In this fast paced action thriller, a taxi driver living in the Yanbian Province of China goes to South Korea when a local gangster offers him to carry out a hit on a professor in return for repaying his debt. In the meanwhile, he also searches for his wife who had come here but had not responded since 6 months. His suspicion of her betrayal makes his tension rise, before something unexpected happens that night on which he is prepared to kill the professor. Soon, he finds himself running for his life from police and the mob, resulting in a lot of violent fights and intense car chases.Written by
The US R-Rated version was heavily edited but it's based on the shorter Korean Director's Cut, but apart from some minor story cuts several short cuts typical for the MPAA had to be made due to depiction of action, violence and sex. The Director's Cut runs 4 minutes and 3 seconds longer than the US R-Rated version. See more »
The latest Korean thriller to make the international leap is quite an event. Weighing in at a respectable 140 minutes (still 17 minutes shorter than the Korean version) it is filled to the brim with as much grit as anyone could wish for. I knew from the opening voice-over that I wasn't in for a barrel of laughs. The cold monotone relating the tale of a childhood pet dog that died of rabies set the tone for the uncompromisingly grim two-and-a-bit hours to follow. The story follows Gu-Nam, a taxi-driver struggling to make ends meet in a province between Korea and China. His wife has moved away to earn money but hasn't made contact.. In an impossible hole of debt, he is offered a way out. He has to go to Korea and kill someone there. The gangster (the ruthless and unflappable Myun) offering this once-in-a- lifetime chance will, of course, kill his family if he fails. Not, you might think, a terribly original plot idea but there are a number of qualities which make it rather special. First, the setting; South Korea's major cities provide a wonderfully bleak backdrop to the action and much of this is rather beautifully showcased by director Hong-Jin Na. But more than this, the film gives an insight into aspects of Korean culture never normally seen by the Western world, particularly the discrimination against the region Gu-Nam is from (the name of which I will not attempt to type). However, the film's defining feature must be its sheer, visceral grit. Everything, including our desperate protagonist feels painful and dirty. The bloody fight scenes are utterly devoid of glamour and deliberately so. Sadly however, this also robbed them, for me at least, of much of the charm I normally find in well-choreographed fight scenes. This is a trend continued throughout the film. The story, though fairly linear, is complicated by a plethora of characters and the audience is given little to nothing in the way of tantalising hints to lead us through. Essentially, Na has gone out of his way to produce as brutal and harsh a film as he could and, in the process, sacrificed a great deal of potential enjoyment.
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