Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But, when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
English rock star Aldous Snow relapses into drugs and booze after a break up and a disastrous record. In L.A., Aaron Green works for a record company stuck in recession. Aaron's boss gives him a career making task - to bring Aldous from London to L.A. for a concert in 72 hours. That day, Aaron's girlfriend Daphne tells him she wants to finish her medical residency in Seattle. Aaron's sure this ends their relationship. In London, things aren't much better: Aldous delays their departure several times, plies Aaron with vices, and alternates between bad behavior and trenchant observations. Can Aaron moderate Aldous's substance abuse and get him to the Greek? What about Daphne?Written by
When Aaron leaves with the front desk clerk to get heroin, it is obviously sunny outside as they're driving to his house. After the desk clerk is stabbed and Aaron is driving him to the hospital, it is nighttime again. See more »
I'm responsible for your talent, son. I wrote all your songs off the tip of my cock.
Yeah, I just don't get how talent can be contained in one's spunk.
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After the end credits role, Aaron Green's hallucination of Sergio's head appears saying, "Go home. Get the fuck out of the theater. The movie's over." See more »
Oh what a character. If you love Russell Brand, seeing this movie should be a no-brainer for you. His character was the best part of "Forgetting Sarah Marshall," and it's the best part of "Get Him to the Greek."
If you enjoyed "Forgetting Sarah Marshall," be aware that Greek is far more outrageous and crude, even to the point of getting past that suspension of disbelief that is the holy barrier of Do-Not-Cross when it comes to these types of movies.
Performances are top-notch (except for an occasionally overacting P. Diddy), and the production values are just tremendous. The "music videos" and occasional cameos are just masterful!
Just be aware - there are a few exceptionally uncomfortable scenes, one of which is a huge misstep, and just very awkward (you'll know when you see it).
Overall, though, a fun movie. No, you'll forget you saw it soon after, but you'll have a rockin' time while you're there.
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