6.5/10
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The Headless Woman (2008)

La mujer sin cabeza (original title)
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1:38 | Trailer
After hitting something with her car, a bourgeois Argentine woman's life slowly descends into paranoia and isolation, as she fears she may have killed someone.

Director:

Lucrecia Martel

Writer:

Lucrecia Martel
9 wins & 19 nominations. See more awards »

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Cast

Cast overview:
María Onetto ... Verónica
Claudia Cantero Claudia Cantero ... Josefina
Inés Efron ... Candita
César Bordón César Bordón ... Marcos
Daniel Genoud Daniel Genoud ... Juan Manuel
Guillermo Arengo Guillermo Arengo ... Marcelo
María Vaner ... Tía Lala
Alicia Muxo Alicia Muxo
Pía Uribelarrea Pía Uribelarrea
Sebastián Montagna Sebastián Montagna
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Storyline

This film is centered around Vero, an Argentinean bourgeois woman, and how her life slowly twists out of control after she hits something, or someone, with her car. Here comes the incident that changes everything, as Vero is driving, she is distracted by her cell phone and looks down to get to it. By the time she does this, her car hits something but the camera stays in it as we see her car shaking and rattles. Although Vero seems indifferent about the situation, it is clear that it has a toll on it as she acts different from the Vero that we saw briefly at the beginning of the film. She acts clumsy and out of place, barely saying anything, and when she does, it doesn't always make sense or has a lot of substance. This solidifies towards the end of the movie when she is going to retrace her steps to remember her memory, but in the hospital and the Hotel she stayed in, there was no record proving that she was there. This makes the audience wonder if all this really happened or if Vero,... Written by Myria Davis

Plot Summary | Plot Synopsis


Certificate:

Unrated | See all certifications »
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Details

Official Sites:

Ad Vitam [France]

Country:

Argentina | France | Italy | Spain

Language:

Spanish

Release Date:

21 August 2008 (Argentina) See more »

Also Known As:

The Headless Woman See more »

Filming Locations:

Salta, Argentina

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Box Office

Opening Weekend USA:

$14,778, 23 August 2009

Gross USA:

$100,177

Cumulative Worldwide Gross:

$305,766
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

This film was chosen in position 89 in the list of the best 100 films of the XXI century by the BBC See more »

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User Reviews

 
Head's Up to the undercurrent rushing beneath the surface of "The Headless Woman".
27 October 2016 | by jtncsmistadSee all my reviews

Wow. A lot going' on here. So let's jump right into a hearty but brief dissection of the unusual and unorthodox Argentinean drama "The Headless Woman".

A well-to-do dentist (María Onetto in a mesmerizing performance) hits something with her car on a dirt back road. A dog? A kid? It's not made expressly clear as she doesn't go back to investigate, instead choosing to drive onward. This occurs in the first few minutes of the story. For the rest of the film we watch as this woman descends ever deeper into a kind of detached and dazed mental and emotional disintegration. Metaphorically, she has "lost her head". Is she riddled by guilt? Fear? Uncertainty? Anything and everything? Writer/Director Lucrecia Martel never brings this entirely into focus, not unlike several of the fuzzily photographed scenes she utilizes to tell her peculiar tale.

One thing for sure, however. Martel has intentionally fashioned a treatise on an indoctrinated class separation between "the haves" and "the have-nots". She decisively presents this socioeconomic chasm as firmly entrenched institution in her native Argentina.

What is not nearly as obvious is the interpretation of "The Headless Woman" as allegorical commentary. And while, granted, this may be a stretch, it is not out of line by any means, either. To wit, Martel seems to be suggesting that this woman's capacity to put a potential tragedy behind her virtually as if it had never even happened is at least effectively similar to an apparent reluctance by many in Argentina to recognize the appalling and systematic mass executions by the country's government of those classified as dissident and subversive from the mid-1970's through the mid-'80's.

The closing blurred images of "The Headless Woman" depict a bewildered soul, one by way of the machinations of those around her who possess the power inherent to make unpleasant things "go away", is free to go on about the privileged preoccupations of fraternizing and partying with those of "her kind". And may the past be damned.

Or, more accurately, as we have come to understand over the trancelike course of events heretofore chronicled, and which are almost unquestionably still fated to linger in the memory of this descendant of the fortunate, damning.


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