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Let Me In (2010)

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Let Me In is a movie starring Kodi Smit-McPhee, Chloë Grace Moretz, and Richard Jenkins. A bullied young boy befriends a young female vampire who lives in secrecy with her guardian.

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Writers:

(screenplay), (screenplay "Låt den rätte komma in") | 1 more credit »
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Popularity
1,053 ( 65)
14 wins & 28 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Owen
... Abby
... The Father
... Owen's Mother
... The Policeman
... Virginia
... Larry
... Jack
... Mr. Zoric
... Kenny
... Mark (as Jimmy Jax Pinchak)
... Donald
... Nurse
... High School Kid
... Lanky Kid
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Storyline

In Los Alamos, New Mexico, the twelve year-old Owen is a lonely and outcast boy bullied in school by Kenny and two other classmates; at home, Owen dreams of avenging himself against the trio of bullies. He befriends his twelve-year-old next door neighbor, Abby, who only appears during the night in the playground of their building. Meanwhile, Abby's father is a wanted serial-killer who drains the blood of his victims to supply Abby, who is actually an ancient vampire. Abby advises Owen to fight Kenny; however, soon he discovers that she is a vampire, and he feels fear and love for the girl. Meanwhile a police officer is investigating the murder cases, believing that it is a satanic cult. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Plot Keywords:

school | vampire | night | blood | boy | See All (119) »

Taglines:

Innocence dies. Abby doesn't.


Motion Picture Rating (MPAA)

Rated R for strong bloody horror violence, language and a brief sexual situation | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

1 October 2010 (USA)  »

Also Known As:

Fish Head  »

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$5,147,479, 4 October 2010, Wide Release

Gross USA:

$12,134,420, 5 December 2010
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Copies of the film were sent to members of the Academy of Motion Picture Arts & Sciences to be screened on November 19, 2010. It was viewed on the last day of the Oscar screenings. See more »

Goofs

In the first hospital scene the policeman is not out of the room long enough for the events in the second version of that scene (Abby visiting her "father" Thomas) to take place. See more »

Quotes

[first lines]
Paramedic #1: One-three-one to dispatch, come in.
Radio Dispatcher: [after delay] One-three-one, this is dispatch, go ahead.
Paramedic #1: This is one-three-one. We have a male, mid 50s, with burns over nine to nine and a half percent of his body. Prior to our arrival on scene, the patient apparently doused his head, neck and face with some sort of highly concentrated acid. patient's airway is severely compromised due to fume inhalation. Vital signs unstable. Please advise, patient is a federal suspect. We're coming in with a ...
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Crazy Credits

The movie's end credits are in the form of black text on a white background, which is the opposite of most movie credits, which are usually white text on a black background. See more »

Connections

Referenced in Rakugo eiga (2012) See more »

Soundtracks

Breakup Song
Written by Greg Kihn, Stephen Wright & Gary Phillips (as Gary Phillipet)
Performed by the Greg Kihn Band
Licensed by Arrangement with Rye Boy Music administered by Joel S. Turtle
Courtesy of Sanctuary Records Group Limited
Under license from Universal Music Operations Ltd
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Frequently Asked Questions

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User Reviews

 
A beautifully composed film
3 October 2010 | by See all my reviews

I'm not one for "scary" movies, but this movie was so much more than that. And in a time where I'm becoming more and more reluctant to watch vampire films, I needed a movie like this to remind me just how good this type of subject matter can be. Kodi Smit-McPhee and Chloe Moretz were phenomenal. They brought a subtlety to there characters that was gently heartbreaking at times, while exquisitely silent and perceptive at others. The dynamic of the characters was tangible, and the viewer ends up with a sense - not of whether the actions of the characters are right or wrong or whether vampirism itself is okay when presented with the face of a 12-year-old girl - but of whether they themselves believe in the rightness or wrongness of where the story takes this young boy. Unlike most "scary" movies, this one leaves the viewer with something to think about when they leave the theater. And if that's not good storytelling, I don't know what is.

The soundtrack was beautifully mellow at times as well as keeping on point for the more thrilling parts of the film. The shots were lovely and simple at times and rather artistically impressive at others.


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