Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But, when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
English rock star Aldous Snow relapses into drugs and booze after a break up and a disastrous record. In L.A., Aaron Green works for a record company stuck in recession. Aaron's boss gives him a career making task - to bring Aldous from London to L.A. for a concert in 72 hours. That day, Aaron's girlfriend Daphne tells him she wants to finish her medical residency in Seattle. Aaron's sure this ends their relationship. In London, things aren't much better: Aldous delays their departure several times, plies Aaron with vices, and alternates between bad behavior and trenchant observations. Can Aaron moderate Aldous's substance abuse and get him to the Greek? What about Daphne?Written by
Jonah Hill previously starred in the film Forgetting Sarah Marshall, of which this movie is a spin-off of, as the character Matthew the Waiter. See more »
When Aaron calls Daphne from the club and he starts to argue with her, she is drinking a beer and pacing in front of the kitchen window. Several members of the film crew are visible in the reflection from the window. See more »
[urging Aaron to put drugs up his rectum]
Come on, mate, we ain't got all day. It's not recreational, it's not meant to be a hobby, just get it up there. Close the door behind ya.
See more »
After the end credits role, Aaron Green's hallucination of Sergio's head appears saying, "Go home. Get the fuck out of the theater. The movie's over." See more »
Opening up with the shooting of Aldos Snow's latest music video and then showing his downward spiral that leads to present day was the hilarious, perfect beginning for this innovative comedic spin-off. If you saw 'Forgetting Sarah Marshall' then this is exactly what you would expect a movie about Aldos Snow to be like. This movie has a heart that I did not expect to see, it's buried under lewd, vulgar and brilliant wit, but it's in there.
Russell Brand just opens his mouth and his words are comedic gold. Jonah Hill takes a step out of his comfort zone, a bit, and plays a "no confidence good guy". (Usually he's the overconfident prick, for all you naysayers). Diddy delivers a surprisingly strong performance that I'm sure shocked anyone who sees him. He's actually hilarious! His repartee with everyone he comes into contact with is spot-on. The entire cast has hilarious one-liners and the two main characters really make this movie a joy to watch.
The plot is actually a creative one, something we don't see a lot of nowadays. Albeit the humor treads into "familiar gross-out" jokes, there are clever jokes too. But it's all you have to expect when following "Rock and Roll personified". Another point I was surprised by was that a lot... a lot of the scenes from the trailers were not in the movie. I thought that was a good and bad thing. Good because it didn't show us stuff we've already seen and gave us the chance to see new stuff. But bad because a few of the scenes were real funny.
For the critics who are hating this movie: Do you like comedy? Do you like Apatow's stuff? Do you like Russell Brand or Jonah Hill? If the answer is no to any 2 of these... why are you reviewing this movie? Your opinion is pointless for the people that actually DO like these movies.
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