6.9/10
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170 user 257 critic

The Debt (2010)

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In 1965, three Mossad agents cross into East Berlin to apprehend a notorious Nazi war criminal. Thirty years later, the secrets the agents share come back to haunt them.

Director:

John Madden

Writers:

Matthew Vaughn (screenplay), Jane Goldman (screenplay) | 3 more credits »
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Popularity
2,547 ( 2,593)
13 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Helen Mirren ... Rachel Singer
Tom Wilkinson ... Stephan Gold
Ciarán Hinds ... David Peretz
Romi Aboulafia ... Sarah Gold
Tomer Ben David Tomer Ben David ... Sarah's Husband
Ohev Ben David Ohev Ben David ... Sarah's Son
Jonathan Uziel ... Mossad Agent
Elana Kivity Davenport Elana Kivity Davenport ... Publisher
Eli Zohar Eli Zohar ... Stephan's Driver
Irén Bordán Irén Bordán ... Seminar Moderator (Tel Aviv 1997)
Jessica Chastain ... Young Rachel
Marton Csokas ... Young Stephan
Sam Worthington ... Young David
Jesper Christensen ... Doktor Bernhardt / Dieter Vogel
Brigitte Kren ... Frau Bernhardt / Nurse
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Storyline

The espionage thriller begins in 1997, as shocking news reaches retired Mossad secret agents Rachel (Helen Mirren) and Stefan (Tom Wilkinson) about their former colleague David (Ciarán Hinds). All three have been venerated for decades by their country because of the mission that they undertook back in 1965, when the trio (portrayed, respectively, by Jessica Chastain, Marton Csokas, and Sam Worthington) tracked down Nazi war criminal Vogel (Jesper Christensen) in East Berlin. At great risk, and at considerable personal cost, the team's mission was accomplished - or was it? The suspense builds in and across two different time periods, with startling action and surprising revelations. Written by Focus Features

Plot Summary | Plot Synopsis

Taglines:

Every secret comes with a price

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for some violence and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA | UK | Hungary | Israel

Language:

English | German | Russian

Release Date:

31 August 2011 (USA) See more »

Also Known As:

Al filo de la mentira See more »

Filming Locations:

Hungary See more »

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$9,949,109, 4 September 2011, Wide Release

Gross USA:

$31,177,548, 3 November 2011

Cumulative Worldwide Gross:

$45,636,368, 3 October 2011
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This is the second movie Ciarán Hinds has played a Mossad agent. The first time was in Munich (2005). See more »

Goofs

The Ukrainian newspaper page that Helen is looking at has been written with many misspellings. See more »

Quotes

[first lines]
Young Stephan: Breathe.
See more »

Connections

Referenced in Mall Ratz XXX (2011) See more »

Soundtracks

The Bridal Chorus
(uncredited)
Written by Richard Wagner
Played on the piano by Stephan
See more »

Frequently Asked Questions

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User Reviews

 
The Debt's potential is spoiled by sloppy writing
31 August 2011 | by chaz-28See all my reviews

Is the truth actually what happened or what everyone believes happened? The Debt attempts to answer the question and almost succeeds if it were not for some very poor screen writing. It is 1966 and Mossad has finally tracked down the infamous Birkenau surgeon, Dieter Vogel (Jesper Christensen). Dr. Vogel is very high on the list of Nazi war criminals the Israelis are hunting down because of the atrocities he committed at his concentration camp. He would deliberately blind children to see if he could change eye color and cut off hands and feet and reattach them on the wrong limbs to see what happened.

The spy team assigned to kidnap him and bring him to justice are team leader Stephan (Marton Csokas), David (Sam Worthington), and Rachel (Jessica Chastain). Their story is told in flashback and the first half of it is absolutely riveting. Rachel poses as a woman with fertility issues and becomes a patient of Dr. Vogel who is hiding as an OBGYN in the Soviet sector of East Berlin. The tension during the examination room scenes are the highlight of the film with both Rachel and the doctor verbally maneuvering to ensure the other person is who they think they are.

After a convincing action sequence, the story abruptly turns from a kidnap/escape scenario into a hostage situation. This is one of the points where the film just falls apart. Mossad and their agents are the best in the entire world at their art. There is no way such highly trained agents would fall victim to and resort to the amateur hour theatrics which come with the hostage sequence. The script is riddled with illogical and bizarre events which only occur during the film's most important sequences for some reason.

Fast forward to 1997 and now older Rachel (Helen Mirren) is at her daughter's book release party which describes the team's successful mission to Berlin all those years ago. Older Stephen (Tom Wilkinson) is also around for the recollections. The 1997 scenes are adeptly written and filmed, especially scenes with Mirren. Tom Wilkerson is just along for the ride. Unfortunately, the movie's climax is one of the most preposterous situations a decent film has been saddled with. It is so ridiculous that a two hour meeting with the writers would still not convince me this was the best way to resolve the story's actions and issues. The mood and atmosphere are destroyed and the audience collectively shook their heads in disbelief at the mockery on screen.

Screenwriters Matthew Vaughn, Jane Goldman (X-Men: First Class, Kick-Ass), and Peter Straughan (The Men Who Stare at Goats) adapted this screenplay from an earlier film. The Debt's first hour is quite good with adept flow from 1997 to 1966 and the truly suspenseful scenes between Chastain and Christensen. However, their handling of the hostage situation and the absurd climax are what really hurt this film and makes the audience shake their heads with the 'Oh, what might have been' lament.


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