Shortkut - The Con Is On

Anil Kapoor Production comes up with a poorly executed, so called comedy, which doesn't even a single comic sequence to talk about. In fact it simply should not be called a comedy at all, since the main plot with the actual fun element unbelievably comes after 2 long hours in the film. And before that you are enforced to see all the boring, predictable and badly written scenes which completely fail to generate any kind of interest in the viewers.

The first half talks about friends betraying each other and a stolen script which makes the career of Arshad Warsi and ruins the future of Akshay Khanna. Along with this, the love angle has Amrita Rao playing a well known actress and Chunky Pandey playing the acting guru, managing Arshad Warsi's filmi career. In spite of having a bollywood based concept, the movie doesn't excite you at all and even makes you feel uneasy watching the dull and unentertaining portrayal of the movie world. Moreover it is also quite weird to see Amrita Rao dancing with veterans, Anil Kapoor and Sanjay Dutt in a routine item song. Amrita just looks like a tiny young girl caught between two huge grown up giants on the dancing floor.

Director Neeraj Vora, who is known for some worth mentioning associations in his career, delivers a very childish kind of product having nothing to offer in the name of comedy. Aneez Bazmee, the writer, seems to have written the project in his extra time without any special efforts put in for entertainment. And due to this lack of spirit in the project, all the actors fail to deliver any noticeable performance in the movie, acting simply as their routine job.

Arshad Warsi, tends to go overboard this time and is not able to entertain. Akshay Khanna is again loud as seen in some of his earlier performances. Chunky Pandey opts for more hamming in his scenes and that too without any comedy. Amrita Rao, finally decides to shed a few clothes and agrees to become the glamour element in the movie (though she signs only few good projects..?). The rest of the cast is just there as needed with only one sweet performance by Tiku Talsania, who plays the soft hearted movie producer helping Akshay. Cinematography and Music department has got nothing new to offer other than the usual stuff. Hence, a good catchy song needed to push a big project now a days, was surely missing.

Story wise, the plot did have the required punch for a comedy, but it was not incorporated properly as expected from the director Neeraj Vora. The movie keeps on swinging between various genres as a pendulum. And in the first half it more looks like an emotional drama than a comedy. Actually, the main comic part of the movie starts just before the climax when Akshay decides to complete his movie in an unusual style. But till then it becomes too late to cover up the mess.

However, may be this main comedy plot in the story, was pushed deliberately towards the end, since it is highly inspired from the movie "Bowfinger" released in 1999. Even the tag line "The Con is on" is also borrowed as it is from the English Comedy featuring Steve Martin & Eddie Murphy.

With "Global Awareness" regarding Indian Movies, growing stronger than ever before, the producers may have decided to use less of the inspired plot, adding more new angles into the storyline. In any case, the main point is that the most entertaining part of the story, which could have resulted in a good comedy, has been strangely used only towards the climax. And due to that, the movie cannot be tagged merely as a Bollywood Comedy from any angle.

Officially "Shortkut" is said to be the remake of a Malayalam movie "Udayananu Tharam". But that too was released in 2005, much later than "Bowfinger" which came in 1999. So here's another movie from a big production house with a stamp of "Inspired One". If asked for a recommendation, I would simply request to opt something else for an entertaining weekend this time.

I had not seen much promos of this and had just heard one or two songs from this and was therefore quite surprised with its contents. Yes! Its true that there are not shortcuts in life and this is exactly what this showed with some humour added to it. A Assistant Director, quits his job and wants to be a full time director. But he has two problems. The first being that he is in love with an established actress and therefore doesn't want people to think that its because of her he has become a director. The second problem is that a struggling actor, who is also a friend of his believes that there are short cuts to everything and also steals his script and will stoop to any level to gain what he wants.

Starring Akshaye Khanna, Amrita Rao and Arshad Warsi and Chunkey Pandey,. Anil Kapoor and Sanjay Dutt make a special appearance. Directed by Neeralj Vora, the movie is produced by Anil Kapoor, while Javed Akhtar has penned the lyrics.

Amrita Rao, has really changed in her looks and looks better as she works in each film. Playing the role of an established actress has suited her well and again, she has proved her talent, once again. Akshaye Khanna, is as usual at his best and has also proved that he is able to do both comedy and serious roles at the same time. Arshad Warsi is the same – at his best, while Chunkey Pandey, is also good in a comic role and plays a convincing role of a partner to Arshad Warsi.

Javed Akhtar has penned a couple of very good and memorable songs, while the Director, Neeraj Vora has superbly balanced the story equally between comedy and serious drama and has maintained the meaning that "there's no short cut" in anything.

The movie, with humour, portrays the meaning that if one wants succeeds, then they have to work for it and in order to achieve that, there's no short cut.

This is definitely one of the better movies this year and is worth watching.

Seems like Anil Kapoor's attempt in production backfires every time. First it was under-rated "Gandhi My Father" and now "over-rated" Shortkut. Heavily borrowing from Hollywood and Malayalam, Neeraj & Anees Bazmee forgot to give a shoe-shine to the product. Should have learnt an important lesson from their master, Priyadarshan.

For a comedy to succeed, one doesn't need good comic actors. It eventually boils down to the content and timing. Sadly the actors have pushed their limit to the get only the latter right. The screenplay is slow and dialogues painfully stale resulting in a yawn.

Love-track between Akshaye & Amrita starts off on a "Notting Hill" note and ends up "Akele Hum Akele Tum" even before you have settled in. Circuit seems have gone over Arshad Warsi's head and it shows. Chunky Pande was wasted.

It was unwarranted for the plot to move on foreign locales and a tail of producers to go with. And one of the producer was a bad hybrid of Paresh Rawal & Rajpal Yadav. Good Samaritan's were thrown in plenty in addition to coincidences in the plot - cinematic liberties might be an apt word perhaps. Amrita Rao's parents were a straight dig at Ameesha Patel, eh?

Verdict: Poor show... bad conning.

Neeraj Vohra after the pathetic PHP comes back with another crap comedy The film is pathetic and doesn't make you laugh mostly barring some few lines which look better in the promo

The film does have a plot but it's handled so badly it makes you cringe Akshaye Khanna needs to get off such messy films and Arshad too needs to try something else Direction is poor Music is bad

Amongst actors Akshaye Khanna is loud at times and good at times, another pathetic role with a bad wig Arshad Warsi overacts badly Amrita Rao tries hard to pass off as a hot babe and fails the rest are nothing great

Another flop copy of a very good Malyalam movie. Director Priyadarshan started this trend. The reason he succeeds most of the time because he is also the Director for the Malyalam movie. So he knows the emotions for each scene so keeping the Bollywood audience in mind he makes some changes but cuts it pretty close to the original movie. Mr. Neeraj Vora has gained success in the past with Hera Pheri, Bhool Bulaiya etc., all Malyalam movies but there was no evidence of that quality here. Firstly the characters were absolutely wrong. Besides Munnabhai, Arshad Warsi hasn't been able to make any in roads in any other movie. Secondly Akshay Khanna is an actor with limited acting skills. The character in this film required a higher level if not superior skills. Mr. Mohanlal the superstar of Malyalam movie and Srinivasan were superb together. Both the movies were also inspired by the king of comedy Eddie Murphy's "Bowfinger". The dialog writer must take equal blame for this debacle. The dialogs lacked creativity and were bland at best. The characters just sleep walked through all the scenes like zombies. Arshad Warsi tried his best to lift the movie through his now stale comedic style but that just didn't cut the cheese. Songs was nothing much to write home about. My advise, save your money buy yourself a good lunch instead.