In Los Alamos, New Mexico, the twelve year-old Owen is a lonely and outcast boy bullied in school by Kenny and two other classmates; at home, Owen dreams of avenging himself against the trio of bullies. He befriends his twelve-year-old next door neighbor, Abby, who only appears during the night in the playground of their building. Meanwhile, Abby's father is a wanted serial-killer who drains the blood of his victims to supply Abby, who is actually an ancient vampire. Abby advises Owen to fight Kenny; however, soon he discovers that she is a vampire, and he feels fear and love for the girl. Meanwhile a police officer is investigating the murder cases, believing that it is a satanic cult.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The title of the original Swedish novel, and the film based on it, is "Låt den rätte komma in", which means "Let the right one in". The English-language translation title was Let Me In. See more »
(at around 1h 6 mins) When Kenny, Mark and Donald first confront Owen at the ice pond, Mark's hands are out of his jacket. When the camera angles to show Kenny, Mark and Donald's faces, Mark's hands are suddenly in his jacket. See more »
One-three-one to dispatch, come in.
One-three-one, this is dispatch, go ahead.
This is one-three-one. We have a male, mid 50s, with burns over nine to nine and a half percent of his body. Prior to our arrival on scene, the patient apparently doused his head, neck and face with some sort of highly concentrated acid. patient's airway is severely compromised due to fume inhalation. Vital signs unstable. Please advise, patient is a federal suspect. We're coming in with a ...
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The movie's end credits are in the form of black text on a white background, which is the opposite of most movie credits, which are usually white text on a black background. See more »
Given the background to this film, I must start by saying I have neither read the book it is based on, nor seen the 2008 Swedish original. After watching this masterpiece, I intend to do both.
This is a truly sensational film. When you can't really pin a film down to a specific genre, you know you're onto something special. Calling this film a "vampire movie" doesn't really do it justice, given the preconceived notions most film goers bring to the genre. It is part horror, part dark family drama, part love story, with all 3 categories succeeding admirably.
In my estimation, the director has come on in leaps and bounds since "Cloverfield", a movie with a clever idea that was hampered by a poor cast and so-so execution. Here the director sets a mood of oppression and isolation from the very earliest frames and never lets up. The locations are used superbly, as are lighting and sound to create the gloomy world poor Owen is stranded in.
The film undeniably belongs to Chloe Grace Moretz as the young vampire Abby. This girl is an absolute powerhouse of an actress, turning in a dark, subtle and convincing performance that belies her tender age of 12. If she does not make the shortlist for next year's Oscars, the Academy needs its collective head examined. She embodies the potent mixture of lovable innocence and animalistic darkness within Abby with such ease, you will be genuinely astounded.
My fellow Aussie, Kodi Smit-McPhee, is also excellent, making you really feel for the put-upon Owen and share in his joy at finding a spark of happiness with the mysterious Abby. The entire film falls apart if this pair fail to convince, so it is a testimony to their respective talents (particularly Moretz') that you invest so heavily in their relationship.
Don't let the press about this film being a remake put you off. I must say I'm very disappointed to see this hasn't done too well at the box office in the USA, as it is a vastly superior film to the likes of "Paranormal Activity 2".
If anyone is in two minds about seeing this film, take the gamble and shell out your hard-earned. You'll be glad you did, if for no other reason than witnessing one of the most impressive performances by a child actor in cinema history.
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