Technical Specifications
| Runtime | 2 hr 12 min (132 min) |
| Sound Mix | Dolby Digital | SDDS | Datasat | IMAX 6-Track |
| Color | Color |
| Aspect Ratio |
1.43 : 1
(70mm IMAX - some scenes)
1.90 : 1 (IMAX Digital - some scenes) 2.39 : 1 |
| Camera |
Arriflex 435 Xtreme, Panavision G-Series Lenses
IMAX MSM 9802, Hasselblad Lenses Iwerks MSM 8870, Hasselblad Lenses Panavision Panaflex Millennium XL2, Panavision Primo, C-, E-, G-Series, ATZ and AWZ2 Lenses Red Epic, Panavision Primo and C-Series Lenses (some scenes) |
| Laboratory |
Barrandov Laboratore, Prague, Czech Republic
(dailies provided by)
Company 3, Los Angeles (CA), USA (digital intermediate and dailies provided by) DeLuxe, Hollywood (CA), USA (color timing) FotoKem Laboratory, Burbank (CA), USA (special large format services provided by) Kodak Cinelabs, Dubai, United Arab Emirates (dailies) Technicolor Creative Services, Vancouver, Canada (dailies provided by) The Chimney Pot, Dubai, United Arab Emirates (dailies provided by) Universal Production Partners (UPP), Prague, Czech Republic (dailies provided by) Vancouver Laboratory, Inc. (dailies provided by) |
| Film Length |
3,628 m
(Spain)
3,632 m (Portugal) |
| Negative Format |
35 mm
(Kodak Vision3 200T 5213, Vision3 500T 5219)
65 mm (horizontal) (Kodak Vision3 200T 5213, Vision3 500T 5219) Redcode RAW |
| Cinematographic Process |
Digital Intermediate
(4K) (master format)
Dolby Vision IMAX (source format) (some scenes) Panavision (anamorphic) (source format) Redcode RAW (3.3K) (5K) (source format) (some scenes) Super 35 (source format) (one scene) |
| Printed Film Format |
35 mm
(Kodak Vision 2383)
70 mm (horizontal) (IMAX DMR blow-up) (Kodak Vision 2383) D-Cinema |
