An absurdist comedy short starring David Lynch and his son, Austin, who play two bizarre, high pitched characters with a very unique way with words. They encounter a large, destructive human figure referred to as "The Neighbor Boy".
A nameless woman (Marion Cotillard) enters her Shanghai hotel room to find a vintage record playing and a blue Dior purse that seems to come from nowhere. The security guards that search ... See full summary »
this is just brilliant to me. I love the parallels that Lynch made in his past three films of placing reality directly next to fantasy pointing at the truths in fantasy. He furthered these juxtapositions by placing scenes next to scenes with minimal logical correspondence in Inland Empire creating a narrative with a unique logic and form. Now we see deleted scenes of fantastic monologues, dialogues and images edited together to make a piece with fragile, psychological emotions at the forefront and demonstrative reason in the basement. It is hard to watch without linking it with what I know from Inland Empire but I did try to watch it as a stand alone film.
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