a, a forest of sorts. And I know that because right next to you there's a bear. A grizzly, cooling his feet in a stream. And all of a sudden, you begin to deliver, and I can't get to you. But the bear can. And the next thing I know, he is holding our beautiful baby boy. And here's where it gets odd. Uh, he chews the cord. But, strangely, I'm okay with it. That's gotta be a good sign.
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I found this an uneven film, which relied on large wacky set pieces set alongside very serious (bordering on mawkish) emotional moments making for an awkward stop-start feel. Some plot points didn't go anywhere and others had nowhere near the possible comic payoff you were expecting.
Personally I found the film lacked a certain energy, in between the large plot points there is very little funny dialogue or character development which ultimately what makes a road movie like this work.
Robert Downey Jnr. plays the neurotic straight man up to 11, but often this leads to him going borderline psychotic, while Zach Galifianakis is seemingly a dozen 'wacky' characters you've seen before all rolled into one. It certainly makes for an odd couple but not the best.
Its hardly a terrible film but it doesn't flow and feels almost like a first draft. I tried to ignore the unrealistic elements and plot holes but there's quite a few. This was disappointing more than anything as the Hangover managed to balance the off-the-wall elements well for comic effect, here however it just left me unfulfilled.
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